Alan Peacock, ed., The Achievement of Brian Friel (Gerrards Cross: Colin Smythe 1993), General Bibliography.

  • Andrews, J. H., A Paper Landscape: The Ordnance Survey in Nineteenth Century Ireland (Oxford: The Clarendon Press, 1975).
  • Bell, Sam Hanna, The Theatre in Ulster (Dublin: Gill and Macmillan, 1972).
  • Bertha Csilla, ‘Tragedies of National Fate: A Comparison between Brian Friel’s Translations and its Hungarian Counterpart, Andras Suto’s A szasai menyegzo’, Irish University Review, Vol. 17, No. 2, Autumn 1987, pp.207-22.
  • Bigsby, C. W. E., Contemporary Dramatists (London: St. James Press, 1977).
  • Birker, Klaus, ‘The Relationship between the Stage and the Audience in Brian Friel’s The Freedom of the City’, in Harmon, pp.153-58.
  • Boland, Eavan, ‘Brian Friel: Derry’s Playwright’, Hibernia, 16 February 1973, p. 18.
  • Brown, Terence, Ireland: A Social and Cultural History 1922 1985 (Glasgow: Fontana Press, 1985).
  • Browne, Joseph ‘Violent Prophecies: The Writer and Northern Ireland’, Eire-lreland, Vol. 10. No. 2, Summer 1975, pp.109-19.
  • Cairns, David and Richards, Shaun, Writing Ireland: Colonialism, Nationalism and Culture (Manchester: Manchester University Press, 1988).
  • Carpenter, Andrew (ed.), Place, Personality and the Irish Writer, Irish Literary Studies 1 (Gerrards Cross: Colin Smythe, 1977).
  • Connolly, Peter (ed.), Literature and the Changing Ireland, Irish Literary Studies 9 (Gerrards Cross: Colin Smythe, 1982).
  • Connolly, Sean, ‘Dreaming History: Brian Friel’s Translations’, Theatre Ireland 13, Autumn 1987, pp.42s.
  • Dantanus, Ulf, Brian Friel: The Growth of an Irish Dramatist, Gothenburg Studies in English 59 (Gothenburg, Acta Universitatis Gothoburgensis, 1985; Atlantic Heights, New Jersey, Humanities Press, 1986).
  • Dantanus, Ulf, Brian Friel: A Study (London: Faber & Faber, 1988).
  • Deane, Seamus, ‘The Writer and the Troubles’, Threshold, No. 25, Summer 1974, pp.1>17.
  • Deane, Seamus, ‘Brian Friel’, Ireland Today (1981), pp.7-10.
  • Deane, Seamus, ‘Brian Friel: The Double Stage’, in Celtic Revivals: Essays in Modern Irish Literature, 1880-1980 (London: Faber & Faber, 1985), pp.166-73.
  • Dowling, P. J., The Hedge Schools of Ireland (Cork, The Mercier Press, 1968).
  • Etherton, Michael, Contemporary Irish Dramatists, Macmillan Modern Dramatists (London: Macmillan, 1989).
  • Field Day Theatre Company, Ireland’s Field Day (London: Hutchinson, 1985).
  • FitzGibbon, Emelie, ‘All Change: Contemporary Fashions in the Irish Theatre’, in Sekine, pp.33-46.
  • Fitz-Simon, Christopher, The Irish Theatre (London: Thames and Hudson, 1983).
  • Foster, John Wilson, Forces and Themes in Ulster Fiction (Dublin: Gill and Macmillan, 1974).
  • Friel, Brian, John Andrews and Kevin Barry, ‘Translations and A Paper Landscape: Between Fiction and History’, in The Crane Bag, Vol. 7, No. 2, 1983, pp.118-24.
  • Grene, Nicholas, ‘Distancing Drama: Sean O’Casey to Brian Friel’, in Sekine, pp.47-70.
  • Harmon, Maurice (ed.), The Irish Writer and the City, Irish Literary Studies 18 (Gerrards Cross: Colin Smythe, 1984).
  • Heaney, Seamus, ‘Digging Deeper’, Revies of Volunteers, TLS, 21 March 1975, p. 306.
