Major
Irish Authors: Introduction
Some Quotations
Note:
On this page I have copied
some quotations expressing various
- and often antagonistic
- versions of what Irish
nationality and Irish
art might be and how they are related. Please consider
what you think about the
relationship between literature
and nation in any context known to you - Irish, Brazilian or otherwise. [BS] |
Thomas
Davis
Make
Ireland a nation and you
will do more for national
art than if you mortgaged
your estates for pictures
and turned your own halls
into drawing school. Make
Ireland a nation and the
Irish artist will feel
himself a partner in your
toils, your ambition and
your renown; he will be
nourished upon great sights
and thoughts of liberated
people - he will be surrounded
by men vying in nationality
and worshipful of national
genius. He will dedicate
that genius to honour
the influence that inspired
it.
(From
The Nation, 1843;
quoted in Editorial, The
Dublin Magazine, Spring
1966 - with remarks, Alas
for Daviss hopes!
... from the cultural
point of view Ireland
is a disgrace, p.5).
W.
B. Yeats
Ireland
is between the upper and
the nether millstone -
between the influence
of America and the influence
of England, and which
of the two is denationalising
us more rapidly it is
hard to say. Whether we
have still to face a long
period of struggle, or
have come to the land
of promise at last, we
need all our central fire,
all our nationality.
(In United Irishman,
14 May 1892).
James
Joyce (reviewing William
Rooneys sentimental
verse in Poems and
Ballads)
For
a man who writes a book
cannot be excused by his
good intentions, or by
his moral character; he
enters into a region where
there is a question of
the written word, and
it is well that this should
be borne in mind, now
that the region of literatures
is assailed so fiercely
by the enthusiast and
the doctrine. [
] And
yet he may have written
well if he had not suffered
from one of those big
words which make us so
unhappy. (Daily
Express, 11 Dec. 1902;
rep. in Critical Writings,
ed. Mason & Ellmann,
[1959] 1965, p.85, p.87.)
Note
that Arthur Griffith reprinted
a good deal of the review
in his own paper, United
Irishman, (20 Dec.
1902), omitting any comment
other than to add the
word Patriotism
in brackets after Joyces
phrase one of those
big words. (Ibid.,
p.84.)
Samuel
Beckett
What
constitutes the charm
of this country, apart
of course from its scant
population, and this without
the help of the meanest
contraception, is that
all is derelict, with
the sole exception of
historys ancient
faeces. These are ardently
sought after, stuffed
and carried in procession.
Wherever nauseated time
has dropped a nice fat
turd you will find our
patriots, sniffing it
up on all fours, their
faces on fire. Elysium
of the roofless.
(First
Love and Other Shorts,
London: Calder 1973, pp.1-30;
p.21; also cited in Colm
Tóibín,
New Ways to Kill
Your Father: Historical
Revisionism, in
Karl-Heinz Westarp and
Michael Böss, eds.,
Ireland: Towards new
Identities? (Aarhus
UP 1998), pp.28-36; p.34.)
[ top ]
Patrick
Kavanagh
I
would say not that the
so-called Irish Literary
Movement which purported
to be so frightfully Irish
and racy of the Celtic
soil was a thorough-going
English-bred lie
(Autobiography&q#148;,
in Collected Pruse,
1967, p.13)
Further:
[The writers of
Ireland [are] no longer
Corkery and OConnor
and the others, but Auden
and George Barker. Saying
this is liable to make
one the worst in the world,
for a national literature,
being based on a convention,
not born of the unpredictable
individual and his problems,
is a vulnerable racket
and is protected by fierce
wild men. (Waiting
for Godot, in Collected
Pruse, p.266; cited
in Edna Longley, From
Cathleen to Anorexia,
in The Living Stream:
Literature and Revisionism
in Ireland, Newcastle-Upon-Tyne:
Bloodaxe 1994, 173-95,
p.178-79.]
Francis
Stuart
National
literature is to my mind
a meaningless term. Literature
cant be national.
Literature is individual.
Nationality has nothing
to do with it. (Quoted
in Gerry Smyth, The
Novel and the Nation:
Studies in New Irish Fiction,
London: Pluto 1997, cp.15.)
Seamus
Heaney (on Irish literature
and culture today)
[E]mpowered
within its own horizons,
it looks out but does
not necessarily look up
to the metropolitan centres.
Its impulses and possibilities
abound within its boundaries
but are not limited by
them. It is self-sufficient
but not self-absorbed,
capable of thought, undaunted,
pristine, spontaneous,
a corrective to the inflations
of nationalism, and the
cringe of provincialism.
(Preoccupations,
1980, pp.131-149).
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