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Ulysses (1922) - Teaching extracts for OHP: 3/3
Sirens
Through the hush of air a voice sang to them, low, not rain, not leaves in murmur, like no voice of strings of reeds or what doyoucallthem dulcimers, touching their still ears with words, still hearts of their each his remembered lives. Good, good to hear: sorrow from them each seemed to from both depart when first they heard. When first they saw, lost Richie, Poldy, mercy of beauty, heard from a person wouldn’t expect it in the least, her first merciful lovesoft oftloved word.
Love that is singing: love’s old sweet song. Bloom unwound slowly the elastic band of his packet. Love’s old sweet sonnez la gold. Bloom wound a skein round four forkfingers, stretched it, relaxed, and wound it round his troubled double, fourfold, in octave, gyved them fast.
Tenors get women by the score. Increase their flow. Throw flower at his feet when will we meet? My head it simply. Jingle all delighted. He can’t sing for tall hats. Your head it simply swurls. Perfumed for him. What perfume does your wife? I want to know. Jing. Stop. Knock. Last look at mirror always before she answers the door. The hall. There? How do you? I do well. There? What? Or? Phila of cachous, kissing comfits, in her satchel. Yes? Hands felt for the opulent. Alas! The voice rose, sighing, changed: loud, full, shining, proud.
Glorious tone he has still. Cork air softer also their brogue. Silly man! Could have made oceans of money. Singing wrong words. Wore out his wife: now sings. But hard to tell. Only the two themselves. If he doesn’t break down. Keep a trot for the avenue. His hands and feet sing too. Drink. Nerves overstrung. Must be abstemious to sing. Jenny Lind soup: stock, sage, raw eggs, half pint of cream. For creamy dreamy. Tenderness it welled: slow, swelling. Full it throbbed. That’s the chat. Ha, give! Take! Throb, a throb, a pulsing proud erect. Words? Music? No: it’s what’s behind. Bloom looped, unlooped, noded, disnoded. Bloom. Flood of warm jimjam lickitup secretness flowed to flow in music out, in desire, dark to lick flow, invading. Tipping her tepping her tapping her topping her. Tup. Pores to dilate dilating. Tup. The joy the feel the warm the. Tup. To pour o’er sluices pouring gushes. Flood, gush, flow, joygush, tupthrop. Now! Language of love.
Beaming. Lydia for Lidwell squeak scarcely hear so ladylike the muse unsqueaked a ray of hope. Martha it is. Coincidence. Just going to write. Lionel’s song. Lovely name you have. Can’t write. Accept my little pres. Play on her heartstrings pursestrings too. She’s a. I called you naughty boy. Still the name: Martha. How strange! Today. The voice of Lionel returned, weaker but unwearied. It sang again to Richie Poldy Lydia Lidwell also sang to Pat open mouth ear waiting, to wait. How first he saw that form endearing, how sorrow seemed to part, how look, form, word charmed him Gould Lidwell, won Pat Bloom’s heart. Wish I could see his face, though. Explain better. Why the barber in Drago’s always looked my face when I spoke his face in the glass. Still hear it better here than in the bar though farther.
First night when first I saw her at Mat Dillon’s in Terenure. Yellow, black lace she wore. Musical chairs. We two the last. Fate. After her. Fate. Round and round slow. Quick round. We two. All looked. Halt. Down she sat. All ousted looked. Lips laughing. Yellow knees.
Singing. Waiting she sang. I turned her music. Full voice of perfume of what perfume does your lilactrees. Bosom I saw, both full, throat warbling. First I saw. She thanked me. Why did she me? Fate. Spanishy eyes. Under a peartree alone patio this hour in old Madrid one side in shadow Dolores shedolores. At me. Luring. Ah, alluring.
Quitting all languor Lionel cried in grief, in cry of passion dominant to love to return with deepening yet with rising chords of harmony. In cry of lionel loneliness that she should know, must Martha feel. For only her he waited. Where? Here there try there here all try where. Somewhere.
