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Matthew Rice
Life
b. Belfast; son of Adrian Rice [q.v.]; first publ. in The Echo Room, ed. Brendan Cleary; grad. BA (Eng. Lit.) and PhD. (both QUB); issued The Last Weather Observer (2021), a debut collection of poems; also plastic (2025), a second collection based on 10-years of experience at a plastic moulding factory in which the poems take time-marks as titles to indicate the passage of time during a factory night-shift; poems from the second collection appeared in Granta (Oct. 2025) and two more othres were featured by Carol Rumens in her Poem of the Week column at the Guardian (16 Feb. 2026); lived at Whitehead, N. Ireland.
See Granta notice: Matthew Rice was born in Belfast. Poems have appeared in the Poetry Review, Poetry Ireland Review, and The Forward Book of Poetry 2022 (Faber). He holds an MA in Poetry from Queens University, Belfast, and a PhD from The Seamus Heaney Centre at Queens. His debut collection, The Last Weather Observer (Summer Palace Press), was published in 2021 and was included on the Arts Council of Northern Irelands top ten books of the year.
Works The Last Weather Observer (Summer Palace Press 2021); plastic (London: Fitzcarraldo Editions; USA: Soft Skull Press 2026).
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Criticism
Carol Rumens Poem of the Week [column], in Guardian (16 Feb. 2026) - features poems from plastic (2025) [available online]. Note: Rumens cites a footnote to Jacques Rancières Proletarian Nights: The Workers Dream in 19th-Century France (1981), a book is set in 1830.
See also Colin Dardis, an interview with Matthew Rice, in The Honest Ulsterman () - available online [incls. port.].
Quotations
| Some poems from plastic (2026) |
20:03
Bagging and tagging
plastic table latches
for aeroplane seats
my hands are each its twin
and my copy of Gawain
is contraband beneath
the frosted-out skylight
all a-tinkle
with rain coming down
as rain must
to make itself heard
but the factory will never glisten
as it glistens this evening
when out of nowhere,
at the industrial park entrance,
two hares are each its twin. |
01:03
A pigeon has strickened its way
into the factory
and before Joey the pigeon-racing fanatic
snaps its neck in an act of mercy
whatever language pigeon is
the pigeon is speaking death,
its undesperate eye open
and blinking like code:
We’re not long for this world
where we once carried messages
and sometimes lost our way
over patchworks of misery. |
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04:18
The last time I flew Flybe
I recognized my own handiwork
in the pristine edge
of the endbay that made up
the seatings lower half,
four hours to Italy –
even on holiday,
even at thirty-five thousand feet,
at five-hundred miles an hour,
you cant escape.
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| Available at Granta (Nov. 2025) - online. |
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| ... More poems from plastic (2025) |
01.29
When we look up at stars on break
we see only stars behind
the exhaled Milky Way
of Bobbys Golden Virginia,
ways to navigate shift patterns,
nothing seismic or anything approaching
truth; for us stars mean only night shift,
insanity of depth,
the slow individual seconds
during which the dotted starlight
doesnt burn fast enough.
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05.29
It was wee Gails seventieth birthday
last week and she has a special
seat to sit on all shift
and her hands are old at the task,
old at working the tricks that come
with having laboured
in the same place for so long
and shes making light work
of sifting defective ring washers
from those within tolerance and
her bench could be a grand piano,
her patch of floor a stage,
and, in another life, it is. |
| Available at the Guardian (16 Feb. 2026) - online. |
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Notes
Summer Palace Press is published by Joan and Kate Newmann at Whitehead, Co. Antrim, Northern Ireland.
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