ARTICLES:
Bruce Stewart, Inside Nationalism: A Meditation upon Inventing
Ireland [5]; Barbara White, The Inferior Sort of the
Kingdom of Ireland: Irishmen and Tyburn Tree [17]; Michael
de Nie, The Famine, Irish Identity, and the British Press
[27]; Selina Guinness, Visions and Beliefs in the West of
Ireland: Irish Folklore and British Anthropology, 1898-1920
[7]; Keiko Inoue, Dail Propaganda and the Irish Self-Determination
League of Great Britain during the Anglo-Irish War [7];
Klaus-Gunnar Schneider, Irishness and Postcoloniality in
Glenn Pattersons Burning Your Own [55]; Richard Mills,
Closed Places of the Spirit: Interview with Maurice Leitch [63-68].
REVIEWS: Matthew Stout, The Irish Ringfort (Four Courts 1997),
reviewed by Charles E. Orser, Jr.; Jonathan Bardon, A Shorter
Illustrated History of Ulster (Blackstaff 1996), reviewed
by Bill Rolston; Jean Agnew, Belfast Merchant Families in the
Seventeenth Century (Four Courts 1996), reviewed by L. M.
Cullen; Martyn Bennett, The Civil Wars in Britain and Ireland,
1638-1651 (Blackwell 1997), reviewed by Willy Maley; Patrick
McNally, Parties, Patriots and Undertakers: Parliamentary Politics
in early Hanoverian Ireland (Four Courts 1997), reviewed by
Neal Garnham; Ian Crowe, ed., Edmund Burke: His Life and Legacy
(Four Courts 1997), reviewed by Jefferson Holdridge; Kenneth
Milne, The Irish Charter Schools, 1730-1830 (Four Courts
1997), reviewed by Janet Nolan; Kevin Whelan, The Tree of Liberty:
Radicalism, Catholicism and the Construction of Irish Identity,
1760-1830 (Cork UP 1996), reviewed by David Dickson; Jim Herlihy,
The Royal Irish Constabulary: A Short History and Genealogical
Guide (Four Courts 1997), reviewed by Brian Griffin; Fergal
Cochrane, Unionist Politics and the Politics of Unionism since
the Anglo-Irish Agreement (Cork Up 1997), reviewed by Patrick
Maume; James Kelly, Bonfires on the Hillside: An Eyewitness
Account of Political Upheaval in Northern Ireland (Fountain
Publ. 1995), reviewed by Andrew J. Wilson; Ronald H. Bayor &
Timothy J. Meagher, eds., The New York Irish (Johns Hopkins
1996), and Ann M. Shea & Marion R. Casey, The Irish Experience
in New York City: A Select Bibliography (NY Irish Hist. Roundtable
1995), reviewed by Patrick OSullivan; Nina Auerbach &
David J. Skal, eds., Dracula: A Norton Critical Edition (Norton
1997), Peter Haining & Peter Tremayne, The Un-Dead: The
Legend of Bram Stoker and Dracula (Constable 1997), and Stephen
Jones, The Mammoth Book of Dracula (Robinson Publ. 1997),
reviewed by Lisa Hopkins; Vincent Sherry, James Joyce: Ulysses
(Cambridge UP 1997), and Cordell D. K. Yee, The Word According
to James Joyce: Reconstructing Representation (Bucknell 1997),
reviewed by Keith Williams; James Knowlson, Damned to Fame:
The Life of Samuel Beckett (Bloomsbury 1997), Anthony Cronin,
Samuel Beckett: The Last Modernist (HarperCollins 1996),
and Mary Junker, Beckett: The Irish Dimension (Wolfhound
1995), reviewed by Ronan McDonald; Donatella Abbate Badin, Thomas
Kinsella (Twayne 1996), reviewed by Justin Quinn; Augustine
Martin, Bearing Witness: Essays on Anglo-Irish Literature (UCD
Press 1996), reviewed by Kevin Barry; Christopher Murray, Twentieth-Century
Irish Drama: Mirror up to Nation (Manchester UP 1997), reviewed
by Jose Lanters; John D. Harrington, The Irish Play on the
New York Stage, 1874-1966 (Kentucky UP 1997), reviewed by
Nicholas Grene; Csilla Bertha, ed., The Hungarian Journal of
English and American Studies, Vol. 2, No. 2 (Kossuth Lajas
UP 1996), reviewed by John Devitt; Axel Klein, Die Musik Irlands
im 20: Jahrhundert / Irish Music in the 20th Century (George
Olms Verlag 1996), reviewed by Robert Blackburn; Stephanie McBride
& Roddy Flynn, eds., Heres Looking at You, Kid!:
Ireland Goes to the Pictures (Wolfhound 1996) reviewed by
Lance Pettitt; Wilde, directed by Brian Gilbert (Samuelson/Polygram
1997), reviewed by David Rose.
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