We Girls: Women Writing from an Irish Perspective (Australia: Spinifex 1996), 373pp. - incls. Irish women writers [inter al.]: Mary Dorcey, My Grandmothers Voice [12]; The Breath of History [15]; The Gaelic Poets Warned Me [18]; The Whiteness of Snow [19]; Learning to Live With it [20]; I Cannot Love You as You Want to be Loved [22]; I Saw a Fish this Morning [25]; Helena Mulkerns, Famine Fever [27]; The Whole Nine Yards [36]; Colleen Burke A Shadow on the Heart [51]; To Whom it May Concern [53]; A Joyous Day [57]; Nuala Archer [Americann of Irish descent], Sheela-Na-Gigging Around [91]. Siobhan McHugh, Power Cuts [101]. Maeve Binchy, Extract from Echoes [122]. Mary Daly, Extract from Outercourse [134]. Sue Reidy [N.Z.], Being Irish [150]; Belief [157]. Medbh McGuckian, Drawing Ballerinas: How Being Irish has Influenced Me as a Writer [185]; The Mast Year [204]; Road 32; Roof [13-23]; Grass 23 [205]; The Dead are More Alive [207]; Rathlin Road [210]. Cherry Smyth, The Roadside [212]; Maybe it was 1970 [214]; Summer Breeze [217]. Ailbhe Smyth, Girl Beaming in a White Dress [239]. Lizz Murphy, Growing a Language [250]; Paper Petals [253]; White Petals [255]; Good Fairy Bad Fairy [257]; My Irishness [258]; Wee Girls [260]; Sentiments; Millies; Tatts; Bobbing for Apples; Speaking of Eve; Sabbath; Good Women; Dying [262]; Deadmens Eyes [266]; Time Out [267]; The Planet Next Door [269]. Rita Ann Higgins, The Flogger [351]; Prism [354]; The Taxi Man Knows [355]; Mothercare [356]; Higher Purchase [358]; The Flute Girls Dialogue [359]. Eavan Boland, Anna Liffey [362]; Making the Difference [370]; The Emigrant Irish [373].