• Lance Pettitt, Introduction [149]
• Kevin Rockett, ‘From Radicalism to Conservatism: Contradictions within Fianna Fail Film Policies in the 1930s’ [155]
• Harvey O’Brien, ‘Somewhere to Come Back to: The Filmic Journeys of John T. Davis’ [167]
• Keith Hopper, ‘“A Gallous Story and a Dirty Deed’: Word and Image in Neil Jordan and Joe Comerford’s Traveller (1981)’ [179]
• Ruth Barton, Kitsch as Authenticity: Irish Cinema and the Challenge to Romanticism [193]’
• Fidelma Parley, In the Name of the Family: Masculinity and Fatherhood in Contemporary Northern Irish Films [203]’
• Marcus Free, From the 'Other' Island to the One with “No West Side”: The Irish in British Soap and Sitcom [215]’
• Diane Negra, The New Primitives: Irishness in Recent US Television’[229]

• Andrew Smith, ‘Bringing Bram Stoker Back from the Margins’, reviewing Beyond Dracula: Bram Stoker’s Fiction and its Cultural Context, by William Hughes; Dracula: Sense & Nonsense, by Elizabeth Miller.
• Bruce Stewart, reviewing New Voices in Irish Criticism by P. J. Mathews. [247]

• Thomas O’Loughlin, Journeys on the Edges: The Celtic Tradition, reviewed by Ullrich Kockel.
• Sean Ó Duinn, Where Three Streams Meet: Celtic Spirituality, reviewed by Mairead Nic Craith [251]

Reviews / History & Politics

• John J. Silke, Kinsale: The Spanish Intervention in Ireland at the End of the Elizabethan Wars; Aidan Clark, The Old English in Ireland, 1625-42, and J. G. Simms, Jacobite Ireland, 1685-91, reviewed by John McGurk.
• Cynthia O’Connor, The Pleasing Hours: The Grand Tour of James Caulfield, First Earl of Charlemont (1728-1799): Traveller, Connoisseur and Patron of the Arts, reviewed by C. D. A. Leighton.
• Ruan O’Donnell, Aftermath: Post-rebellion Insurgency in Wicklow, 1799-1803, reviewed by Daniel J. Gahan.
• Acts of Union: An Inaugural Lecture Delivered at University College Dublin on 24 February 2000, by Thomas Bartlett, reviewed by James Kelly.
• Ken Houston, ed., Creators of Mathematics: The Irish Connection, reviewed by Fiacre Ó Cairbre.
• Donald MacRaild, ed., The Great Famine and Beyond. Irish Migrants in Britain in the Nineteenth and Twentieth Centuries, reviewed by Christine Kinealy.
• Diane Urquhart, Women in Ulster Politics 1890-1940: A History Not Yet Told, reviewed by Louise Ryan.
• Cathy Molohan, ed., Germany and Ireland 1945-1955: Two Nations' Friendship, reviewed by Joachim Fischer.
• Kenneth Milne, ed., Christ Church Cathedral Dublin: A History, reviewed by Toby Bamard.
• Craig Seaton, Northern Ireland: The Context for Conflict and for Reconciliation;Marie-Therese Fay, Mike Morrissey & Marie Smyth, Northern Ireland’s Troubles: The Human Costs, Norman Porter, Rethinking Unionism: An Alternative Vision for Northern Ireland; Porter, ed., The Republican Ideal: Current Perspectives, reviewed by Patrick Maume.
• Northern Protestants: An Unsettled People, by Susan McKay, reviewed by Cahal McLaughlin.

• The Man Who Was Dorian Gray, by Jerusha Hull McCormack, reviewed by Roger Luckhurst.[270]
• Interpreting Synge: Essays from the Synge Summer School 1991-2000, ed. Nicholas Grene, reviewed by Simon Trezise.
• “Ulysses”: En-gendered Perspectives, by Kimberley J. Devlin and Marilyn Reizbaum, reviewed by Richard Brown.
• Semicolonial Joyce, ed. by Derek Attridge & Marjorie Howes, reviewed by Patrick Parrinder.
• The Great War in Irish Poetry: W: B. Yeats to Michael Longley, by Fran Brearton, reviewed by Sarah Ferris.
• J. G. Farrell: The Critical Grip, ed. Ralph J .Crane, reviewed by Glenn Hooper.
• Writing in the Irish Republic: Literature, Culture, Politics 1949-1999, ed. Ray Ryan, reviewed by Shaun Richards.
• Thomas Kinsella: The Peppercanister Poems, by Derval Tubridy, reviewed by Justin Quinn.
• Collected Poems, by Richard Murphy, reviewed by Justin Quinn.
• Brigid, by Jill Blee, reviewed by Kristine Byron.
• Crazy Man Michael, by Jim Lusby, reviewed by John Newsinger.
• Double Visions: Women and Men in Modem and Contemporary Irish Fiction, by James M. Cahalan, reviewed by Kim Wallace.

• W. A. Maguire, A Century in Focus: Photography and Photographers in the North of Ireland 1839-1939,reviewed by Hilary Pyle. [285]
• Dáibhí Ó Cróinín, The Songs of Elizabeth Cronin: Irish Traditional Singer, reviewed by Maura Cronin.
• Sinead O’Connor, All That You Can't Leave Behind and Faith and Courage, by U2, reviewed by Gerry Smyth.
• Celtic Identity and the British Image, by Murray G. H. Pittock, reviewed by Willy Maley.