Contents

Lavinia Greenlaw, FAITH [5]; John Berryman, FOUR POEMS [6]; Michael Longley, THREE POEMS [10]; Alison Brackenbury, TWO POEMS [12]; Seán Lysaght, THE FOX [14]; Justin Quinn, INTERVIEW WITH ROBERT PINSKY [15]; Robert Pinsky, FOUR POEMS [27]; ROOMS Brian Henry [33]; Christopher Miller, REVIEW: JORIE GRAHAM, THE ERRANCY [34]; Dan Chiasson, ESSAY: EXPLAINING FRANK BIDART [39]; Constantine P. Cavafy, FOUR POEMS translated by Theoharis C Theoharis [47]; Simon Carnell , TWO POEMS [49]; Bonnie Costello, HOUSE STYLE [51]; Charles Tomlinson, FOUR POEMS [55]; Peter McDonald, THE VICTORY WEEKEND, MAY 1995/MAY 1945 [58]; Jonathan Hufstader, REVIEW: EAMON GRENNAN, RELATIONS: NEW AND SELECTED POEMS [66]; Edna Longley, REVIEW: GEOFFREY HILL, THE TRIUMPH OF LOVE [70]; Eugenio Montale, DELTA, translated by Samuel Beckett [75]; Paul Murray, THE WALL FOUNTAIN [76]; Tom French, PITY THE BASTARDS [77]; Cliff Ashcroft, REVIEW: AIDAN MATHEWS, ACCORDING TO THE SMALL HOURS [82]; Peter McDonald, REVIEW: EAVAN BOLAND, THE LOST LAND [85]; Jean Mitellus, TWO POEMS [90]; Adam Czerniawski, TWO POEMS [94]; Steve Waling, ORNITHOLOGIST [96]; Patrick Crotty, REVIEW: PAUL MULDOON, HAY [97]; Graham Nelson, REVIEW: POEMS FOR THE MILLENNIUM: THE UNIVERSITY OF CALIFORNIA BOOK OF MODERN AND POST-MODERN POETRY [101]; lain Bamforth, THE UNREACHED [105]; Elide V. Oliver, REVIEW: RICHARD ZENITH, PESSOA AND CO [107]; REVIEW ESSAY: Mac Oliver, WHO’S NOT AFRAID OF EXPERIMENTAL POETRY? [110]; Carol Rumens, KITCHENER STREET [119]; Caitriona O’Reilly, REVIEW: CAROL RUMENS, HOLDING PATTERN [120]; IN BRIEF [123]; List of CONTRIBUTORS [127].