Joyce Studies Annual: Tables of Contents [Issues & Articles] (1990- )

Source: The Joyce Studies Annual website at www.utexas.edu/utpress/journals/jajsa.html
TOCs for 2001, 2002, 2003 & 2007 are also available at: muse.jhu.edu/journals/joyce_studies_annual/
[accessible ss PFD by password]
 
Joyce Studies Annual is indexed and/or abstracted in the Annual Bibliography of English Language and Literature, International Bibliography of Book Reviews, International Bibliography of Periodical Literature, and Modern Languages Association of American International Bibliography. After 2003 the journal migrated to Fordham UP where it appears under the editorship of Moshe Gold & Philip Sicker.

1990 1991 1992 1993 1994
1995 1996 1997 1998 1999
2000 2001 2002 2003* 2004
2005 2006 2007 [...]
*published by Fordham UP after this issue/date

Joyce Studies Annual (1990)
  • Thomas F. Staley, Preface.
  • Thomas F. Staley & Randolph Lewis [Eds.], Selection From the Paris Diary of Stuart Gilbert, 1929-1934.
  • Fritz Senn, In Quest of a nisus formativus Joyceanus.
  • David Hayman, I Think Her Pretty: Reflections of the Familiar in Joyce’s Notebook VI.B.5.
  • Margot Norris, The Politics of Childhood in “The Mime of Mick, Nick, and the Maggies”.
  • Bernard Benstock, The Anti-Schematics fo Finnegans Wake.
  • Robert Janusko, Yet Another Anthology for the “Oxen”: Murison’s Selections.
  • Richard Brown, Eros and Apposition: Giacomo Joyce.
  • Rosa Maria Bollettieri Bosinelli, Beyond Translation: Italian Re-writing of Finnegans Wake.
  • Mark Osteen, Narrative Gifts: “Cyclops” and the Economy of Excess.
  • Will Goodwin, Annual James Joyce Checklist: 1989.
 
Joyce Studies Annual (1991)
  • Thomas F. Staley, Preface
  • Willard Potts, The Catholic Revival and “The Dead”
  • Garry M. Leonard, Women on the Market: Commodity Culture, “Femininity” , and “Those Lovely Seaside Girls” in Joyce’s Ulysses
  • Jeffrey Seagall, Thirteen Ways of Looking at an Ad-Canvasser: Bloom and the Politics of Joyce Criticism
  • Ira B. Nadel, The Incomplete Joyce
  • Vincent J. Cheng, White Horse, Dark Horse: Joyce’s Allhorse of Another Color
  • Donald F. Theall, The Hieroglyphs of Engined Egypsians: Machines, Media,and Modes of Communication in Finnegans Wake
  • Bonnie Kime Scott, “The Look in the Throat of a Stricken Animal”: Joyce as Met by Djuna Barnes
  • Jacques Aubert, From History to Memories: Joyce’s Chateaubriand as Celtic Palampcestor
  • Will Goodwin, Annual James Joyce Checklist: 1990.
    Notes and Documents:
  • Jean-Michel Rabaté, Darantière and the Ulysses Page Proofs: “Thank Maurice”: A Note about Maurice Darantiere
  • Richard Watson, The Provenance of the Final Corrected Page Proofs of James Joyce’s Ulysses
  • Sue Murphy, Conservation Treatment for the Final Pages Proofs of James Joyce’s Ulysses
  • The Editors, No Allegory Where None Intended: Beckett and Boyle on Joyce .
 
Joyce Studies Annual (1992)
  • Thomas F. Staley, Preface.
  • Danis Rose and John O’Hanlon, eds., Ireland and James Joyce: Documents from the National Archive.
  • Bryan Cheyette, “Jewgreek is greekjew”: The Disturbing Ambivalence of Joyce’s Semitic Discours in Ulysses.
  • Morton P. Levitt, The New Midrash: Finnegans Wake.
  • Ira B. Nadel, “Unriddling the Writing”: The Letters of James Joyce, Vol. I.
  • Joseph Kelly, Stanislaus Joyce, Ellsworth Mason, and Richard Ellmann: The Making of James Joyce.
  • Richard B. Watson and Randolph Lewis, comp., The Joyce Calendar: A Chronological Listing of Unpublished and Ungathered Letters by James Joyce.
  • Will Goodwin Annual James Joyce Checklist: 1991.
    Notes and Documents
  • Adrian Frazier, Rapprochement with a Very Old Man: Joyce’s London Meetings with George Moore.
  • Ira B. Nadel, Moune Gilbert’s “”Remembrances”.
  • Adelaide Kugel, “Wroth Wrackt Joyce’: Samuel Roth and the “Not Quite Unathorized’ Edition of Ulysses.
  • Charles Rossman, Henry Miller on Joyce vs. Lawrence.
 