  • Henderson, Lynda, ‘“The Green Shoot”: Transcendence and the Imagination in Contemporary Ulster Drama’, in Across a Roaring Hill: the Protestant Imagination in Modern Ireland,, ed. Gerald Dawe and Edna Longley (Belfast: The Blackstaff Press, 1985), pp.196-217.
  • Hickey, Des and Smith, Gus, A Paler Shade of Green (London: Leslie Frewin, 1972).
  • Hogan, Robert, After the Irish Renaissance (London: Macmillan, 1968).
  • Hogan, Robert, ‘The Year in Review: 1967-Theatre’, University Review, Vol. 5, No. 1, Spring 1968, pp.103-12.
  • Hogan, Robert, ‘Since O’Casey’ and Other Essays on Irish Drama, Irish Literary Studies 15 (Gerrards Cross: Colin Smythe, 1983).
  • Hunt, Hugh, The Abbey: Ireland’s National Theatre 1904-1979 (Dublin Gill and Macmillan, 1979).
  • Kearney, Richard, ‘Language Play: Brian Friel and Ireland’s Verbal Theatre’, Studies 72, Spring 1983, pp.20-56.
  • Kelly, Colm, ‘Homecomings and Diversions: Cultural Nationalism and the Recent Drama of Brian Friel’, Studies, 76, Winter 1987, pp.452-62.
  • Kenneally, Michael (ed.), Cultural Contexts and Literary Idioms in Contemporary Irish Literature: Studies in Contemporary Irish Literature 1, Irish Literary Studies 31 (Gerrards Cross: Colin Smythe, 1988).
  • Kiberd, Declan, ‘Brian Friel’s Faith Healer’, in Masaru Sekine, Irish Writers and Society at Large, Irish Literary Studies 22 (Gerrards Cross: Colin Smythe, 1985), pp.106-21.
  • King, Kimball, Ten Modern Irish Playwrights: A Comprehensive Annotated Bibliography (New York and London: Garland Publishing, 1979).
  • Kosok, Heinz (ed . ), Studies in Anglo-lrish Literature (Bonn, Bouvier Verlag Herbert Grundmann, 1982).
  • Lehmann, Elmar, ‘England’s Ireland: An Analysis of Some Contemporary Plays’, in Kosok, pp.431-38.
  • Levin, Milton, ‘Brian Friel: An Introduction’, Eire-lreland, Vol. 7, No. 2, 1972, pp.132-36.
  • Longley, Edna, ‘Poetry and Politics in Northern Ireland’, in Poetry in the Wars (Newcastle upon Tyne, Bloodaxe Books, 1986), pp.18S-210.
  • McGowan, Moray, ‘Truth, Politics and the Individual: Brian Friel’s The Freedom of the City and the Northern Ireland Conflict’, Literature in Wissenschaft und Unterricht, Vol. 12, No. 4, 1979, pp.287-303.
  • McMahon, Sean ‘The Black North: The Prose Writers of the North of Ireland’, Threshold, No. 21, Summer 1967, pp.158-74.
  • Maxwell, D. E. S., Brian Friel (Lewisburg, Bucknell University Press, 1973).
  • Maxwell, D. E. S., ‘Imagining the North: Violence and the Writers’, Eire-lreland, Vol. 8, No. 2, Summer 1973, pp.91-107.
  • Maxwell, D. E. S., ‘Introduction to The Enemy Within’, in The Journal of Irish Literature, Vol. 4, No. 2, May 1975, pp.4-6.
  • Maxwell, D. E. S., ‘A Critical History of Modern Irish Drama, 1891-980 (Cambridge, Cambridge University Press, 1984).
  • Murray, Christopher, ‘Irish Drama in Transition 1966-1978’, Etudes Irlandaises, Nouvelle Serie No. 4, December 1979, pp.287-308.
  • Murray, Christopher, ‘Recent Irish Drama’, in Kosok, pp.439 4 6.
  • Murray, Christopher, ‘The History Play Today’, in Kenneally, pp.269-89.
