Heinz Kosok & Wolfgang
Zach, eds., Literary Interrelations: Ireland, England and the World,
3 vols. (Tübingen: Guntar Narr Verlag, 1987) [270pp; 370pp., 244pp.]
Contents
Vol. I - Reception and Translation |
- Wolfgang Zach, Introduction [ix];
- Robert Welch, Translation and Irish Poetry in English [1];
- Andrew Carpenter, Irish and Anglo-Irish Scholars in the Time of Swift: The Case of Anthony Raymond [11];
- Walter T. Rix, Ireland as a Source of German Interest in the Early Nineteenth Century: From Politics to Literature [21];
- Istvan Palffy, Hungarian Views of Ireland in the Nineteenth Century [33];
- Barbara Hayley, The Eeerishers are marchin in leeterature: British Critical Reception of Nineteenth-Century Anglo-Irish Fiction [39];
- Birgit Bramsback, William Butler Yeats and Sweden [51];
- Ivanka Koviloska-Poposka, The Reception of Yeats in Macedonian [61];
- Waffia Mursi, Moliere and the Abbey Theatre [69];
- Palmira De Angelis & Odetta Tita Farinella, Synge in Italian: Problems of Translation [75];
- Theo Dhaen, Translation, Adaptation, Inspiration: The Creative Reception of Anglo-Irish Works in Dutch Literature [81];
- Svetozar Koljevic, The Reception and Translation of James Joyce in Serbo-Croat [91];
- Jerneja Petric, How Adequately Can Joyce Be Translated? Ulysses and its Slovene Translation [101];
- John Paul Riquelme, Ireland and Switzerland: The Cases of James Joyce and Fritz Senn [109];
- Mada Edekon, Polish Critics on Joyce Cary [117];
- Richard Wall, The Stage History and Reception of Brendan Behans An Giall [123];
- Paul C Buchloh, et al., The Transposition of Politics in Anglo-Irish Drama: Brendan Behan on the German Stage [131];
- Gizella Kocztur, Anglo-Irish and Hingarian Relations [141];
- Doroffiea Siegmund-Schultze, Some Remarks on the Reception of Anglo-Irish Literature in the German Democratic Republic [149];
- Mirko Jurak, Irish Playwrights in the slovene Theatre [159].
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Vol. II - Comparison and Impact |
Wolfgang Zach, Introduction [xi];
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- Heinz Kosok Anglo-Irish Literature and Comparative Literary Studies in English [3];
- Mary E. F. Fitzgerald, The Unveiling of Power: 19th Century Gothic Fiction in Ireland, England and America [15];
- Richard Ellmann, The Uses of Decadence: Wilde, Yeats and Joyce [27];
- Maria Gottwald, New Approaches and Techniques in the Short Story of James Joyce and Katherine Mansfield [41];
- Peter Barta, Childhood in the Autobiographical Novel. An Examination of Tolstoys Childhood, Joyces A Portrait of the Artist as a Young Man and Belys Kotik Letaev [49];
- Ljiljana Gjurgjan, The Subversion of a Traditional Value System Built into Language in Joyces Portrait and Kamovs Dried-Up Bog [57];
- Johannes Kleinstuck, Yeats and Ibsen [65];
- Maria Kurdi, Parallels between the Poetry of W.B. Yeats and Endre Ady [75];
- Csilla Bertha, An Irish and a Hungarian Model of Mythical Drama: W. B. Yeats and Aron Tamasi [85];
- Jacqueline Genet, W.B. Yeats and W. H Auden [95];
- Ann Saddlemyer, At Home in the Theatre: Irelands Lady Gregory and Canadas Gwen Pharis Ringwood [111];
- Cecelia Zeiss, Aspects of the Short Story: A Consideration of Selected Works of Frank OConnor and Herman Charles Bosman [121];
- T.O. McLoughlin, Fables from the Desert: Functions of Irony in Beckett and Some Southern African Writers [129];
- Anthony Roche, A Bit Off the Map: Brian Friels Translations and Shakespeares Henry IV [139];
- Desirée Hirst, Modern Writing in English from Ireland and Wales: A Comparative Study [149];
- Walentyna Wltoszek, Culturomachia in Modern Irish and Polish Drama [161].