Joyce Studies Annual (1993)
  • Thomas F. Staley, Preface.
  • Catherine Fahy, The James Joyce/Paul Léon Papers in the National Library of Ireland: Observations on Their Cataloguing and Research Potential.
  • Vincent J. Cheng, Empire and Patriarchy in “The Dead”.
  • Corinna del Greco Lobner, “Sounds are Impostures”: From Patronymics to Dante’s Trombetta.
  • Thomas C. Hofheinz, Vico, Natural Law Philosophy, and Joyce’s Ireland.
  • Laurent Milesi, The Perversions of Aerse and the Anglo-Irish Middle Voice is Finnegans Wake.
  • William S. Brockman, “Catalogue these books”: Joyce Bibliographies, Checklists, Catalogs, and Desiderata.
  • Will Goodwin, Annual James Joyce Checklist: 1992.
    Notes and Documents
  • Danis Rose and John O’Hanlon, The Origin of Dubliners: A Source.
  • Corinnna del Greco Lobner, A Giornalista Triestino: James Joyce’s Letter to Il Marzocco.
  • Elizabeth Dunn, Joyce and Modernism in the John Rodker Archive.
  • Sidney Monas, Joyce and Russia.
  • John Gordon, Royal Losers.
 
Joyce Studies Annual (1994)
  • Thomas F. Staley, Preface.
  • John Gordon, Approaching Reality in “Circe”.
  • Edward L. Bishop, Re: Covering Ulysses.
  • William S. Brockman, American Librarians and Early Censorship of Ulysses: “Aiding the Cause of Free Expression”?
  • Robert M. Polhemus, Dantellising Peaches and Miching Daddy, the Gushy Old Goof: The Browning Case and Finnegans Wake.
  • R. J. Schork By Jingo: Genetic Criticism of Finnegans Wake.
  • Will Goodwin Annual James Joyce Checklist: 1993.
  • Vincent Deane Greek Gifts: Ulysses into Fox in VI.B.10.
  • Neil Cornwell More on Joyce and Russia: Or Ulysses on the Moscow River.
  • Richard B. Watson The Letter of James Joyce: Repositories and Publications.
  • Patrick J. Ledden Letter: Some Comments on Vincent Cheng’s Empire and Patriarchy in “The Dead’” [in JSA, 1993].
  • Index to Joyce Studies Annual (1990-1994)
 
Joyce Studies Annual (1995)
  • Preface, Thomas F. Staley.
  • Jacques Aubert, On Friendship in Joyce.
  • Derek Attridge, The Postmodernity of Joyce: Chance, Coincidence, and the Reader.
  • Arnold Goldman, Elliot Paul’s Interwar “Whodunits”.
  • William Anastasi with Michael Seidel, Jarry in Joyce: A Conversation.
  • Philip Sicker, Leopold’s Travels: Swiftian Optics in Joyce’s “Cyclops”.
  • Thomas Jackson Rice, The Complexity of Finnegans Wake.
  • Inge Landuyt & Geert Lernout, Joyce’s Sources: Les grands fleuves historiques.
  • Will Goodwin, Annual James Joyce Checklist: 1994.
  • Friedhelm Rathjen, Why Lambay? Ascot or Epsom?
 
