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Works of James Barry
| To open this file in a separate window - click here. |
| [ All images collected by Google Search on Internet. ] |
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| See also the Barry Exhibition Catalogue of 1983 on the Tate Gallery Website - online; accessed 21.02.2021. |
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| Self-Portraits (centre in 1803) |
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| Marriage of Strongbow and Aoife (NGI, Dublin) |
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| Ulysses and Polyphemous (being Barry and Burke) |
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| King Lear Morning the Death of Cordelia |
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| Centaur and Lyrist (Great Hall, RSA London) |
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| The Great Room (RSA London) - with Barry’s Murals of The Progress of Human Culture |
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| Neo-Classical Mural in the Royal Society of Arts |
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| Captain Rock (after Tom Moore's nationalist polemic-romance) |
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| “The Minstrel Boy” (Thomas Moore) |
Transcription: ‘The minstrel fell - but the foeman’s chain / Could not bring his proud soul under; / The harp he lov’d ne'er spoke again, / For he tore its chords asunder; / And said “No chains shall sully thee, / Thou soul of love and bravery! / Thy songs were made for the pure and free / They shall never sound in slavery.”’ |
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| Union |
Passive Obedience |
Chivalry |
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| Philoctetes (after Homer) |
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| “Sin, Satan, and Death” (engraving after Milton’s Paradise Lost) |
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| “The Temptation of Adam” (engraving after Milton’s Paradise Lost) |
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