Suheil Badi Bushrui & Bernard Benstock, eds., James Joyce: An International Perspective: Centenary Essays in Honour of the late Sir Desmond Cochrane (Gerrards Cross: Colin Smythe [16 June] 1982), 301pp. CONTENTS: A Message from Samuel Beckett [vii]; In Memoriam Sir Desmond Cochrane 1918-1979 [ix]; Foreword: Richard Ellmann, Joyce After a Hundred Years [xi]; Acknowledgements [xiii]; Suheil Badi Bushrui & Bernard Benstock, Introduction ; Geróid Ó Clérigh, James Joyce: Nó Séamas Seoighe , poem; Terence Brown, Dublin of Dubliners ; Charles Rossman, The Readers Role in A Portrait of the Artist as a Young Man ; Dominic Daniel, Exiles: A Moral Statement ; Bernard Benstock, On the Nature of Evidence in Ulysses ; Vivian Mercier, John Eglinton as Socrates: A Study of Scylla and Charybdis ; John Paul Riquelme, Twists of the Tellers Tale: Finnegans Wake ; Francis Warner, The Poetry of James Joyce ; John Montague, James Joyce , poem; David Norris, A Turnip for the Books: James Joyce, a Centenary Tribute ; Augustine Martin, Sin and Secrecy in Joyces Fiction ; Declan Kiberd, The Vulgarity of Heroics: Joyces Ulysses ; Suzanne Brown, Night Fox: For James Joyce ; Phillip Herring, Joyce and Rimbaud: An Introductory Essay ; Ann Saddlemyer, James Joyce and the Irish Dramatic Movement ; Suheil Bushrui, The Wanderer: For James Joyce ; Paul van Caspel, Joyce Studies in the Netherlands ; Paul & Sylvia Botheroyd, Joyce in Germany and Switzerland ; Suheil Bushrui, Joyce in the Arab World ; Thomas F. Staley, Following Ariadnes String: Tracing Joyce Scholarship into the Eighties ; Suheil Bushrui, Chronology ; Contributors ; Index [293-301].
E. L. Epstein, ed., A Starchamber Quiry: A James Joyce Centennial Volume 1882-1982, with an afterword by Clive Hart (London: Methuen 1982; rep. 1983),
164pp. James Joyce and His Civilisation [ix];
Hugh Kenner, Notes towards an Anatomy of Modernism ; James Joyce and His Orders ;
Fritz Senn, Weaving, unweaving ; James Joyce and the body ;
E. L. Epstein, James Joyce and the body ; James Joyce and the Soul ;
Robert Boyle, SJ, Worshipper of the Word: James Joyce and the Trinity ; James Joyce and his Readers ;
Clive Hart: Afterword: Reading Finnegans Wake . Epigraph: These four claymen clomb together to hold their sworn starchamber quiry on him. For
he was ever their quarrel, the way they would see themselves. (FW475.18-20.)
Derek Attridge & Daniel Ferrer, eds., Post-structuralist Joyce: Essays from the French (Cambridge UP 1984), 162pp. CONTENTS: Attridge & Ferrer, Introduction: Highly continental evenements ; Helene Cixous, Joyce: The (r)use of writing [15; extract]; Stephen Heath, Ambiviolences: Notes for reading Joyce ; Jacques Aubert, riverun ; Jean-Michel Rabaté, Lapsus ex machine ; André Topia, The Matrix and the echo: Intertextuality in Ulysses ; Daniel Ferrer, Circe: regret and regression , Jacques Derrida, Two words for Joyce [145-59]. Contributors . Bibl. - origins of the texts: Hélène Cixous, Joyce, la ruse de lécriture, in Poétique, 4 (1970), pp.419-32; rep. in Prénoms de personne (Paris: Editions du Seuil 1974); Stephen Heath, Ambiviolences: Notes pour la lecture de Joyce, in Tel Quel, 50 (1972), pp.22-43, and Do., 51 (1972), pp.64-76; Jacques Aubert, Riverrun, in Change, 11 (1972), pp.120-30; Jean-Michel Rabaté, Lapsus ex machina, in Poétique, 26 (1976), pp.152-72; André Topia, Contrepoints joyciens, in Poétique, 27 (1976), pp.351-71; Daniel Ferrer, Circé, ou les regrès éternels , to be published in Les Cahiers de lHerne [c.1984]; Jacques Derrida, Deux mots pour Joyce [paper given at the Centre Georges Pompidou, 1982].
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Heyward Ehrlich, ed., Light Rays: James Joyce and Modernism (NY: New Horizon 1984), 224pp. CONTENTS: [Prologue]; Richard Ellmann, Two perspectives on Joyce; [Introduction]; Heyward Ehrlich, James Joyces Light Rays; Part 1: Popular Culture]; Leslie Fieldler, To Whom does Joyce Belong?; Ruby, Ulysses as Parody, Pop and Porn; Zack Bowen, Joyce and the Modern Coalescence; [Part 2: Experimental Literature]; Hugh Kenner, Whos he when hes at home?; Fritz Senn, Remodeling Homer; Ihab Hassan, Finnegans Wake and Postmodern Imagination; [Part 3: The New Sexuality]; Morris Beja, The Joyce of Sex: Sexual Relations in Ulysses; Robert Boyle, Joyces Consubstantiality: Woman as Creator; [Part 4: Contemporary philosophy]; Morton P. Levitt, The Modernist Age: The Age of James Joyce; Margot Norris, From The Decentered Universe of Finnegans Wake; [Part 5: Neoteric Psychology]; Norman O. Brown, Closing Time: An Interlude of Farce; [Part 6; Avant Garde Music]; John Cage, Writing for the Second Time through Finnegans Wake; John Cage, From The Wonderful Widow of Eighteen Springs; Pierre Boulez, From Third sonata and Structures II; [Part 7: Abstract Art]; Shari Benstock, The Double Image of Modernism: Matisses Etchings for Ulysses; Evan Firestone, James Joyce and the First Generation New York School; Ad Reinhardt, A Portend of the Artist as a Jhung Mandala.
