Irish University Review: A Journal of Irish Studies, "Special Issue: Thomas Kilroy" (Spring/Summer 2002), 214pp. CONTENTS: Anthony Roche [ed.,], Introduction [ix]; John Banville, From Shroud [1]; Thierry Dubost, ’Kilroy’s Theatre of the Conflicted Self‘ [10]; Anne Fogarty, ‘The Romance of History: Renegotiating the Past in Thomas Kilroy’s The O’Neill and Brian Friel’s Making History’ [18]; Gerald Dawe, ‘Thomas Kilroy’ [33]; W. Nial Osborough, ‘Another Country, Other Days: Revisiting Thomas Kilroy’s The Big Chapel [39]; Gerard Fanning , "Searching for Paul Henry’s Sky"; "The Railway Guard" [68]; Nicholas Grene, ‘Staging the Self: Person and Persona in Kilroy’s Plays’ [70]; Christopher Murray, ‘Thomas Kilroy: the Artist and the Critic [83]; Images for Kilroy: Brian Bourke, Barrie Cooke, Felim Egan, Sean McSweeney, Tony O’Malley, Camille Souter; Claire Keegan From Salt [95]; Hiroko Mikami, ‘Kilroy’s Vision of Doubleness: the Question of National Identity and Theatricality in Double Cross [100]; Martine Pelletier ‘Against Mindlessness’: Thomas Kilroy and Field Day [110]; Anna McMullan, Masculinity and Masquerade in Thomas Kilroy’s Double Cross and The Secret Fall of Constance Wilde [126]; Patrick Mason, ‘Acting Out’ [137]; Frank McGuinness, "The Doctor’s Daughter in Antwerp" [148]; Anthony Roche, ‘Thomas Kilroy: an Interview’ [150]; Thomas Kilroy, From Blake [159]; Christopher Innes, ‘Immortal Eyes and Fearful Symmetry: Towards a Drama of Vision’ [164]; David Wheatley, Numerology" [175]; Ophelia Byrne, ‘Thomas Kilroy: a Bibliography’ [176]; Richard Pine, Review Article: Brian Friel’s The Yalta Game [191]. Book Reviews by: Martine Pelletier, Andrew Taylor, Gerald Dawe, Peter Costello, Anne Fogarty [196]; Books Received [210]