The Nation
1842-1891; fnd. Charles Gavan Duffy; to create and foster public opinion and make it racy of the soil; 10,000 copies per issue by 1843; Davis pronounced object of creating nationality of the spirit as well as the letter
which would embrace Protestant, Catholic, and dissenter Milesian and Cromwellian - the Irishman of a hundred generations and the stranger who is within our gates [...] (22 July 1843); the paper supported Daniel OConnell, but broke with him over physical force in 1846; later supported the Queens Colleges against John MacHale; John Mitchel broke with Duffy over the latters moderation, 1847; Lady Wildes poem [?sic] Jacta Alea Est [or the Die is Cast], led to the suppression of The Nation, 29 July 1848;
Printing and Publication: The Nation was first printed at 12 Trinity Street, Dublin, from 15 October 1842 until 6 January 1844, and afterwards published at 4 DOlier Street from 13 July 1844 to 28 July 1848, when the issue for the following day was seized and the paper suppressed. Editions of The Spirit of the Nation (1843, 2 ser.; 1845, 1 vol.) continued to appear under the imprint of The Nation through the aegis of James Duffy & Co. into the twentieth-century.
The Nation supported Tenant League and Irish Independent Party in the 1850s; owned by A. M. Sullivan on Gavan Duffys departure to Australia; published a letter by William Smith OBrien warning against the Phoenix Society; supported Charles Stewart Parnell; took anti-Parnellite side in the IPP Split; its Dublin site came to be occupied by the Irish Independent group; early contributors incl. Thomas Davis; Charles Gavan Duffy; Thomas DArcy McGee; Denis Florence McCarthy & Thomas Caulfield Irwin; Charles Joseph Kickham; Lady Wilde (Speranza); John Francis ODonnell; John Keegan Casey (Leo); Eva; William Carleton; copies of the Nation are available on microfilm from the Center for Research Libraries (US).
The Spirit of the Nation (Dublin: James Duffy 1843, &c.) - sundry editions |
- The Spirit of the Nation, by the writers of The Nation newspaper [ed. Charles G. Duffy] [1st ser.] (Dublin: The Nation/James Duffy 1843), 76pp., 15cm.
- The Spirit of the Nation: Part 2: Being a second series of political songs and national ballads Ser. 2 / by the writers of the Nation newspaper. [ed. Charles G. Duffy] (Dublin: Published by James Duffy 1843), 76pp.
- The Spirit of the Nation. Ballads and songs / by the writers of The Nation, with original and ancient music, arranged for the voice and piano-forte [ed. Charles G. Duffy] (Dublin: James Duffy 1845), vi, 347pp., 4°; Do. (Duffy, 10 Wellington Quay 1846), [i-v] vi, [1] 2-347pp., [1]; 24cm. [Note: Irish orthography of names corrected by John ODonovan]
- The Spirit of the Nation. Ballads and Songs by the Writers of the The Nation (Dublin: J. Duffy 1882), vii, 255pp. [without music; see contents]
- The Spirit of the Nation. Ballads and Songs by the Writers of the The Nation with original and ancient music [2nd enl. edn.; with add. melodies by J[ohn] W]illiam] Glover] (Dublin: James Duffy & Sons 1882), viii, 368pp., 4°.
- The New Spirit of the Nation: or, Ballads and Songs by the Writers of The Nation, containing Songs and Ballads Published since 1845, ed. & intro. by Martin MacDermott [New Irish Library] (Dublin; Sealy, Bryers & Walker; London: T. Fisher Unwin; NY: P. J. Kenedy 1894), xxvi, 198pp. [Bibl. notes, pp.[183]-98], 17cm.; Do. (1896). [opinions of the Press on last 8pp.]
- The Spirit of the Nation: or, Ballads and Songs by the Writers of The Nation A New Edition (Dublin & London: Duffy), 208pp. [Jolly & Leicester Steam press printers]; Do. [58th edn.] (Dublin: The Nation 1928), 8°.