Bernard Benstock, ed., Critical Essays on James Joyce (Boston: G. K. Hall 1985), 236pp. CONTENTS: Ezra Pound, Dubliners and Mr. James Joyce; H. G. Wells, James Joyce; T. S. Eliot, Ulysses, Order, and Myth ; Edmund Wilson, The Dream of H.C. Earwicker; Samuel Beckett, Dante...Bruno, Vico...Joyce; Stuart Gilbert, The Rhythm of Ulysses; Frank Budgen, Joyces Chapters of Going Forth by Day; Richard M. Kain, Talking about Injustice: James Joyce in the Modern World; Richard Ellmann, The Backgrounds of The Dead; Hugh Kenner, The Cubist Portrait; Clive Hart, The Elephant in the Belly: Exegesis of Finnegans Wake; Fritz Senn, Book of Many Turns; Robert Boyle, S.J., Miracle in Black Ink: A Glance of Joyces Use of his Eucharistic Image; Bernard Benstock, The Dead: A Cold Coming; David Hayman, Nodality and the Infra-structure of Finnegans Wake; Thomas F. Staley, A Beginning: Signification, Story, and Discourse in Joyces The Sisters; Wolfgang Iser, Doing Things in Style: An Interpretation of The Oxen of the Sun in James Joyces Ulysses; Margot C. Norris, The Consequences of Deconstruction: A Technical Perspective of Joyces Finnegans Wake; Shari Benstock, Nightletters: Womans Writing in the Wake.
Jacques Aubert, [ed.,] Joyce avec Lacan: Jacques Lacan ... (et al.); sous la direction de Jacques Aubert; préface de Jacques-Alain Miller [Bibliothèque des Analytica] (Paris: Navarin / Diffusion Seuil c1987), 211pp., ill. [I: Lacan, Joyce le symptôme, I; Joyce le symptôme, II; Le sinthome [Séminaire de 18 nov. 1975]; le sinthome [Séminaire du 20 jan. 1976]; Aubert, Galeries pour un portrait. II: Catherine Millot, Epiphanies; Jean-Michel Rabate Notes sur les ex-ils; Annie Tardit, Lappensée, le renard, et lhérésie; Jean-Guy Godin, Du symptôme a son épure: le sinthome; contribs. by Lacan available - online > index.]
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David Lloyd, Nationalism and Minor Literature: James Clarence Mangan and the Emergence of Irish Cultural Nationalism (Berkeley: Cal. UP 1987). INDEX: Joyce, James: pp.xii, 209; A Portrait of the Artist as a Young Man: pp.162, 209, 237-38; Stephen Dedalus, 209, 237-38; Stephen Hero: p.44.
Bernard Benstock, ed., Critical Essays on James Joyces Ulysses (Boston: G.K. Hall 1989), 331pp.; CONTENTS: Introduction: Bernard Benstock, In the Track of the Odyssean ; Part 1: Whats This Here, Guvnor? ; Carl Jung, Ulysses: A Monologue ; A. Walton Litz, The Design of Ulysses ; Anthony Cronin, The Advent of Bloom ; John Z. Bennett, Unposted Letter: Joyces Leopold Bloom ; Louis Hyman, Some Aspects of the Jewish Backgrounds of Ulysses ; Roy K. Guttfried, Joycean Syntax as Appropriate Order . Part 2: Anatomies of Nausicaa ; Stuart Gilbert, Nausicaa ; Frank Budgen, [Nausikaa] ; Stanley Sultan, The Strand (Bloom) ; Harry Blamires, Nausicaa ; Fritz Senn, Nausicaa ; Marilyn French, The World: Nausikaa ; C. H. Peake, Ulysses: Techniques and Styles: Nausicaa ; Paul van Caspel, Nausicaa . Part 3: Future Indicative ; Robert Scholes, Ulysses: The Structuralist Perspective ; Dorrit Cohn, The Autonomous Monologue ; Jeremy Hawthorn, Ulysses, Modernism, and Marxist Criticism [264; also in W. J. McCormack & Alistair Stead, eds., James Joyce and Modernism,1984]; Brook Thomas, Formal Re-creation: Re-reading and Re-joycing the Re-rightings of Ulysses ; Karen Lawrence, The Narrative Norm ; Patrick McGee, Gesture: The Letter of the Word ; Index [327-31].
Derek Attridge, ed., The Cambridge Companion to James Joyce (Cambridge UP 1990), 305pp. CONTENTS: Chronology of Joyces life [xi-xiii]; Derek Attridge, Reading Joyce ; Seamus Deane, Joyce the Irishman ; Klaus Reichert, The European Background of Joyces Writing ; Jean-Michel Rabaté, Joyce the Parisian ; John Paul Riquelme, Stephen Hero, Dubliners, and A Portrait of the Artist as a Young Man: Styles of Realism and Fantasy ; Jennifer Levine, Ulysses ; Margot Norris, Finnegans Wake ; Vicki Mahaffey, Joyces Shorter Works ; Hans Walter Gabler, Joyces Text in Progress ; Karen Lawrence, Joyce and Feminism ; Christopher Butler, Joyce, Modernism, and Post-modernism ; Further Reading ; Index [295-305].