Joyce Studies Annual (1996)
  • Thomas F. Staley, Preface.
  • Sidney Feshbach, The Magic Lantern of Tradition on A Portrait of the Artist as a Young Man.
  • Timothy G. McMahon, Cultural Nativism and Irish-Ireland: The Leader as a Source for Joyce’s Ulysses.
  • Marsanne Brammer, Joyce’s “hallucinian via’: Mysteries, Gender, and the Staging of “Circe”.
  • Austin Briggs, The Full Stop at the End of “Ithaca” : Thirteen Ways - and Then Some - of Looking at a Black Dot.
  • Margaret McBride, Finnegans Wake: The Issue of Issy’s Schizophrenia.
  • Kelly Anspaugh, “When Lovely Wooman Stoops to Conk Him”: Virginia Woolf in Finnegans Wake
    Notes and Documents
  • Harry Burrell, Chemistry and Physics in Finnegans Wake.
  • Zack Bowen, Bernard Benstock (1930-1994)
 
Joyce Studies Annual (1997)
  • Thomas F. Staley, Preface.
  • James L. Calderwood, Joyce’s Portrait: Centered Mazes and Decentered Universes.
  • Tracey Teets Schwarze, Voyeuristic Utopias and Lascivious Cities: Leopold Bloom, Urban Spectatorship and Social Reform.
  • Wilhelm Füger, SCRIPTSIGNS: Variants of Iconicity in Joyce and Their Cultural Contexts.
  • David Hayman,The Manystorytold of the Wake: How Narrative Was Made to Inform the Non-Narrativity of Night.
  • Wim Van Mierlo, The Freudful Couchmare Revisited: Contextualizing Joyce and the New Psychology.
  • Colleen Jaurretche, Waking to Obscurity: Finnegans Wake and John of the Cross’ Dark Night
    Notes and Documents
  • Michael Seidel, Two Notes on Finnegans Wake : Joyce, Maria Edgeworth, George Orwell.
  • Harry Burrell, Chemistry and Physics in Finnegans Wake, Part III.
  • Friedhelm Rathjen, Letter re Briggs’ “Ithaca’s Dot”.
 
Joyce Studies Annual (1998)
  • Thomas F. Staley, Preface.
  • Edward L. Bishop, The “Garbled History” of the First-edition Ulysses.
  • Gregory M. Downing Richard Chenevix Trench and Joyce’s Historical Study of Words.
  • Sergey S. Horujy, Ulysses in a Russian Looking-Glass.
  • Sheldon Brivic, Toni Morrison’s Funk at Finnegans Wake.
  • William S. Brockman, Jacob Schwartz - “The Fly in the Honey”.
 
Joyce Studies Annual (1999)
  • Thomas F. Staley, Preface.
  • Robert Spoo, Copyright and the Ends of Ownership: The Case for a Public-Domain Ulysses in America.
  • Erwin R. Steinberg, The Source(s) of Joyce’s Anti-Semitism in Ulysses.
  • Will Goodwin, “A Very Pretty Picture M. Matisse But You Must Not Call It Joyce” : The Making of the Limited Editions Club Ulysses. With Lewis Daniel’s Unpublished Ulysses Illustrations.
  • Paul Gleason, Dante, Joyce, Beckett, and the Use of Memory in the Process of Literary Creation.
  • Dirk Van Hulle, Beckett - Mauthner - Zimmer - Joyce.
    Notes
  • James P. Sullivan, “All off for a buster”: An Early Version.
  • Jayne Blankenship, Letter Regarding Briggs’ “The Full Stop at the End of “Ithaca”: Thirteen Ways - and Then Some - of Looking at a Black Dot’.
 
Joyce Studies Annual (2000)
  • Thomas F. Staley, Preface.
  • John McCourt, The Importance of Being Giacomo.
  • Stanley Sultan, Joycesday.
  • Sam Slote, The Prolific and the Devouring in “The Ondt and the Gracehoper”.
  • Moshe Gold, A Proverbial Tale of Tree or Stone: Joyce’s Rewriting of Plato’s Reminders.
  • Michael J. Powers, Issy’s Mimetic Night Lessons: Interpellation and Resistance in Finnegans Wake.
  • Aida Yared, Joyce’s Sources: Sir Richard F. Burton’s Terminal Essay in Finnegans Wake.
  • Finn Fordham, Mapping Echoland.
    Notes and Documents
  • Erwin R. Steinberg & Christian W. Hallstein, Ulysses: an Anti-Bildungsroman.
 
