Adrian Rice

Life
1958- ; b. Belfast in a Protestant housing estate - but discovered Catholic relations on his father’s side and embraced a ‘dissenter’ outlook in relation to sectarian traditions; grad. Ulster University (Eng. & Pols.); completed an MPhil. thesis on William Drennan [q.v.]; formed friendship with Ulster painter Ross Wilson and shared a gallery project with him resulting in Muck Island - the Tate Gallery being among the buyers of the ‘boxes’ with graphic and written contents which comprise the exhibition at On the Wall Gallery; his poem “A Little Pig” broadcast on radio by Sean Rafferty [q.v.]; working on a doctorate called “Education in Poetry – Learning through Poems”; lives in Hickory and teaches at University College, Appalachian State University; calls his stance on Northern Ireland “radical neutrality” and counts himself an ethnographic poet.

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Works
Poetry collections, Impediments (Newry: Abbey Press 1997), 28pp.; Mason’s Tongue (Newry: Abbey Press 1999), 63pp.; Signals: An Anthology of Poetry & Prose (Newry: Abbey Press 1998), 109pp.; The Mason’s Tongue (Newry: Abbey Press 1999), 64pp.; The Strange Estate: New and Selected Poems 1986-2017 (Winston-Salem, NC: Press53), 244pp.; Hickory Station (Winston-Salem, NC: Press53 2105), 178pp.; The Clock Flower: Poems (Winston-Salem, NC: Press53 2013), 136pp.

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Criticism
4-part Interview with Adrian Rice in the “The Monthly Interviews” at the Spoken Word [CAP: Community Arts Project] (Oct. 2022) - available online [Pt. 4]; accessed 18.09.2023). Note: link to Pt. 1 is broken.

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Reference

University College, Appalachian State University, USA (Faculty Page)

Adrian Rice is from north Belfast, County Antrim. He graduated from the University of Ulster with a BA in English & Politics, and MPhil in Anglo-Irish Literature. He has delivered writing workshops, readings, and lectures throughout the UK & Ireland, and America.  His first sequence of poems appeared in Muck Island (1990), a collaboration with leading Irish artist, Ross Wilson. Copies of this limited edition box-set are housed in the collections of The Tate Gallery, and The Boston Museum of Fine Arts. In 1997, Rice received the Sir James Kilfedder Memorial Bursary for Emerging Artists.  In autumn 1999, as recipient of the US/Ireland Exchange Bursary, he was Poet-in-Residence at Lenoir-Rhyne College, Hickory, NC. 

His first full poetry collection – The Mason’s Tongue (1999) – was shortlisted for the Christopher Ewart-Biggs Memorial Literary Prize, nominated for the Irish Times Prize for Poetry, and translated into Hungarian by Thomas Kabdebo (A Komuves Nyelve, 2005).  In 2002, he co-edited a major Irish anthology entitled, A Conversation Piece: Poetry and Art (The Ulster Museum in association with Abbey Press).  His poems and reviews have been broadcast internationally on radio and television, and have been published in several international magazines and journals.  He has lectured, and given poetry readings, at several conferences, and published articles and book chapters on Irish literature, particularly on the subject of his MPhil thesis, the Presbyterian radical and United Irishman, Dr William Drennan (1754-1820).  Selections of his poetry and prose have appeared in both The Belfast Anthology and The Ulster Anthology (Ed., Patricia Craig, Blackstaff Press, 1999 & 2006) and in Magnetic North: The Emerging Poets (Ed., John Brown, Lagan Press, 2006). A chapbook, Hickory Haiku, was published in 2010 by Finishing Line Press, Kentucky.

Rice returned to Lenoir-Rhyne College as Visiting Writer-in-Residence for 2005.  Since then, Adrian and his wife Molly, and youngest son, Micah, have settled in Hickory.  During his time in Hickory, Adrian has taught English and Creative Writing at several local colleges, including Lenoir-Rhyne College, and Catawba Valley Community College, and also taught at Appalachian State University for the Reading Program.  Accepting a full-time position in 2020, Rice is now a Senior Lecturer in First Year Seminar, and also a doctoral candidate, at Appalachian State University.  (His doctoral dissertation is entitled - Between ‘The Planter & The Gael’: A Cross-Community Education in Poetry). 

In 2020, he received the Rennie W. Brantz Award for Outstanding Teaching in the First Year Seminar. Adrian's passion is centered on proving the educational, sustaining power of Poetry and the Arts in his Appalachian classrooms. Turning poetry into lyrics, he has also teamed up with Hickory-based and fellow Belfastman, musician/songwriter Alan Mearns, to form ‘The Belfast Boys’, a dynamic Irish Traditional Music duo.  Their album, Songs For Crying Out Loud, regularly airs across the Carolinas.  Recent poetry titles,  The Clock Flower (2013) and Hickory Station (2015), are both published by Press 53 (Winston-Salem).  Hickory Station was nominated for the Roanoke-Chowan Award for Poetry, and a poem from Hickory Station, “Breath”, first published in the Asheville Poetry Review, was a Pushcart Prize nomination.

Adrian's poems are also included in Arlen House/Syracuse University Press's, Open-Eyed, Full-Throated: An Anthology of American/Irish Poets (2019), and in Crossing the Rift: North Carolina Poets on 9/11 & Its Aftermath (Press 53, 2021). His latest book is The Strange Estate: New & Selected Poems 1986-2017, and The Chances of Harm is due in Fall 2023.

University College Appalachians - online; accessed 18.09.2023.

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Quotations

Bones and Blood

[...]
My bones are pavement, and my blood cement,
I’m the Protestant half of an Irish lament.
From the Rathcoole Housing Estate, I’m torn,
By way of Dromara and the Mountains of Mourne.

Quoted in Interview with Adrian Rice at the Spoken Word [CAP] (Oct. 2022) - online; accessed 18.09.2023).

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