E. H. Mikhail, ed., Ecce Puer: James Joyce: Interviews and Recollections (Springer 1990), 207pp. CONTENTS: A Sister Recalls Joyce in Dublin - May Joyce Monaghan ; My School Friend James Joyce - Judge Eugene Sheehy;  An Extremely Clever Boy - George Russell  a Portrait of the Artist - Oliver St John Gogarty  Joyce Among the Journalists - Piaras Béaslaí  Two Reminiscences Antonio - Fonda Savio  My First English Teacher - Mario Nordio  Pappy Never Spoke of Jims Books - Eileen Joyce Schaurek  Visits with James Joyce - P. Beaumont Wadsworth  A Drink with Joyce - Ernest Hemingway  James Joyce in Paris - Aldous Huxley  James Joyce in Paris - Margaret Anderson  Joyce - Virgil Thomson  James Joyce in Paris - Mary Colum  Joyces Burial - Hans Gasser  Index .
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Janet E. Dunleavy, Melvin J. Friedman & Michael Patrick Gillespie, eds., Joycean Occasions: Essays from the Milwaukee James Joyce Conference (Delaware UP 1991), 246pp.; CONTENTS: Patrick A. McCarthy, Reading in Ulysses ; Daniel P. Gunn, The name of Bloom ; Suzette Henke, Joyces New Womanly Man: Sexual Signatures of Androgynous Transformation in Ulysses ; Zack Bowen, Comic Narration ; Susan Brienza, Murphy, Shem, Morpheus, and Murphies: Eumaeus Meets the Wake ; Shari Benstock, Apostrophes: Framing Finnegans Wake ; The bawl of bats in Joyces Belfry: The Flitter-mouse in the Feminine ; Bernard Benstock, James Joyce: The Olefactory Factor ; Richard Corballis, Wilde ... Joyce ... OBrien ... Stoppard: Modernism and Postmodernism in Travesties ; Fritz Senn, Joycean Provections ; Sidney Feshbach, The Veripatetic Imago ; Mary Reynolds, Davins Boots: Joyce, Yeats, and Irish History ; Notes on Contributors ; Index .
Vincent Cheng & Timothy Martin, eds, Joyce in Context [James Joyce Conference, Philadelphia 1989] (Cambridge UP 1992), xvii, 292pp. CONTENTS: List of illustrations [ix]; Notes on contributors [xi]; Acknowledgments [xv]; Abbreviations [xvi]. Editors introduction ; 1. Timothy Martin, The 1989 conference: a retrospect . PART I - THE MODERNIST CONTEXT: 2. Denis Donoghue, Is there a case against Ulysses ? ; 3. Johanna X. K. Garvey, Woolf and Joyce: Reading and Re/vision ; 4. Vincent J. Cheng, Joyce and Ford Madox Ford ; 5. Brian W. Shaffer, Joyce and Freud: Discontent and Its Civilizations . PART II - THE CONTEXT OF THE OTHER: JOYCE ON THE MARGINS: 6. Colleen R. Lamos, Cheating on the Father: Joyce and Gender Justice in Ulysses ; 7. Theresa OConnor, Demythologizing Nationalism: Joyces Dialogized Grail myth ; 8. Bonnie Kime Scott, Joyce and Michelet: Why Watch Molly Menstruate? ; 9. Suzette Henke, Re-visioning Joyces masculine signature . PART III - CONTEXTS FOR JOYCE: 10. Roy Gotffried, Scrupulous Meanness Reconsidered: Dubliners as Stylistic Parody ; 11. Garry M. Leonard, Joyce and Lacan: the Twin Narratives of History and His[S]tory in the Nestor Chapter of Ulysses ; 12. Constance V. Tagopoulos, Joyce and Homer: Return, Disguise, and Recognition in Ithaca ; 13. Dan Schiff, James Joyce and Cartoons . PART IV - RE-READING JOYCE: JOYCE IN HIS OWN CONTEXT: 14 Ian Crump, Refining himself out of existence: the evolution of Joyces aesthetic theory and the drafts of A Portrait ; 15. Fritz Senn, Entering the Lists: Sampling Early Catalogues ; 16. Bernard Benstock, Cataloguing in Finnegans Wake: Counting Counties ; 17. Di Jin, Translating Ulysses, East and West . Index .
Richard Brown, James Joyce: A Post-Culturalist Perspective [Macmillan Modern Novelists] (London: Macmillan 1992), and Do. [in USA], James Joyce (NY: St Martins Press 1992), xx, 131pp. CONTENTS: Part 1 Dubliners: City of Failure; The Silence of The Sisters; Beyond the Pleasure Principle; Counterparts; the Dark Gaunt House; Lover Letters. Part 2: A Portrait of the Artist as a Young Man: A Portrait of the Reader as Critic; Once upon a Time; Vice Versa; To Say It In Words; Heavenly God; Literary Theory. Part 3: Ulysses: Beginnings; Art in the Age of Mechanical Reproduction; The Palimpsest of Identity; Diverging Perspectives; The God of Signposts; The Man Killer. Part 4: Finnegans Wake: The book of the Night; The Composition of Everybody; The Years of the Underground; Post-differential Epistemology; Anamorphic Hypotheses. Appendices: Chronology; Ulysses Episode by Episode; Shakespeare and Company - The Palimpsest of Identity; Wandering Rocks.
David Lloyd, Anomalous States: Irish Writing and the Post-colonial Moment (Dublin: Lilliput Press 1993). INDEX: Joyce, James: pp. 2, 8, 11n, 57n, 12-21n; Irish Literary Revival: pp.100-09; MacCabe on Ulysses: pp. 107, 109, 120n.
Frederick K. Lang, Ulysses and the Irish God (Bucknell UP 1993), , 317pp. CONTENTS: Preface ; Introduction ; Rite and Dogma ; Fathers and Sons ; The Irish Christ ; The Bread of Experience ; The Living and the Dead ; The Hand of God ; Christ in Nighttown ; Nocturnal Emissions ; An Irish Breakfast ; The Good Friday ; Notes ; Works Cited 297]; Index .