Joyce Studies Annual (2001)
  • Arnold Goldman, Two New Ulysses Working Drafts.
  • Eric Bulson, Getting Noticed: James Joyce’s Italian Translations.
  • Alberto Lázaro, James Joyce’s Encounters with Spanish Censorship, 1939-1966.
  • Milo Zatkalic, Is there Music in Joyce and Where do We Look for It?
  • Ken Monaghan, Dublin in the Time of Joyce.
  • Zack Bowen, The New York James Joyce Society.
  • Vivien Igoe, The Early Joyceans in Dublin.
  • Thomas F. Staley, The Early Days of the Dublin Symposium [var. Adventures in the Joyce Trade]
  • Renzo S. Cravelli, Joyce and Trieste: From the Joyce Festival to the Trieste Joyce School.
  • Morris Beja, “A Symposium All His Own”: The International James Joyce Foundation.
  • Rosa Maria Bollettieri Bosinelli, The European Finnegans Wake Study Group: 1970-1971.
  • Karen Lawrence, Building on the Foundation: Women in the IJJF.
    Notes
  • Friedhelm Rathjen, Horses Versus Cattle in Ulysses
  • Friedhelm Rathjen, Joyce in Galsworthy
 
Joyce Studies Annual (2002)
  • Thomas F. Staley Preface.
  • Austin Briggs, The First International James Joyce Symposium: A Personal Account.
  • Wim van Mierlo, Reading Joyce in and out of the Archive.
  • Alan Friedman, Stephen Dedalus’s non serviam: Patriarchal and Performative Failure in A Portrait of the Artist as a Young Man.
  • Jefferey Simons, The Soft, the Sweet, and Bloom.
  • Kevin Attell, Of Questionable Character: The Construction of Subject in Ulysses.
  • Eric D. Smith, “I have been a Perfect Pig”: A Semiosis of Swine in “Circe”.
  • Richard Brown, “When in Doubt do Gender”: Constructing Masculinities in “Penelope”, “theyre all Buttons men”.
  • Thomas P. Balázs, Recognizing Masochism: Psychoanalysis and the Poetics of Sexual Submission in Ulysses.
    Notes
  • Michael J. Sidnell, Mac(k)intosh the Noun.
 
Joyce Studies Annual (2003)
 
  • Thomas F. Staley, Preface.
  • Arnold Goldman, Notes on the New Joyce Manuscripts.
  • Michael Groden, The National Library of Ireland’s New Joyce Manuscripts: An Outline and Archive Comparisons.
  • Terence Killeen, Ireland Must Be Important...
  • Gareth Downes, The Heretical Auctoritas of Giordano Bruno: The Significance of the Brunonian Presence in James Joyce’s The Day of the Rabblement and Stephen Hero.
  • Jurgen Grandt, “Might be what you like, till you hear the words”: Joyce in Zurich and the Contrapuntal Language of Ulysses.
  • Philip Sicker, Unveiling Desire: Pleasure, Power and Masquerade in Joyce’s “Nausicca” Episode.
  • Keri E. Ames, The Oxymoron of Fidelity in Homer’s Odyssey and Joyce’s Ulysses.
    Notes
  • Friedhelm Rathjen, James Joyce as Cyclist.
 
Joyce Studies Annual (2007)
  • Philip Sicker & Moshe Gold, Preface.
  • Edmund L. Epstein, The Content and Form of Finnegans Wake: With a Synopsis of the Wake.
  • Margot Norris, Possible-Worlds Theory and Joyce’s “Wandering Rocks”: The Case of Father Conmee.
  • Matthew Creasy, Manuscripts and Misquotations: Ulysses and Genetic Criticism.
  • Lorraine Wood, Joyce’s Ineluctable Modality: (Re)Reading the Structure of “Sirens”.
  • Vicki Mahaffey, Love, Race, and Exiles: The Bleak Side of Ulysses.
  • John McCourt, Joyce’s Well of the Saints.
  • Frank Shovlin, “Endless Stories About the Distillery”: Joyce, Death, and Whiskey.
  • Leonid Osseny, Inner monologue [illustrations for Ulysses]
  • Art Zilleruelo, Untext, Narrative Neurosis and Psychosis, and Oedipus Dedalus: Form-warp in Ulysses
 
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