- Do. [rep. of 1928 edn.] The Spirit of the Nation, or, Ballads and Songs / by the writers of The Nation, with a foreword by John P. Dalton (Dublin: James Duffy & Co. Ltd. 1934), 255pp.
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The Spirit of the Nation. Ballads & Songs by the Writers of the The Nation [2nd edn.] (Dublin: J. Duffy 1882) |
Bibl. details: pagination: vii, 255pp.; edition without music. [See alternative format - as attached.] |
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CONTENTS |
Fag an bealach / Charles Gavan Duffy -- OConnell -- Lament for the death of Eoghan Ruadh ONeill, commonly called Owen Roe ONeill / Thomas Davis -- The Nations first number / Clarence Mangan -- Dear land -- Tyrol and Ireland -- Stand together -- The muster of the north / C.G. Duffy -- Irish war-song / Edward Walsh -- Song for July 12th, 1843 / J.D. Fraser -- Song of the volunteers of 1782 / T. Davis -- The Gael and the green / M.J. Barry -- The memory of the dead -- The battle of Beal-an-atha-buidhe / William Drennan -- The voice of labor / C.G. Duffy.
The Munster war-song / R.D. Williams -- An appeal -- The Saxon shilling / K.T. Buggy -- Ourselves alone -- The lion and the serpent / R.D. Williams -- The Wests asleep / T. Davis -- The Irish reapers harvest hymn / John Keegan -- Adieu to Innisfail / R.D. Williams -- Boyhoods years / Charles Meehan -- The men of Tipperary / T. Davis -- Father Mathew -- Song of the penal days / Edward Walsh.
Was it a dream? / John OConnell -- The patriots bride / Charles Gavan Duffy -- The lost path / T. Davis -- Bide your time / M.J. Barry -- The price of freedom / D.F. MCarthy -- Inis-Eoghain / Charles Gavan Duffy -- Paddies evermore -- The right road / T. Davis -- A rally for Ireland, May, 1689 / T. Davis -- Eire a ruin -- Tones grave / T. Davis -- The Shan Van Vacht, A.D. 1176 / Michael Doheny -- The gathering of the nation / J.D. Frazer -- The Geraldines / T. Davis.
Hymn of freedom / M.J. Barry -- The Union -- The peasant girls -- The battle-eve of the Brigade / T. Davis -- The songs of the nation / Edward Walsh -- The day-dreamer / Charles Gavan Duffy -- A ballad of freedom / Thomas Davis -- Cease to do evil, learn to do well / D.F. MCarthy -- The sword / M.J. Barry -- A dream of the future / D.F. MCarthy -- The exterminators song / John Cornelius OCallaghan.
Annie, dear / T. Davis -- A new years song -- Oh! for a steed / T. Davis -- The voice and pen / D.F. MCarthy -- Up for the green, a song of the United Irishmen, A.D. 1796 -- My land ; The boatman of Kinsale ; Lament for the Milesians ; The true Irish king / T. Davis -- The green flag / M.J. Barry -- The Israelite leader -- Recruiting song for the Irish Brigade / Maurice OConnell.
Step together / M. J. Barry -- Patience -- The green above the red ; The welcome / T. Davis -- Why, gentles, why -- Kate of Araglen / Denny Lane -- The pillar towers of Ireland / D.F. MCarthy -- The wild geese -- Aid yourselves and God will aid you -- Watch and wait / C.G. Duffy -- Clares dragoons / T. Davis -- The patriot brave / R.D. Williams -- The fall of the leaves / C. Meehan -- Cate of Ceann-mare -- A lay sermon / Charles Gavan Duffy -- The Bishop of Ross / Dr. Madden -- Our own again / T. Davis -- A patriots haunts / William P. Mulchineck.