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Richard Pearce, ed., Molly Blooms: A Polylogue on Penelope and Cultural Studies (Wisconsin UP 1994), 291pp. CONTENTS: Contributors [vii]; Richard Pearce, Introduction: Molly Blooms - A Polylogue on Penelope . Part 1 - Molly and the Male Gaze: 1. Kathleen McCormick, Reproducing Molly Bloom: A Revisionist History of the Reception of Penelope, 1922-1970 [17; see extract]; 2. Pearce, How Does Molly Bloom Look Through the Male Gaze? . Part 2 - Molly in Performance: 3. Cheryl Herr, Penelope as Period Piece ; 4. Kimberly J. Devlin, Pretending in Penelope: Masquerade, Mimicry, and Molly Bloom . Part 3 - Negotiating Colonialism: 5. Carol Shloss, Mollys Resistance to the Union: Marriage and Colonialism in Dublin, 1904 [105 see extract]; 6. Susan Bazargan, Mapping Gibraltar: Colonialism, Time, and Narrative in Penelope [119; see extract]; 7. Brian W. Shaffer, Negotiating Self and Culture: Narcissism, Competing Discourses, and Ideological Becoming in Penelope [139; see extract]. Part 4 - Molly as Consumer: 8. Joseph Heininger, Molly Blooms Ad Language and Goods Behavior: Advertising as Social Communication in Ulysses [155; see extract]; 9. Jennifer Wicke, Whos She When Shes at Home?: Molly Bloom and the Work of Consumption ; 10. Garry Leonard, Molly Blooms Lifestyle: The Performative as Normative [196; see extract]. Part 5 - Molly as Body and Embodied: 11. Margaret Mills Harper, Taken in Drapery: Dressing the Narrative in the Odyssey and Penelope  ; 12. Ewa Ziarek, The Female Body, Technology, and Memory in Penelope . Index 287.
John Harty, III, ed., James Joyces Finnegans Wake: A Casebook (NY: Garland Press 1991), rep. edn. (London: Routledge, 2015), 234pp. CONTENTS: Acknowls. [xi]; Editors Note [xv]; Harty, Introduction [xviii]; Bernard Benstock, A Working Outline of Finnegans Wake . Pt. 1: Assessments. David Hayman, Dreaming up the Wake ; Colin MacCabe, An Introduction to Finnegans Wake  Hugh Kenner, Shem the Textman  Sheldon Brivic, The Femasculine Obsubject: A Lacanian Reading of FW606-607 ; Bernard Benstock: Quinet in the Wake: The Proof or the Pudding ; Vincent Cheng, Finnegans Wake: All the Worlds a Stage  John Gordon, The Convertshems of the Tchoose: Judaism and Jewishness in Finnegans Wake ; Albert Montesi, Joyces Blue Guitar: Wallace Stevens and Finnegans Wake . Part II: Joyces Textual Self-Referentiality: Alan Loxterman, Every Man His Own God: From Ulysses to Finnegans Wake ; David Robinson, Joyces Nonce-Symbolic Calculus: A Finnegans Wake Trajectory ; Kimberly J. Devlin, The Female Word . Part III: Performance: David Borodin, Group drinkards maaks grope thinkards or how reads rotary (FW312.31) ; David Hayman, Notes for Staging Finnegans Wake ; Kit Basquin, Mary Ellen Butes Film Adaptation of Finnegans Wake ; Margaret Rodgers, Thoughts on Making Music from the Hundred-Letter Words in Finnegans Wake [189}. Index . (Available in part at Google Books - online; accessed 02.12.2107 - see partial copy - infra.)
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John Bishop, Joyces Book of the Dark: Finnegans Wake (Wisconsin UP 1986, 1995), 448pp. CONTENTS: Maps and Figures [ix]; Abbrevs. [xi]; Etymologies [xiii]; Acknowledgements [xv]; An Introduction: On Obscurity ; 1. Reading the Evening World; 2. Nothing in Particular: On English Obliterature; 3. Finnegan; 4. Inside the Coffin: Finnegans Wake and the Egyptian Book of the Dead ; 5. The Identity of the Dreamer ; 6. Nocturnal Geography: 7. How to Take Polar Bearings ; Vicos Night of Darkness; 8. Anna Livia Plurabelle; [see extract].
R. B. Kershner, ed., Joyce and Popular Culture [Florida James Joyce Ser.] (Florida UP 1996), 223pp., ill. CONTENTS: Part 1 - Derek Attridge, Theoretical Approaches: Theoretical Approaches to Popular Culture; David Glover, A Tale of Unwashed Joyceans - James Joyce, Popular Culture and Popular Theory; Michael Walsh, A(dorna) to Z(izek) - From the Culture Industry to the Joyce Industry, and Beyond. Part 2 - Chester G. Anderson, Popular Sources and Paradigms: Should Boys Have Sweethearts?; Michael H. Begnal, Molly Bloom and Lady Hester Stanhope; Stephen Watt, Nothing for a Woman in That - James Lowebirch and Masochistic Fantasy in Ulysses; David Hayman, Dr. J. Collins Looks at J.J. - The Invention of a Shaun. Part 3 - Zack Bowen, The Context of Culture: Wilde About Joyce; Thomas Jackson Rice, The (Tom) Swiftean Comedy of Scylla and Charybdis; Garry M. Leonard, Advertising and Religion in James Joyces Fiction - The New (Improved) Testament; Donald Theall, Joyces Techno-Poetics of Artifice - Machines, Media, Memory and Modes of Communication in Ulysses and Finnegans Wake. Part 4 - Helene Meyers, Joyce in Popular Culture: Appropriating the Master Appropriator - The James Joyce Murder as Feminist Critique; Adrian Peever; James Joyce as Woman - Fionnula Flanagan, Joyce and Film, Richard Brown, Marilyn Monroe Reading Ulysses - Goddess or Postcultural Cyborg?, Vincent J. Cheng, The Joycean Unconscious, or Getting Respect in the Real World.
