Contents
Lavinia Greenlaw, FAITH [5]; John Berryman, FOUR
POEMS [6]; Michael Longley, THREE POEMS [10]; Alison Brackenbury,
TWO POEMS [12]; Seán Lysaght, THE FOX [14]; Justin Quinn,
INTERVIEW WITH ROBERT PINSKY [15]; Robert Pinsky, FOUR POEMS [27];
ROOMS Brian Henry [33]; Christopher Miller, REVIEW: JORIE GRAHAM,
THE ERRANCY [34]; Dan Chiasson, ESSAY: EXPLAINING FRANK BIDART
[39]; Constantine P. Cavafy, FOUR POEMS translated by Theoharis
C Theoharis [47]; Simon Carnell , TWO POEMS [49]; Bonnie Costello,
HOUSE STYLE [51]; Charles Tomlinson, FOUR POEMS [55]; Peter McDonald,
THE VICTORY WEEKEND, MAY 1995/MAY 1945 [58]; Jonathan Hufstader,
REVIEW: EAMON GRENNAN, RELATIONS: NEW AND SELECTED POEMS [66];
Edna Longley, REVIEW: GEOFFREY HILL, THE TRIUMPH OF LOVE [70];
Eugenio Montale, DELTA, translated by Samuel Beckett [75]; Paul
Murray, THE WALL FOUNTAIN [76]; Tom French, PITY THE BASTARDS
[77]; Cliff Ashcroft, REVIEW: AIDAN MATHEWS, ACCORDING TO THE
SMALL HOURS [82]; Peter McDonald, REVIEW: EAVAN BOLAND, THE LOST
LAND [85]; Jean Mitellus, TWO POEMS [90]; Adam Czerniawski, TWO
POEMS [94]; Steve Waling, ORNITHOLOGIST [96]; Patrick Crotty,
REVIEW: PAUL MULDOON, HAY [97]; Graham Nelson, REVIEW: POEMS FOR
THE MILLENNIUM: THE UNIVERSITY OF CALIFORNIA BOOK OF MODERN AND
POST-MODERN POETRY [101]; lain Bamforth, THE UNREACHED [105];
Elide V. Oliver, REVIEW: RICHARD ZENITH, PESSOA AND CO [107];
REVIEW ESSAY: Mac Oliver, WHOS NOT AFRAID OF EXPERIMENTAL
POETRY? [110]; Carol Rumens, KITCHENER STREET [119]; Caitriona
OReilly, REVIEW: CAROL RUMENS, HOLDING PATTERN [120]; IN
BRIEF [123]; List of CONTRIBUTORS [127].
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