It soared, a bird, it held its flight, a swift pure cry, soar silver orb it leaped serene, speeding, sustained, to come, don’t spin it out too long long breath he breath long life, soaring high, high resplendent, aflame, crowned, high in the effulgence symbolistic, high, of the ethereal bosom, high, of the high vast irradiation everywhere all soaring all around about the all, the endlessnessnessness …
Siopold!
Consumed. [...] Seabloom, greaseabloom viewed last words. Softly. When my country takes her place among. Prrprr. Must be the bur. Fff. Oo. Rrpr. Nations of the earth. No-one behind. She’s passed. Then and not till then. Tram. Kran, kran, kran. Good oppor. Coming. Krandlkrankran. I’m sure it’s the burgund. Yes. One, two. Let my epitaph be. Karaaaaaaa. Written. I have. Pprrpffrrppfff. Done. [...]
Cyclops
Bloom was talking and talking with John Wyse and he quite excited with his dunducketymudcoloured mug on him and his old plumeyes rolling about. - Persecution, says he, all the history of the world is full of it. Perpetuating national hatred among nations. - But do you know what a nation means? says John Wyse. - Yes, says Bloom. - What is it? says John Wyse. - A nation? says Bloom. A nation is the same people living in the same place. - By God, then, says Ned, laughing, if that’s so I’m a nation for I’m living in the same place for the past five years. So of course everyone had a laugh at Bloom and says he, trying to muck out of it: - Or also living in different places. - That covers my case, says Joe. - What is your nation if I may ask, says the citizen. - Ireland, says Bloom. I was born here. Ireland. The citizen said nothing only cleared the spit out of his gullet and, gob, he spat a Red bank oyster out of him right in the corner. - After you with the push, Joe, says he, taking out his handkerchief to swab himself dry. - Here you are, citizen, says Joe. Take that in your right hand and repeat after me the following words. The muchtreasured and intricately embroidered ancient Irish facecloth attributed to Solomon of Droma and Manus Tomaltach og MacDonogh, authors of the Book of Ballymote, was then carefully produced and called forth prolonged admiration. No need to dwell on the legendary beauty of the cornerpieces, the acme of art, wherein one can distinctly discern each of the four evangelists in turn presenting to each of the four masters his evangelical symbol a bogoak sceptre, a North American puma (a far nobler king of beasts than the British article, be it said in passing), a Kerry calf and a golden eagle from Carrantuohill. The scenes depicted on the emunctory field, showing our ancient duns and raths and cromlechs and grianauns and seats of learning and maledictive stones, are as wonderfully beautiful and the pigments as delicate as when the Sligo illuminators gave free rein to their artistic fantasy long ago in the time of the Barmecides. Glendalough, the lovely lakes of Killarney, the ruins of Clonmacnois, Cong Abbey, Glen Inagh and the Twelve Pins, Ireland’s Eye, the Green Hills of Tallaght, Croagh Patrick, the brewery of Messrs Arthur Guinness, Son and Company (Limited), Lough Neagh’s banks, the vale of Ovoca, Isolde’s tower, the Mapas obelisk, Sir Patrick Dun’s hospital, Cape Clear, the glen of Aherlow, Lynch’s castle, the Scotch house, Rathdown Union Workhouse at Loughlinstown, Tullamore jail, Castleconnel rapids, Kilballymacshonakill, the cross at Monasterboice, Jury’s Hotel, S. Patrick’s Purgatory, the Salmon Leap, Maynooth college refectory, Curley’s hole, the three birthplaces of the first duke of Wellington, the rock of Cashel, the bog of Allen, the Henry Street Warehouse, Fingal’s Cave - all these moving scenes are still there for us today rendered more beautiful still by the waters of sorrow which have passed over them and by the rich incrustations of time. - Shove us over the drink, says I. Which is which? - That’s mine, says Joe, as the devil laid to the dead policeman. - And I belong to a race too, says Bloom, that is hated and persecuted. Also now. This very moment. This very instant. Gob, he near burnt his fingers with the butt of his old cigar. - Robbed, says he. Plundered. Insulted. Persecuted. Taking what belongs to us by right. At this very moment, says he, putting up his fist, sold by auction off in Morocco like slaves or cattles. - Are you talking about the new Jerusalem? says the citizen. - I’m talking about injustice, says Bloom. - Right, says John Wyse. Stand up to it then with force like men. That’s an almanac picture for you. Mark for a softnosed bullet. Old lardyface standing up to the business