A health / J. D. Frazer -- Orange and green will carry the day -- A highway for freedom / Clarence Mangan -- Advance -- The Irish arms bill / W. Drennan -- My grave -- The vow of Tipperary -- Englands ultimatum -- Fontenoy / T. Davis -- Our course / J. D. Frazer -- The victors burial -- Loves longings -- Brothers, arise! / George Phillips -- Whats my thought like? / John OConnell -- Steady -- The fireside -- ODonnell Abu, A.D. 1597 / M.J. MCann -- Fill high to-night -- The slaves bill / W. Drennan -- Past and present -- The lament of Grainne Maol -- The anti-Irish Irishman / Hugh Harkin -- The arms of 82 ; The Wexford massacre / M. J. Barry. |
Note: The listing format given here stems from COPAC/Discovery - online; accessed 24.11.2017 & 17.009.2024]. |
[ See contents in alternative format under Journals > The Nation - as attached. |
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Criticism Kevin MacGrath, Writers in The Nation 1842-5 in Irish Historical Studies, vol. VI (1948), pp.189-223. Also, Malcolm Brown, The Politics of Irish Literature: From Thomas Davis to WB Yeats (George Allen & Unwin 1972); Brendan Clifford, The Nation: Selections 1842-1844, Vol. 1 (Aubane Hist. Soc. [2000]), 205pp.
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Commentary
Stephen Gwynn, Irish Literature and Drama (1936) - quotes The Nation motto: to create and foster public opinion in Ireland to make it racy of the soil. [&c.] p.90). Further, calls it [...] the literature on which, even more than Moores Melodies, the young of Ireland were nourished for the next fifty years. Verse of this kind may abound in enthusiasm and practical energy, but it passes too eaily into bombast; it lies far too near declamation to be poetry, and it adopts facile and mechanical rhythms. [Gwynn, Irish Literature and Drama, op. cit., p. 92].
Further: In short, so far as poetry was concerned, the attempt to create an Irish national ballad literature led Ireland full cry down the wrong road. Whatever preached insurgent nationalism was regarded as more fully Irish, more national, than all the quieter kinds of song. [op. cit., p.93.] Young Irelands was the first deliberate movement to found a school of Irish literature in the English tongue .. Indeed, the defect of all the verse of The Spirit of the Nation is that the writers aim was too consciously a teachers or a preachers. (ibid.)
Robert Welch, Irish Poetry (Colin Smythe 1980): The first issue appeared on 15 Oct 1842, under the editorship of Charles Gavan Duffy. The Nation was the newspaper of the Young Irelanders, as they came to be known, who, led by Thomas Davis, supported OConnell in his movement for the Repeal of the Act of Union. Etc. [
]. In it appeared Mangans strongest poetry, but also including his most frenetically nati-English coinciding with reports of famine deaths by starvation, as for instance To the Ingleeze Kafir, Calling Himself Djaun Bool Djenkinson (18 April 1846). (Welch, p.104.)
Patrick Rafroidi, Irish Literature in English: The Romantic Period, Vol 1 (1980), remarks: Mangans inaugural poem for The Nation, 15 Oct. 1842, was reprinted in The Spirit of the Nation as The Nations first number: Tis a great day and glorious, O Public! for you -/Those[?] October Fifteen, Eighteen Forty and Two! / For on this day of days, lo! THE NATION comes forth, / to commence its career of Wit, Wisdom and Worth - / To give genius its due to do batttle with wrong - / And achieve things undreamt of as yet, save in song. (Nation, 15 Oct 1842, I, 1, p.9) clearly intended to be sung to tune of Rory OMore [[143, and n.] Rafroidi adds the following note to Mangans poem, cited above: It will be noted that the arrangement of the poems and pagination change in the 1845 ed., and again from the 50th ed., published, still by Duffy, in 1870; modern impressions like the 58th ed. of 1928 [used here]. are in line with the 1870 printing, where The nations first number appears on p.17. Further, quotes The Nation, editorial of July 15, 1843 (I, 40, p.632): [