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Matthew J. C. Hodgart & Ruth Bauerle, Joyces Grand Operoar: Opera in Finnegans Wake (Illinois UP 1997), 341pp. CONTENTS: Rich inheritance from a bankrupt; Opera geography; Which brilliant career?; Two Shems and two Shauns; Chapelizods opera house; Page/line list of opera allusions in Finnegans Wake; Alphabetical list of composers, and their operatic works, librettists, designers, critics and conductors in Finnegans Wake; Finding list of opera and aria titles and opera characters in Finnegans Wake; Opera singers in Finnegans Wake.
Vincent J. Cheng, Kimberly J. Devlin & Margot Norris, eds., Joycean Cultures/Culturing Joyces [transactions of conference at Univ. of California] (Delaware UP; AUP 1998), 294pp. CONTENTS: Abbreviations ; Acknowledgments ; Introduction ; Christine Van Boheemen Joyces Sublime Body: Trauma, Textuality, and Subjectivity [23; infra]; Clara D. McLean, Wasted Words: The Body Language of Joyces Nausicaa [44; infra]; Harly Ramsey, Mourning, Melancholia, and the Maternal Body: Cultural Constructions of Bereavement in Ulysses ; Bonnie Kime Scott, The Young Girl, Jane Heap, and Trials of Gender in Ulysses ; Carol Loeb Shloss, Finnegans Wake and the Daughters Fate ; Susan Stanford Friedman, Reading Joyce: Icon of Modernity? Champion of Alterity? Ventriloquist of Otherness? ; John Whittier-Ferguson, Embattled Indifference: Politics on the Galleys of Herbert Gormans James Joyce ; R. B. Kershner, The Culture of Ulysses ; Catherine Whitley, The Politics of Representation in Finnegans Wakes Ballad ; Erika Anne Flesher, I am getting on nicely in the dark: Picturing the Blind Spot in Illustrations for Ulysses ; Irene A. Martyniuk, Illustrating Ulysses, Illustrating Joyce ; Cheryl Temple Herr, The Silence of the Hares: Peripherality in Ireland and in Joyce ; Benjamin Harder, Stephens Prop: Aspects of the Ashplant in Portrait and Ulysses ; Mark Osteen, A High Grade Ha: The Politicoecomedy of Headwear in Ulysses ; Contributors ; Index . (See also general notes, infra.)
Len Platt, Joyce and the Anglo-Irish: A Study of Joyce and the Literary Revival [Costerus n.s., Vol. 119] (Amsterdam: Rodopi 1998), 249pp. CONTENTS: 1. Opening Encounters (A Historical Perspective); The Triestine Lectures; Naming the State in Dubliners; Portrait of the Artist. 2 - Usurper: The Buckeen and the Dogsbody: Aspects of History and Culture in Telemachus; Pisgah Sights: the National Culture and the Catholic Middle Class in Aeolus; Normans, but bastard Normans; Culture and Nationalism in Scylla and Charybdis; Moving in Times of Yore: Historiographies in Wandering Rocks. Corresponding with the Greeks (An Overview of Ulysses as an Irish Epic; Mr. Bloom. Pt. 4: Revivalism in Popular Culture: Sirens and Cyclops; Pt. 5. Circe and the Irish Literary Theatre. 6: Our Modern Babylon; Modernity and the National Culture in Eumaeus and Ithaca. 7: Engendering Nation: Nationalism and Sexuality in Nausicaa, Oxen of the Sun, and Penelope.
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Wim Tigges, ed., Moments of Moment: Aspects of the Literary Epiphany [Costerus Ser.] (Amsterdam/Atlanta Rodopi 1999), 496pp. - incls. Christine van Boheemen-Saaf, Epiphany and Postcolonial Affect; Dermot Kelly, Joycean Epiphany in Seamus Deanes Reading in the Dark, &c.; others discussed incl. Wordsworth, Blake, Ann Radcliffe, George Moore, W. B. Yeaets, Ezra Pound, Virginia Woolf, Elizabeth Bowen, Beckett, Proust, Larkin, Heaney and Stanley Kubrick - as well as Gothic fiction in general.
Derek Attridge & Marjorie Howes, eds., Semi-Colonial Joyce (Cambridge UP 2000), 269pp. CONTENTS: Seamus Deane, Dead Ends: Joyces Finest Moments; Enda Duffy, Disappearing Dublin: Ulysses, Postcoloniality, and the Politics of Space; Marjorie Howes, Goodbye Ireland Im going to Gort: Geography, Scale, and Narrating the Nation; Emer Nolan, State of the Art: Joyce and Postcolonialism; Joseph Valente, Neither fish nor flesh: Or How Cyclops Stages the Double-bind of Irish Manhood; David Lloyd, Counterparts: Dubliners, Masculinity, and Temperance Nationalism; Luke Gibbons, Have you no homes to go to?: Joyce and the Politics of Paralysis; Katherine Mullin, Dont cry for me, Argentina: Eveline and the Seductions of Emigration Propaganda; Willy Maley, Kilt by kelt shell kithagain with kinagain: Joyce and Scotland; Elizabeth Butler Cullingford, Phoenician Genealogies and oriental Geographies: Joyce, Language, and Race; Vincent J. Cheng, Authenticity and Identity: Catching the Irish Spirit.
