• John Rees Moore, œArtifices for Eternity: Joyce and Yeats’, in Éire-Ireland, 3, 4 (Winter 1968), pp.66-73.
• James H. O Brien, ‘Self and Soul in Yeats’s The Winding Stair’, in Éire-Ireland, 3, 1 (Spring 1968), pp.23-39.
• Jack Wayne Weaver, ‘An Exile Returned: Moore and Yeats in Ireland’, in Éire-Ireland, 3, 1 (Spring 1968), pp.40-47.
• Ben L. Collins, ‘A Note on the Historicity of Yeats’s Stanzaic Pattern in “Easter 1916”’, in Éire-Ireland, 3, 1 (Spring 1968), pp.129-31.
• Marilyn Gaddis Rose, ’Sub Rosa: The Writings of Jack B. Yeats’, in Éire-Ireland, 3, 2 (Summer 1968), pp. 37-47.
• Oliver Snoddy, ‘Yeats and Irish in the Theatre’, in Éire-Ireland, 4, 1 (Spring 1969), pp.39-45.
• Janet Frank Egelson, ‘Christ and Cuchulain: Interrelated Archetypes of Divinity and Heroism in Yeats’, in Éire-Ireland, 4, 1 (Spring 1969), pp. 76-85.
• Robert W. Caswell, ‘Yeats’s Odd Swan at Coole’, in Éire-Ireland, 4, 2 (Summer 1969), pp. 81-86.
• Meredith Cary, ‘Yeats and Moore: An Autobiographical Conflict’, in Éire-Ireland, 4, 3 (Autumn 1969), pp.94-109.
• Brian John, ‘Yeats’s “Crazy Jane Reproved”’, in Éire-Ireland, 4, 4 (Winter 1969), pp.52-55.
• Ben L. Collins, ‘Joyce’s Use of Yeats and of Irish History: A Reading of “A Mother”’, in Éire-Ireland, 5, 1 (Spring 1970), pp.45-66.
• Marilyn Caddis Rose, ‘The Kindred Vistas of W. B. and Jack B. Yeats’, in Éire-Ireland, 5, 1 (Spring 1970), pp.67-79.
• Patrick Holland, ‘Yeats and the Musician’s Art in “Last Poems”’, in Éire-Ireland, 6, 4 (Winter 1971), pp.49-64.
• Edward Hirsch, ‘Coming out into the Light: W. B. Yeats’s “The Celtic Twilight” (1893, 1902)”’, in Journal of the Folklore Institute, 18, 1 (Jan.- April 1981), pp.1-22.
• Edward Hirsch, ‘A War between the Orders: Yeats’s Fiction and the Transcendental Moment’, in Novel: A Forum on Fiction, 17, 1 (Autumn 1983), pp.52-66.

[...; to be continued.]