] Englishmen, listen ... though you were tomorrow to give us the best tenures on earth though you were to equalise Presbyterian, Catholic and Episcopalian though, you were to gives us the amplest representation in your senate though you were to restore our absentees, disencumber us of your debt, redress everyone of your fiscal wrongs and though, in addition to this, you plundered the treasuries of the world to lay gold at our feet, and exhausted the resources of your genius to do us worship and honour we still tell you and tell you in the names of liberty and country we tell you in the name of enthusiastic hearts, thoughtless souls, and fearless spirits we tell you by the past, the present and the future we would spurn your gifts, if the condition were that Ireland should remain a province. We tell you, and all whom it may concern, come what may bribery or deceit, justice, policy, or WAR we tell you, in the name of Ireland, that Ireland shall be a NATION. [147]
Bibl.: Rafroidi lists poets in Spirit of the Nation (1843): Davis, Mangan, also M. J. Barry, K. T. Buggy, Michael Doheny, Wm. Drennan, C. G. Duffy, J. D. Frazer, Hugh Harkin, John Keegan, Denny lane, M. J. MCann, D. F. MCarthy, R. R. Madden, C. Meehan, William Mulchinock, J. C. OCollaghan, John OHagan (Sliabh Cuilinn), G. S. Phillips, E. N. Shannon, E. Walsh, R. D. Williams. The New Spirit (1894) included also R. DArcy McGee, Ellen Downing, A. G. Geoghenan, Lady Wilde, et al. [142, n.143]
Barbara Hayley, A Reading and Thinking Nation: Periodicals as the Voice of Nineteenth-century Ireland, in Hayley and Enda McKay, ed., Three Hundred Years of Irish Periodical (Assoc. of Irish Learned Journasl: Gigginstown, Mullingar 1987), pp.29-48, pp.40-41: The Nation, founded in 1842 by Davis, Charles Gavan Duffy and John Blake Dillon is not, strictly speaking, a periodical, but as a weekly newspaper it performed many of the functions of a magazine. As well as its news reports (made exciting by the fact that half the staff were paracipants in the trials and meetings reported), it kept abreast of Irish literature, reviewing Irish books as they came out in a lively, off-the-cuff sort of criticism. It commissioned original poetry and made great use of music and ballads. It reviewed Irish periodicals. In its columns Mangan, Ferguson and Davis worked at creating a new Irish mode, founded on the traditions of early Irish poetry and often supposedly translated or adapted from it; in many ways the singlemindedness of [40] this work gave it an admirable immediacy and vigour. There were several flaws however; first, the profligate weekly output (Davis contributed over 200 articles between 1842 and his death in 1845); secondly, the attempt to create a new literature as a manifestation of race was too precipitate - it is hard to build a literature on political demand. The main weakness was critical. If a ballad was Irish it was printed; if a book had a nationalist message, it was praised. Native literature was always given pride of place and very lenient criticism. The paper had an immense circulation (Gavan Duffy estimated the greatest sale to have been 13,000 copies a week, with a wider readership). Daviss nationalism has been criticised as prejudiced and racialist, propagating a hatred of the English and of the landlord class, but if one looks at the Nation in the periodical context one can see that it was trying to encourage a positive love of country, not a negative chauvinism. It took away much of the energy that had gone into literature and put it into a more ephemeral kind of writing. / The Nation was followed by the Irish Tribune which attempted to keep up a literary content, but its real successors were inflammatory newspapers such as John Mitchels Irish Felon and the United Irishman, while we revert to the periodical. ./ Overall the effect of the Nation was damaging in that it reversed the outward-looking and self-expressive tendency in Irish literature and periodicals, and turned Ireland inward again; afterwards if the Irish looked abroad it was to look only to England in that particularly negative confrontation that establishes Irishness only as not-Englishness. [
&c.] (p.40-41.)
Joep Leerssen, Remembrance and Imagination: Patterns in the Historical and Literary Representation of Ireland in the Nineteenth Century (Cork UP/Field Day 1996) - giving an account of Gaelic orthography applied to anglicised person and place names for the 1845 edtion to the originals as printed in The Nation: |
The poetry and song of The Nation was submitted by Davis and Smith O'Brien to orthographical correction by the inevitable John O'Donovan and O'Curry, nd the use of Irish orthography and even irish typeface was insisted upon - in the face of some resistance.