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- Julian Moynahan, Gerald Griffin and Charles Dickens [173];
- Patricia Coughlan, The Recycling of Melmoth: A Very German Story [181];
- Jolanta Natlecz-Wojtczak, Joseph Sheridan LeFanu and New Dimensions for the English Ghost Story [193];
- Samira Basta, The French Influence on Dion Boucicaults Sensation Drama [199];
- Patrick ONeill, Ossians Return: The German Factor in the Irish Literary Revival [207];
- Suheil Badi Bushrui, Yeats, India, Arabia, and Japan The Search for a Spiritual Philosophy [221];
- B. N. Prasad, The Impact of W. B. Yeats on Modern Indian Poetry [235];
- Donald T. Torchiana, W. B. Yeats and Italian Idealism [245];
- William E. Hart, Synge and Sienkiewicz [255];
- Peter Egri, Synge and ONeill: Inspiration and Influence [261];
- E. H. Mikhail, The International Role of the Abbey Theatre [269];
- Fethi Hassaine, The Influence of Bergson and Dujardin on Moores The Lake and Joyces The Dead [273];
- Carla de Petris, The Shade of Shelley: From Prometheus to Ulysses [283];
- Monika Fludernik, The Ulyssean Paradigm of the Modern Novel [293];
- Barbara Fisher, The Influence of Tolstoy and Dostoevsky on Joyce Cary with Particular Reference to Carys Irish Novels [299];
- Ruth Fleischmann, Old Irish and Classical Pastoral Elements in Patrick Kavanaghs Tarry Flynn [311];
- Margaret E. Fogarty, The Fiction of Iris Murdoch: Amalgam of Yeatsian and Joycean Motifs [323];
- Rüdiger Imhof, German Influences on John Banville and Aidan Higgins [335];
- Ruth Niel, Non-realistic Techniques in the Plays of Brian Friel: The Debt to International Drama [349];
- Joseph Swann, The Poet as Critic: Seamus Heaneys Reading of Wordsworth, Hopkins and Yeats [361].
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Vol. III - National Images and Stereotypes |
- Wolfgang Zach, Introduction [ix];
- Terence Brown, Saxon and Celt: The Stereotypes [1];
- Patrick Rafroidi, Franco-Irish Encounters of the Literary Kind [11];
- Aladar Sarbu, Literary Nationalism: Ireland and Hungary [19];
- Giuseppe Serpillo, Why donsh yeh tell ush shometin about Marseille?: Being Abroad and Being Irish - Being Irish is Being Abroad [27];
- Maurice Colgan, Exotics or Provincials?: Anglo-Irish Writers and the English Problem [35];
- Janet Madden-Simpson, Haunted Houses: The Image of the Anglo-Irish in Anglo-Irish Literature [41];
- Kathleen Rabl, Taming the Wild Irish in English Renaissance Drama [47];
- Peter Bischoff & Peter Noçon, The Image of the Irish in Nineteenth-Century American Popular Culture [61];
- Christopher J. Woods, American Travellers in Ireland before and during the Great Famine: A Case of Culture-Shock [77];
- Harold Orel, William Carleton: Attitudes toward the English and the Irish [85];
- Gunther Klotz, Thackerays Ireland: Image and Attitude in The Irish Sketch Book and Barry Lyndon [95];
- Jochen Achilles, Transformations of the Stage Irishman in Irish Drama: 1860-1910 [103];
- Richard A. Cave, The Presentation of English and Irish Characters in Boucicaults Irish Melodramas [115];
- Steven D. Putzel, Whiskey, Blarney and Land: Eugene ONeills Conceptions and Misconceptions of the Irish [125];
- Robert ODriscoll, A Greater Renaissance: The Revolt of the Soul against the Intellect [133];
- Maurice Riordan, Matthew Arnold and the Irish Revivall [145];
- Patrick F. Sheeran, Wilfrid Scawen Blunt: A Tourist of the Revolutions [153];
- Ferenc Takacs, Joyce and Hungary [161];
- Siga Asanga, Joyce Carys Representation of African Reality: A Study of Carys Novels on Africa [169];
- Lorna Reynolds, The Image of Spain in the Novels of Kate OBrien [181];
- Michael Kenneally, Ireland and Russia in the Autobiographical Imagination of Sean OCasey [189];
- Werner Huber, Autobiography and Stereotypy: Some Remarks on Brendan Behans Borstal Boy [197];
- Brendan P. O Hehir, Flann OBrien and the Big World [207];
- Donald E. Morse, From Heaven to Hell: Ireland in the Novels of J. P. Donleavy [217];
- Paul N. Robinson, Brian Friels Faith Healer: An Irishman Comes Back Home [223];
- Patricia Kelly, The Big House in Contemporary Anglo-Irish Literature [229];
- Klaus Lubbers, Balcony of Europe: The Trend towards Internationalization in Recent Irish Fiction [235].
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