end of a gun. Gob, he’d adorn a sweepingbrush, so he would, if he only had a nurse’s apron on him. And then he collapses all of a sudden, twisting around all the opposite, as limp as a wet rag. - But it’s no use, says he. Force, hatred, history, all that. That’s not life for men and women, insult and hatred. And everybody knows that it’s the very opposite of that that is really life. - What? says Alf. - Love, says Bloom. I mean the opposite of hatred. I must go now, says he to John Wyse. Just round to the court a moment to see if Martin is there. If he comes just say I’ll be back in a second. Just a moment. Who’s hindering you? And off he pops like greased lightning. - A new apostle to the gentiles, says the citizen. Universal love. - Well, says John Wyse, isn’t that what we’re told? Love your neighbours. - That chap? says the citizen. Beggar my neighbour is his motto. Love, Moya! He’s a nice pattern of a Romeo and Juliet. Love loves to love love. Nurse loves the new chemist. Constable 14A loves Mary Kelly. Gerty MacDowell loves the boy that has the bicycle. M. B. loves a fair gentleman. Li Chi Han lovey up kissy Cha Pu Chow. Jumbo, the elephant, loves Alice, the elephant. Old Mr Verschoyle with the ear trumpet loves old Mrs Verschoyle with the turnedin eye. The man in the brown macintosh loves a lady who is dead. His Majesty the King loves Her Majesty the Queen. Mrs Norman W. Tupper loves officer Taylor. You love a certain person. And this person loves that other person because everybody loves somebody but God loves everybody. [...] When, lo, there came about them all a great brightness and they beheld the chariot wherein He stood ascend to heaven. And they beheld Him in the chariot, clothed upon in the glory of the brightness, having raiment as of the sun, fair as the moon and terrible that for awe they durst not look upon Him. And there came a voice out of heaven, calling: Elijah! Elijah! And he answered with a main cry: Abba! Adonai! And they beheld Him even Him, ben Bloom Elijah, amid clouds of angels ascend to the glory of the brightness at an angle of fortyfive degrees over Donohoe’s in Little Green Street like a shot off a shovel. [...]
Nausicaa [...] But who was Gerty? Gerty MacDowell who was seated near her companions, lost in thought, gazing far away into the distance, was in very truth as fair a specimen of winsome Irish girlhood as one could wish to see. She was pronounced beautiful by all who knew her though, as folks often said, she was more a Giltrap than a MacDowell. Her figure was slight and graceful, inclining even to fragility but those iron jelloids she had been taking of late had done her a world of good much better than the Widow Welch’s female pills and she was much better of those discharges she used to get and that tired feeling. The waxen pallor of her face was almost spiritual in its ivorylike purity though her rosebud mouth was a genuine Cupid’s bow, Greekly perfect. Her hands were of finely veined alabaster with tapering fingers and as white as lemon juice and queen of ointments could make them though it was not true that she used to wear kid gloves in bed or take a milk footbath either. Bertha Supple told that once to Edy Boardman, a deliberate lie, when she was black out at daggers drawn with Gerty (the girl chums had of course their little tiffs from time to time like the rest of mortals) and she told her not let on whatever she did that it was her that told her or she’d never speak to her again. No. Honour where honour is due. There was an innate refinement, a languid queenly hauteur about Gerty which was unmistakably evidenced in her delicate hands and higharched instep. Had kind fate but willed her to be born a gentlewoman of high degree in her own right and had she only received the benefit of a good education Gerty MacDowell might easily have held her own beside any lady in the land and have seen herself exquisitely gowned with jewels on her brow and patrician suitors at her feet vying with one another to pay their devoirs to her. Mayhap it was this, the love that might have been, that lent to her softlyfeatured face at whiles a look, tense with suppressed meaning, that imparted a strange yearning tendency to the beautiful eyes a charm few could resist. Why have women such eyes of witchery? Gerty’s were of the bluest Irish blue, set off by lustrous lashes and dark expressive brows. Time gas when those brows were not so silkilyseductive. It was Madame Vera Verity, directress of the Woman Beautiful page of the Princess novelette, who had first advised her to try eyebrowleine which gave that