  • Niel, Ruth, ‘Digging into History: A Reading of Brian Friel’s Volunteers and Seamus Heaney’s “Viking Dublin: Trial Pieces” ‘, Irish University Review, Vol. 16, No. 1, Spring 1986, pp.35-47.
  • Niel, Ruth, ‘Non-Realistic Techniques in the Plays of Brian Friel: the Debt to International Drama’, in Zach, Wolfgang and Kosok Heinz, eds., Literary Interrelations: Ireland, England and the Worid II (Tubingen, Gunter Narr Verlag, 1987), pp.349-59.
  • O’Brien, George, Brial Friel (Dublin: Gill and Macmillan, 1989).
  • O’Connor, Ulick, Brian Friel: Crisis and Commitment- The Writer and Northern Ireland (Dublin: Elo Publications, 1989).
  • Ó hAodha, Michael, Theatre in Ireland (Oxford: Basil Blackwell, 1974).
  • O’Malley, Conor, A Poets Theatre (Dublin: Elo Press, 1988).
  • Ormsby, Frank, ‘The Plays of Brian Friel’, The Honest Ulsterman, No. 23, 1970, pp.27-31.
  • O’Toole, Fintan, ‘Island of Saints and Silicon: Literature and Social Change in Contemporary Ireland’, in Kenneally, pp.11-35.
  • Pine, Richard, Brian Friel and Ireland’s Drama (London: Routledge, 1990).
  • Rafroidi, Patrick; Popot, Raymond; Parker, William, Aspects of the Irish Theatre (Lille, Publications de l’Universite de Lille III, 1972).
  • Richards, Shaun, ‘The Changing Landscape of Fact: English as “Necessary Sin” in Contemporary Irish Literature’, New Comparison, No. 7,
  • Summer 1989, pp.88-98.
  • Robbins, Ronald, ‘Friel’s Modern “Fox and the Grapes” Fable’, Eirelreland, Vol. 21, No. 4, Winter 1986, pp.66-76.
  • Robinson, P. N., ‘Brian Friel’s Faith Healer: An Irishman Comes Back Home’, in Zach, Wolfgang and Kosok, Heinz, eds., Literary Interrelations: Ireland, England and the World III (Tubingen, Gunter Narr Verlag, 1987), pp.223-27.
  • Roche, Anthony, ‘Ireland’s Antigones: Tragedy North and South’, in Kenneally, pp.221-50.
  • Rollins, Ronald, ‘Friel’s Translations: The Ritual of Naming’, The Cana dian Journal of Irish Studies, Vol. 11, No. 1, June 1985, pp.35-43
  • Sekine, Masaru, ed., Irish Writers and the Theatre, Irish Literary Studies 23 (Gerrards Cross: Colin Smythe, 1986).
  • Throne, Marilyn, ‘Brian Friel’s Faith Healer: Portrait of a Shaman’, The Journal of Irish Literature, Vol. 16, No. 3, September 1987, pp.18-24
  • Timm, E. F., ‘Modern Mind, Myth, and History: Brian Friel’s Transla tions’, in Kosok, pp.44744.
  • Todd, Loreto, The Language of Irish Literature (London: Macmillan 1989).
  • Toolan, Michael, ‘Language and Affective Communication in Some Contemporary Irish Writers’, in Kenneally, pp.138- 53.
  • Warner, Alan, ‘Introducing Brian Friel’, Acorn, No. 14, Autumn 1970, pp.25-8.
  • Winkler, E. H., ‘Brian Friel’s The Freedom of the City: Historical Actuality and Dramatic Imagination’, The Canadian Journal of Irish Studies Vol. 7, No. 1, June 1981, pp.12-31.
  • Winkler, E. H., ‘”Eejitin” About: Adolescence in Friel and Keane’, Eire-lreland, Vol. 16 No. 3, Fall 1981, pp.138s4.
  • Winkler, E. H., ‘Reflections of Derry’s Bloody Sunday in Literature’, in Kosok, pp.
  • Zach, Wolfgang, ‘Brian Friel’s Translations: National and Universal Dimensions’, in Richard Wall, ed., Medieval and Modem Ireland (Gerrards Cross: Colin Smythe, 1988), pp.74-90.

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