[Here quotes C. G. Duffy, Young Ireland: A Fragment of Irish History, 1840-1850, 1880, pp.561-62.]
[...] An amused Gavan Duffy saw his poem on The Men of the North, which involved references to Slieve Donard and other places, transmogrified in something as unpronounceable as it was authentic. Romantic national propaganda underwent the Ordnance Survey treatment; and Duffy wrote teasingly to MacNevin:
The text of the ballads is to be larded with a Celtic nomenclature furnished by John O’Donovan, which sometimes consists of an aggregate meeting of the consonants with scarcely a vowel to take the chair [...] You will stare with all your eyes to see what has become of all your old acquaintances. What do you say to the Lee becoming the Laoi, and the Shannon the Sionann, Limerick Luimneach, and Slieve Donard Sliab Domangart? [Duffy, ibid., pp.562-63.]
This episode shows that auto-exoticism was at the heart of The nation. Not for nothing had Lady Morgan, in a preface to the 1846 revised edition of The wild Irish girl, claimed that Davis’s essays continued the tradition of that book. In contrast to other Repeal organs, which dealt with Ireland on the basis of topical urgency (as a set of contemporary political, economic and constitutional grievances),, The nation emphatically wanted to acquaint the Irish readership with its own history, its own culture, its own roots, and to draw the ideological strength for a nationalist commitment from this historical self-awareness; but on the other hand, the veneration for the genuineness and authenticity of that selfsame national past means that it is kept pristine, unsullied, in its own orthography and typeface, and, by the same token, different and distant from the latter-day, English-speaking readership.
To create an Irish, national historical awareness was the prime objective of Davis and his fellow-workers: to see that Ireland was not a province, some sort of Lake-District-cum-Isle-of-Wight, but a nation. The difference between province and nation, crucially, involves a sense of historical individuality: the fact that Ireland looks back into a past that diverges from the English or British one, that it traces its antecedents through a root system of its own. As long as Ireland is ignorant of this past, it lacks this crucial element in a national consciousness and might as well be a sectarian Yorkshire-outre-mer. Davis’s task was, then, a dual one: first, to redeem Ireland from what he perceived as an atrophy of historical interest, and secondly, to furnish the historical data on which such an interest could feed. The reader may wonder at this, for over the foregoing pages the notion of an unresolved past, of historical thought, has unremittingly presented itself as a central factor in Irish culture and politics. Why should The nation want to preach, not just to the converted, but to a readership with a high degree of historical awareness?
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Leerssen, op. cit., 1996, p.147. |
[ top ] Reference Seamus Deane, gen. ed., Field Day Anthology of Irish Writing (1991), Vol. 1 960, 1013, The Spirit of the Nation, 1055, The Nation, 1055, 1081, 1174, 1176, 1177; from The Nation (manifesto by CG Duffy) [1248-50]; Thomas Moore [1250-54]; Mr Levers Irish Novels by Duffy [1255-65]; Our Periodical Literature, anon. [1265-69]; The Young Irishman of the Middle Classes, lecture by Davis in 1839, published in three installments in The Nation as a retrospective tribute, 1848 [1269-86]; Dreadful Loss of Life in Catholic Chapel, Galway [1286-88]; The Memory of the Dead [1288]; Irish, a report on the tran. of Four Masters by Owen Connellan (1846), then due to appear [1289-90]; Lecture on the Irish Language, reporting a discourse by Rev Thomas de Vere Coneys, [n.dd.], Professor of Irish at TCD; cites letter of Dr Johnson to Charles OConor [1290-92]; also 1296n [Nations article on periodical literature cites Griffin favourably]; [biog. Mangan, contrib., 1298]; [biog. Davis, fnd. 1842, 1299].