Ursula Zeller, Ruth Frehner & Hannes Vogel, eds., James Joyce: Gedacht durch meine Augen / Thought through my eyes (Basel: Schwabe Verlag 2000), 237pp. [Parallel text in German and English]; CONTENTS: Fritz Senn, Do you hear what Im seeing?; Fritz Senn, Finnegans Wake; Ursula Zeller, A Portrait of HCE as All-round Man; Christa-Maria Lerm Hayes, Finnegans School of Seeing; Ruth Frehner, Of Curious Signs and Red Obel: The Book of Kells in Finnegans Wake; Christa-Maria Lerm Hayes, Thunderwords; Christa-Maria Lerm Hayes, Finnegans alphabet; Fritz Senn, Ulysses; Fritz Senn, From the Textual Nacheinander to the Visual(ized) Nebeneinander; Ruth Frehner, A painting is mute poetry, and poetry is a speaking picture: On the Limits of Painting and Poetry; Ursula Zeller, From Mirror Image to Kaleidoscope: Ulysses in the Light of Cubism; Ursula Zeller, Parallax stalks behind: The Walk-in Book, or the Text as Space in Ulysses; Ruth Frehner, Why a Thin Socked Clergyman Walks through other Peoples Kitchen: Simultaneity in Wandering Rocks; Ursula Zeller, Plastos high grade ha: Joyces Ironic Language; Christa-Maria Lerm Hayes, Hannes Vogels The beauty of broken pieces is not that of pots and the Ulysses extension by Joseph Beuys; Ursula Zeller, James Joyce: Biography (with extracts).
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Michael Seidel, James Joyce: A Short Introduction [Blackwell Introductions to Literature] (Oxford: Blackwell 2002), ix, 162pp. CHAPTERS: 1. Introducing Joyce; 2. Master Plots; 3. Dubliners; 4. Portrait of The Artist as a Young Man; 5. Exiles; 6. Levels of Narration; 7. Homer in Ulysses; 8. Three Dubliners; 9. Reflexive Fiction; 10. Strategic Planning; Notes. Index.
Michael Begnal, ed., Joyce and the City: The Significance of Place [Irish Studies] (Syracuse UP 2002), xx, 212pp. CONTENTS: Heyward Ehrlich, James Joyces four-gated city of modernisms; Martha Fodaski Black, Joyce on location: place names in Joyces fiction; Catherine Whitley, Gender and interiority; Deirdre Flynn, An uncomfortable fit: Joyces women in Dublin and Trieste; Christopher Malone, The sense of place in Joyce and Heaney; Stanley Sultan, Dublin boy and man in The Sisters; Vivian Valvano Lynch, A pedagogical note on The Dead of Dubliners; Michael Murphy, Political memorials in the city of The Dead; Desmond Harding, The Dead: Joyces epitaph for Dublin; Ignacio López-Vicuña, But on the other hand : the language of exile and the exile of language in Ulysses; Michael Begnal, Hostys ballad in Finnegans Wake : the Galway connection; Mark Morrisson, Tambour, the revolution of the word, and the parisian reception of Finnegans Wake; Jean-Michel Rabat, Eternest cittas, heil! : a genetic approach.
Laurent Milesi, ed., James Joyce and the Difference of Language [Papers orig. as panel at JJIS, Dublin 1992] (Cambridge UP 2003), xiii, 232pp. CONTENTS: List of contribs. [viii]; Acknowledgements [xi]; List of abbreviations [xiii]; Milesi, Introduction: Language(s) with a difference ; Fritz Senn, Syntactic glides ; Benoit Tadié, Cypherjugglers going the highroads : Joyce and contemporary linguistic theories : Beryl Schlossman, Madonnas of Modernism ; Diane Elam, Theoretical modelling: Joyces women on display ; Marie-Dominique Garnier, The lapse and the lap: Joyce with Deleuze [97; see infra]; Thomas Docherty, sound sense; or tralala/moocow: Joyce and the anathema of writing ; Derek Attridge, Language, sexuality and the remainder in A Portrait of the Artist as a Young Man ; Ellen Carol Jones, Border disputes ; Patrick McGee, Errors and expectations: the ethics of desire in Finnegans Wake ; Lucia Boldrini, Ex sterco Dantis: Dantes post-Babelian linguistics in the Wake ; Sam Slote, No symbols where none intended: Derridas war at Finnegans Wake ; Works cited ; Index . Milesi has prev. written The sub-stance of Joyces Gramma(r) and Language(s) at the Wake (Oxon PhD. 1992).]
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Mark A. Wollaeger, ed., James Joyces A Portrait of the Artist as a Young Man: A Casebook (Oxford UP 2003), 372pp. Contribs.: Wayne Booth [The Problem of Distance in A Portrait of the Artist, 1961], Hélène Cixous, Maud Ellmann [Polytropic Man prev. in MacCabe, ed., New Perspectives, 1982; rev.], Marjorie Howes, Hugh Kenner [Portrait in Perspective prev. in Dublins Joyce, 1955]; Joseph Valente, Thrilled by His Touch: The Aesthetizing of Homosexual Panic in A Portrait of the Artist as a Young Man, pp.245-80; also essays by Michael Levenson, Vicki Mahaffey, Patrick Parrinder, and Fritz Senn.
Margot Norris, Suspicious Readings of Joyces Dubliners (Pennsylvania UP 2003), viii, 279pp. CONTENTS: The Gnomon of the Book: The Sisters; A Walk on the Wild(e) Side: An Encounter; Blind Streets and Seeing Houses: Araby; The Perils of Eveline; Masculinity Games in After the Race; Gambling with Gambles in Two Gallants; Narrative Bread Pudding: The Boarding House; Men under a Cloud in A Little Cloud; Farrington, the Scrivener, Revisited: Counterparts; Narration under the Blindfold in Clay; Shocking the Reader in A Painful Case; Genres in Dispute: Ivy Day in the Committee Room; Critical Judgment and Gender Prejudice in A Mother; Setting Critical accounts Aright in Grace; The Politics of Gender and Art in The Dead [available at Google Books - online.]
