Louise Kennedy
Life
1967- ; grew up near Belfast, moving to Dublin in teenage; worked as restauranteur in Galway with her husband; started Creative Writing courses and grad. PhD (QUB); author of The End of the World is a Cul de Sac 2021), stories; and Trespasses (2022) - dealing with a marriage between a Catholic schoolteacher (Cushla Lavery) and an older, married Protestant barrister (Michael Agnew) - and a boy Davy McGeown whom she protects from a predatory priest; named a best book of the year by the Washington Post; suffers from a melanoma and has documented her treatment. |
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Works
Short Fiction |
- The End of the World is a Cul de Sac (London: Bloomsbury 2021), 304pp. [see note].
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Novels |
- Trespasses (London: Bloomsbury 2022), 331pp.; Do. (NY: Bloomsbury 2022), 321pp.
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Miscellaneous |
- Dinners in a Bag: 60 Easy Oven Recipes All Wrapped Up (London: Quadrille Publ. 2019).
- Introduction to Norah Hoult, Farwell Happy Fields [1948] (Dublin: New Island Press 2019),
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Journalism. incls. I read Wuthering Heights twice and found it demented, in The Guardian (31 March 2023) - also cites Edna O"Brien, Toni Morrison, Emile Zola, Margaret Mitchell, Hilary Mantel and Nina Bowden"s Carrie"s War ("the book of my childhood." [Available online; accessed 01.04.2023].
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Notes
The End of the World is a Cul de Sac (2021): stories on the secrets people kept, the lies they told [...] visceral, stunningly crafted stories [in which] people are effortlessly cruel to one another, and the natural world is a primitive salve. Here, women are domestically trapped by predatorial men, Irelands folklore and politics loom large, and poverty - material, emotional, sexual - seeps through every crack. A wife is abandoned by her new husband in a ghost estate, with blood on her hands; a young woman is tormented by visions of the man murdered by her brother during the Troubles; a pregnant mother fears the worst as her husband grows illegal cannabis with the help of a vulnerable teenage girl; a woman struggles to forgive herself after an abortion threatens to destroy her marriage. Announcing a major new voice in literary fiction for the twenty-first century, these sharp shocks of stories offer flashes of beauty, and even humour, amidst the harshness.¨(Bloomsbury notice; COPAC.)
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