Seamus Deane, gen. ed., Field Day Anthology (1991), Vol. 2: [supported poets, 2]; [poetry achieved popularity in alliance with powerful if callow conventions of Young Ireland, ed., 4]; [Mangan one of the chief contributors, 6]; John Francis ODonnell published in, 8]; Mangans Dark Rosaleen, 30 May 1846 [26]; Mangans Vision of Connaught in the 13th Century (epigraph, Et moi, jai été aussi en Arcadie, 11 July 1846 [29]; Mangans Lament over the Ruins of the Abbey of Teach Molaga, 8 Aug. 1846 [30]; Mangans The Lovely Land, after Maclise, in The Nation, 1849 [37]; several ballads of Thomas Davis [51-54]; deliberate attempt to raise national consciousness through song [77]; TD Sullivans God Save Ireland, The Nation, 7 Dec 1867 [106]; first version of The Shan Van Vocht, The Nation, 29 Oct 1842 [109]; biogs: Denis Florence McCarthy & Thomas Caulfield Irwin, contribs. to The Nation, 113]; [biogs: JF O;Donnell & John Keegan Casey, contribs., 114]; [Nation rhetoric locked within narrow range of feeling, ed., 119]; Thomas Meagher: I have no more connection with the Nation [sic] than I have with the Times .. it is a source of true delight and honest pride to speak this day in defence of that great journal [and of CG Duffy], Sword Speech, 28 July 1846 [123]; James Fintan Lalor famine address to the landlords (Letter, 24 Apr 1847) [165-72]; John Mitchel quotes the Nation [sic] on the Coercion Bill [179]; proprietorship of A. M. Sullivan, 185-76 [192]; Davitt points out that the founders of The Nation had offered land-reform policies, but that the Young Irelanders such as William Smith OBrien and the readership were not generally seen as agrarians until Lalors letters of 1847 appeared [200-02]; [biog: William Carleton, contrib., 205]; A. M. Sullivan, proprietor, 1855; passed The Nation to his brother D Sullivan, 1876 [207]; Davis was the Nation and the Nation was Davis (and remarks) [253]; [Who Fears to Speak of Ninety-Eight appeared in The Nation, April 1843, 267n]; proposal to gather an effectual Irish parliament, or Council of three Hundred, adopted by OConnell, earlier appeared in The Nation [357n]; [err., 369, poss. the Irish Nation, owned by John Devoy, 368]; Tim Healy, parliamentary reporter for The Nation, charts rise of Parnell [370]; [C. G. Duffy, 556n]; The Nation called prototype of D. P. Morans Leader by TW Rolleston, though the exclusionism (or watertight compartments) of the latter defeats the nationalist object of the former [973]; A. M. Sullivan joined [sic] The Nation in 1855 [poss. err., 999n]; the indigenous readership and criticism adumbrated by The Nation a reality at the time of the Revival (Gus Martin, ed.,) [1021].
Seamus Deane, gen. ed., Field Day Anthology (1991), Vol. 3 [founded 1842, 6n]; Sullivan, owner-editor until 1876 [417n]; [Davis, 425n]; derivation of racy of the soil, The Nation, epigraph, from 1843 [484n]; Charles Gavan Duffy, Daviss colleague on The Nation, opposed his language revivalist idea [570]; [OFaoláin on empty sentiment in A Nation Once Again], 571n]; [AM Sullivan, asst. ed., 583n]; [Young Ireland & ihe Nation, 612n]; Yeats recalls that there was in the Young Irelanders and their paper one quality I admired and admire: they were not separated individual men: they spoke or tried to speak out of a people to a people (A General Introduction for my Work, 1937) [628]; David Lloyd quotes Davis, Our National Language, The Nation, 1 April 1843, (p.304) [635-36]. Further, in sections dealing with youth in Autobiography (Alan Price, ed. Collected Works, II, 1962 [constructed from various papers], Synge wrote: The Irish ballad poetry of The Spirit of the Nation school engrossed me for a while and made [me] commit my most serious literary error; I thought it excellent for a considerable time and then repented bitterly./ ... /Soon after I had relinquished the Kingdom of God I began to take a real interest in the kingdom of Ireland. &c. See also ed. remark: The Spirit of the Nation, a collection of ballads and songs from The Nation newspaper, published in 1843, with several reprints thereafter. A further collection, The New Spirit of the Nation, appeared in 1894; another enlarged ed., Songs and Ballads of Young Ireland, came out in 1896. [405].