Ian Pindar, A Life of James Joyce, introduced by Terry Eagleton [Life & Times Ser.] (London: Haus Pub. 2004), 176pp., ill. CONTENTS: Terry Eagleton, Introduction; 1. From Baby Tuckoo to Sunny Jim (1882-1898); 2. The Dante of Dublin (1898-1902); 3. The wanderer (1902-1904); 4. Nora (1904); 5. Self exiled in upon his ego (1904-1907); 6. OMINOUS--FOR HIM! (1907-1912); 6. Litterarum Anglicarum Pontifex Maximus (1912-1922); 7. The Blue Book of Eccles; 8. O! Infamy! (1922-1927); 9. The strangest dream that was ever halfdreamt; 10. Inkbattle (1927-1941); 11. Envoy: mememormee! [Bibl. pp.158-64; Index.]
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Anne Fogarty & Timothy Martin, eds., James Joyce on the Threshold [17th International James Joyce Symposium] (Florida UP ), 299pp., ill. CONTENTS: Karen R. Lawrence, Bloom in circulation: whos he when hes not at home?; Reed Way Dasenbrock, Infinity, the terribly burned Bruno, and Ulysses; Mary Lowe-Evans, Freddy Malins: a fool for Chrisssake! ; Heyward Ehrlich, Joyce, Yeats and Kabbalah; Andrew Gibson, An Irish bull in an English Chinashop: Oxen and the cultural politics of the anthology; John Nash, Reading Joyce in English; Brian G. Caraher, Trieste, Dublin, Galway: Joyce, journalism, 1912; P. J. Mathews, AEIOU: Joyce and the Irish Homestead; Catherine Driscoll, Felix culpa: sex, sin and the discourse in Joyces fiction; Katharina Hagena, Towers of babble and of silence; Ruth Frehner, Text as architecture: putting simulated simultaneity in Wandering Rock into space; Paul K. Saint-Amour, Rideem cowpoyride: literary property metadiscourse in Ulysses; Patrick ONeill, Extending the text: textuality and transtextuality; William S. Brockman, Collecting Joyces.
Andrew Gibson & Len Platt, eds., Joyce, Ireland, Britain, with a foreword by Sebastian D. G. Knowles [Florida James Joyce Ser.] (Florida UP ), viii, 243pp. CONTENTS: Richard Brown, Joyces Englishman: That hetrogeneous thing from Stephens Blake and Dowland to Defoes True-born Englishman; Steven Morrison, My native land, goodnight : Joyce and Byron; Katherine Mullin, English Vice and Irish Vigilance: The Nationality of Obscenity in Ulysses; Andrew Gibson, That Stubborn Irish Thing: A Portrait of the Artist in History: Chapter 1; Anne Fogarty, Parnellism and the Politics of Memory: Revisiting Ivy day in the committee room; Clare Hutton, Joyce, the Library Episode, and the Institutions of Revivalism; John Nash, Irish Audiences and English Readers: The Cultural Politics of Shane Leslies Ulysses reviews; Len Platt, No such race : The Wake and Aryanism; Wim Van Mierlo, The Greater Ireland Beyond the Sea: James Joyce, Exile, and Irish Emigration; Finn Fordham, The Universalization of Finnegans Wake and the Real HCE; Vincent J. Cheng, Nation without Borders: Joyce, Cosmopolitanism, and the Inauthentic Irishman.
Andrew Thacker, ed., Dubliners [Palgrave Casebook Ser.] (London: Palgrave/Macmillan 2006), 226pp. CONTENTS: Andrew Thacker, Introduction; Tom F. Staley, A Beginning: Signification, Story and Discourse in Joyces The Sisters; Jean-Michel Rabaté, Silences in Dubliners; Suzette A. Henke, Through a Cracked Looking-Glass: Desire and Frustration in Dubliners; Margot Norris, Narration Under a Blindfold: Reading Joyces Clay; T. L. Williams, No Cheer for the Gratefully Oppressed: Ideology in Joyces Dubliners; R. B. Kershner, An Encounter: Boys Magazines and the Pseudo-Literary; R. Spoo, Uncanny Returns in The Dead; V. J. Cheng, Araby: The Exoticised and Orientalized Other; K. J. H. Dettmar, The Dubliners Epiphony: (Mis)Reading the Book of Ourselves; Luke Gibbons, Have you no homes to go to?: James Joyce and the Politics of Paralysis.
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Luca Crispi & Sam Slote, eds., How Joyce Wrote “Finnegans Wake”: A Chapter by Chapter Genetic Guide (Wisconsin UP 2007), xix, 522pp. Michael Groden, Preface; Luca Crispi, Sam Slote, & Dirk Van Hulle, Introduction; Geert Lernout, Beginning: Chapter I.1; Bill Cadbury, March of a maker: Chapters I.2-4; Mikio Fuse, Letter and the groaning: Chapter I.5; R. J. Schork, Genetic primer: Chapter I.6; Ingeborg Landuyt, Cain - Ham - (Shem) - Esau - Jim the Penman: Chapter I.7; Patrick A. McCarthy, Making herself tidal: Chapter I.8; Sam Slote, Blanks for when words gone: Chapter II.1; Luca Crispi, Storiella as she were wryt: Chapter II.2; David Hayman, Male maturity or the public rise & private decline of HC Earwicker: Chapter II.3; Jed Deppman, Chapter in composition: Chapter II.4; Wim Van Mierlo, Shaun the post: chapters III.1-2; Jean-Michel Rabaté, Fourfold root of Yawns unreason: chapter III.3; Daniel Ferrer, Wondrous devices in the dark: Chapter III.4; Dirk Van Hulle, Lost word: Book IV; Finn Fordham, End; Zee End: Chapter I.1; Appendix 1: Draft sections and subsections; Appendix 2: Chronology of drafts and notebooks; Appendix 3: Publication history of work in progress/Finnegans Wake.
Alistair Cormack, Yeats and Joyce: Cyclical History and the Reprobate Tradition (Aldershot: Aldgate 2008), 220pp. [CONTENTS: Yeats and Joyce: the Punch and Judy Show of Irish Modernism; Giambattista Vico and Idealist History; Yeats, Joyce and the Hermetic Tradition; Blake the Irishman; Idealist History: Nationalism, Modernism and Minor literature; Ulysses; Yeatss 1937 A Vision; Finnegans Wake.] (Reviewed by Bonnie Roos in James Joyce Quarterly, Winter 2009, pp.396-99.)
Rubin Borg, The Measureless Time of Joyce, Deleuze and Derrida( London: Bloomsbury 2007), 175pp., and Do. (London: Continuum 2008) - Publisher's notice: By examining the relation between time and processes of figuration in James Joyces later work, this ground-breaking study identifies his attempt to engage with the philosophical problem of describing times characteristic movement whilst acknowledging the impossibility of reducing this movement to anything that can be observed, represented or even experienced. Ruben Borg argues that this problem informs the narrative structure, imagery and complex rhetorical strategies in Finnegans Wakeand Ulysses. Drawing on the work of Deleuze and Derrida, Borg challenges the assumption that Joycean time is organised around the idea of a totalising present. Emphasising his treatment of time as a force of measureless passing, Borg offers a better understanding of Joyces endeavour to characterise time as a multiplicity that resists representation or objective measurement and its role as a central theme and structural element in his later work.
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Sean Latham, ed., James Joyce [Visions & Revisions Ser.] (Dublin & Portland: IAP 2010). CONTENTS: List of Contributors [ix]; List of Abbreviations [xi]; 1. Sean Latham, Introduction: Joyces Modernities ; Bruce Stewart, A Short Literary Life of James Joyce ; 3. David G. Wright, The Curious Language of Dubliners ; 4. Kevin J. H. Dettmar, The Materiality and Historicity of Language in A Portrait of the Artist as a Young Man ; 5. Miranda Hickman, Not . love verses at all, I perceive: Joyces Minor Works ; 6. Michael Groden, The Complex Simplicity of Ulysses ; 7. Tim Conley, Finnegans Wake: Some Assembly Required ; 8. Christine van Boheemen-Saaf, Joyce in Theory/Theory in Joyce ; 9. Katherine Mullin, Joyces Bodies  ; 10. Aaron Jaffe, Joyces Afterlives: Why Didnt He Win the Nobel Prize? ; Select Bibliography ; Index . (For extracts from some articles, see RICORSO Library, Criticism > On Major Writers > Joyce, via index or direct.)
John McCourt, ed., Roll Away the Reel World: James Joyce and Cinema (Cork UP 2010), 262pp. CONTENTS - McCourt, Introduction: From the real to the reel and back: explorations into Joyce and cinema; Luke McKernan, James Joyce and the Volta Programme; Erik Schneider, Dedalus Among the Film Folk: Joyce and the Cinema Volta; Katherine Mullin, Joyce, Early Cinema and the Erotics of Everyday Life; Maria DiBattista, The Ghost Walks: Joyce and the Spectres of Silent Cinema; Philip Sicker, Mirages in the Lampglow: Joyces Circe and Melies Dream Cinema; Carla Marengo Vaglio, Futurist Music Hall and Cinema; Marco Camerani, Circes Costume Changes: Bloom, Fregoli and Early Cinema; Cleo Hanaway, See Ourselves as Others See Us: Cinematic Seeing and Being in Ulysses; Louis Armand, JJ/JLG; Kevin Barry, Tracing Joyce: The Dead in Huston and Rossellini; Keith Williams, Odysseys of Sound and Image: Cinematicity and the Ulysses Adaptations; Jesse Meyers, James Joyce, Subliminal Screenwriter?; Luke McKernan, Appendix: Volta Filmography.
Maurizia Boscagli & Enda Duffy, eds., James Joyce and Magical Urbanism [European Joyce Studies 21, gen. ed. Fritz Senn; assoc. ed. Christine Van Boheemen] (Amsterdam: Rodopi 2011), 249pp. CONTENTS; Enda Duffy and Maurizia Boscagli, Introduction: Joyce, Benjamin and Magical Urbanism ; Douglas Mao, Arcadian Ithaca ; Ellen Carol Jones, Memorial Dublin ; Patrick McGee, The Communist Flaneur, or, Joyce's Boredom ; Maurizia Boscagli, Spectacle Reconsidered: Joycean Synaesthetics and the Dialectic of the Mutoscope ; Graham MacPhee, Benjamin, Joyce and the Disappearance of the Dead ; Enda Duffy, The Happy Ring House ; Heyward Ehrlich, Joyce, Benjamin and the Futurity of Fiction ; Scott Kaufman, "That Bantry Jobber:" William Martin Murphy and the Critique of Progress and Productivity in Ulysses ; Paul K. Saint-Amour, The Vertical Flaneur: Narratorial Tradecraft in the Colonial Metropolis .
John Nash, ed., James Joyce in the Nineteenth Century (Cambridge UP 2013), xi, 259pp. CONTENTS: Emer Nolan, Joyce and the nineteenth-century Irish novel; Luke Gibbons, He says no, your worship: Joyce, free indirect discourse and vernacular modernism; Richard Robinson, That dubious enterprise, the Irish short story: The untilled field and Dubliners; Andrew Gibson, Thinking forwards, turning back: Joyces writings 1898-1903; Jaya Savige, Underwriting Ulysses: Bloom, risk and life insurance in the nineteenth century; John Strachan, Ulysses and the Dublin advertising business; Matthew Hayward, To arrest involuntary attention: advertising and street-selling in Ulysses; Helen OConnel, Food values: Joyce and dietary revival; John Nash, Liberalism and domesticity in Ulysses; Sylvain Belluc, Language and (re)creation: Joyce and nineteenth-century philology; Scarlet Baron, Joyce, Darwin and literary evolution; Ronan Crowley, The queen is not a subject: Victorias Leaves from the journal in Ulysses; Keith Williams, Dubliners, the magic-lantern business and pre-cinema.