Catalogues
Belfast Central Public Library holds Spirit of the Nation (n.d.); Spirit of the Nation: Ballads and Songs (1844); The Voice of the Nation (1844).
Univ. of Ulster Library (MORRIS) holds Spirit of the Nation 1843-44, 2 vols in 1. [ top ]
Quotations High/low: The era to which Englishmen point as that in which their constitution was finally established in highest perfection [
] is precisely the day from which Irelands lowest debasement and bitterest sorrow most be dated. The Glorious Revolution is to us an abomination; the Bill of Rights a fraud, the privileges of Parliament, and the whole system of parliamentary government then se tup for worship and obedience, a delusion and a cruel mockery. (Anon, The British Constitution, The Nation, Sept. 1846p.746; quoted in David Lloyd, Anomalous States, 1993, p.134, and cited in Conor McCarthy, Modernisation, Crisis and Culture in Ireland 1969-1992, Four Courts Press 2000, p.125 [no primary source given].)
It is said that English capital would flow in, of its own accord, if we were only quiet. When we were quiet, there was no appearance of English capital. It was when we were quiet that the Poor Law was enacted. the separation of husband and wife on entering the workhouse was a revolting sample of English legislation. (Nation, 16 Sept. 1845; cited in Famine Diary, Breandan Ó Cathaoir, Irish Times, 13 Sept. 1995).
Fatigue ground: Ireland is the fatigue ground of English imagination; and a full-bellied, dyspeptic people must have some have some daily providence of terror, that they may sup full of horrors and bless their stars for living east of the channel. Every people in every age have had their [?wandry] monsters
Mrs Ann Radclife being dead
it is now our part to furnish England with monsters, thugs and devils great and small. (Priesthunting, p.89; The Nation, 1848; quoted in Christopher Morash, Ever Under Some Unnatural Condition: Bram Stoker and the Colonial Fantastic, in Brian Cosgrove, ed., Literature and the Supernatural: Essays for the Maynooth Bicentenary, Blackrock: Columba Press 1995, pp.99.)
The Spirit of the Nation (anthology): Seamus Deane, gen. ed., Field Day Anthology of Irish Writing (Derry: Field Day Co. 1991), Vol. 2,: 1843, comprising Political Songs and Ballads [4]; CG Duffys later Ballad Poetry of Ireland (1845) rivalled it in popularity [5]; Thomas Daviss ballads in, [51]; version of Shan Van Vocht appearing in Spirit (1882 ed.) with words by Michael Doheny, entirely different from The Nation original [see supra] [ 109]; [Shan Van Vocht parodied by Susan Mitchell, 740], Also The New Spirit of the Nation, ed. Martin MacDermott, 1894, 728]
Spirit of the Nation, characterised in the preface as an expression of the confidence of the national party that Manhood, Union, and Nationality would replace Submission, Hatred, and Provincialism. See Colm OLochlainn, Anglo-Irish Song Writers, Bibl. Soc of Ireland Publ., VI, 1 (1950).
Sinn Féin: the first song printed in The Spirit of the Nation is Ourselves Alone, of which the 2nd stanza: Too long our Irish hearts we schooled, / In patient hope to bide; /By dreams of English justice fooled, / And english tongues that lied. / That hour of weak delusion past / The empty dream has flown. / Our hope and strength we find at last, / Is in OURSELVES ALONE. The final stanza ends: well be a glorious nation yet / Redeemed erect alone.
Notes
Physicians: Kevin Izod ODoherty and Richard DAlton Williams, both Nation contribs., were doctors. Anent the literary propensities of the profession, it was said that there was a better chance of finding a doctor at DOlier St the Nation offices than at Mercers Hospital. (Morash, op. cit. p.27.)
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