haunting expression to the eyes, so becoming in leaders of fashion, and she had never regretted it. Then there was blushing scientifically cured and how to be tall increase your height and you have a beautiful face but your nose? That would suit Mrs Dignam because she had a button one. But Gerty’s crowning glory was her wealth of wonderful hair. It was dark brown with a natural wave in it. She had cut it that very morning on account of the new moon and it nestled about her pretty head in a profusion of luxuriant clusters and pared her nails too, Thursday for wealth. And just now at Edy’s words as a telltale flush, delicate as the faintest rosebloom, crept into her cheeks she looked so lovely in her sweet girlish shyness that of a surety God’s fair land of Ireland did not hold her equal. [...] And Jacky Caffrey shouted to look, there was another and she leaned back and the garters were blue to match on account of the transparent and they all saw it and shouted to look, look there it was and she leaned back ever so far to see the fireworks and something queer was flying about through the air, a soft thing to and fro, dark. And she saw a long Roman candle going up over the trees up, up, and, in the tense hush, they were all breathless with excitement as it went higher and higher and she had to lean back more and more to look up after it, high, high, almost out of sight, and her face was suffused with a divine, an entrancing blush from straining back and he could see her other things too, nainsook knickers, the fabric that caresses the skin, better than those other pettiwidth, the green, four and eleven, on account of being white and she let him and she saw that he saw and then it went so high it went out of sight a moment and she was trembling in every limb from being bent so far back he had a full view high up above her knee no-one ever not even on the swing or wading and she wasn’t ashamed and he wasn’t either to look in that immodest way like that because he couldn’t resist the sight of the wondrous revealment half offered like those skirt-dancers behaving so immodest before gentlemen looking and he kept on looking, looking. She would fain have cried to him chokingly, held out her snowy slender arms to him to come, to feel his lips laid on her white brow the cry of a young girl’s love, a little strangled cry, wrung from her, that cry that has rung through the ages. And then a rocket sprang and bang shot blind and O! then the Roman candle burst and it was like a sigh of O! and everyone cried O!O! in raptures and it gushed out of it a stream of rain gold hair threads and they shed and ah! they were all greeny dewy stars falling with golden, O so lively! O so soft, sweet, soft! [...] Slowly without looking back she went down the uneven strand to Cissy, to Edy, to Jacky and Tommy Caffrey, to little baby Boardman. It was darker now and there were stones and bits of wood on the strand and slippy seaweed. She balked with a certain quiet dignity characteristic of her but with care and very slowly because Gerty MacDowell was… Tight boots? No. She’s lame! O! Mr Bloom watched her as she limped away. Poor girl! That’s why she’s left on the shelf and the others did a sprint. Thought something was wrong by the cut of her jib. Jilted beauty. A defect is ten times worse in a woman. But makes them polite. Glad I didn’t know it when she was on show. Hot little devil all the same. [...]
Oxen of the Sun [...] And in the castle was set a board that was of the birchwood of Finlandy and it was upheld by four dwarfmen of that country but they durst not move for enchantment. And on this board were frightful swords and knives that are made in a great cavern by swinking demons out of white flames that they fix in the horns of buffalos and stags that there abound marvellously. And there were vessels that are wrought by magic of Mahound out of seasand and the air by a warlock with his breath that he blares into them like to bubbles. And full fair cheer and rich was on the board that no wight could devise a fuller ne richer. And there was a vat of silver that was moved by craft to open in the which lay strange fishes withouten heads though misbelieving men nie that this be possible thing without they see it natheless they are so. And these fishes lie in an oily water brought there from Portugal land because of the fatness that therein is like to the juices of the olive press. And also it was marvel to see in that castle how by magic they make a compost out of fecund wheat kidneys out of Chaldee that by aid of certain angry spirits that they do into it swells up wondrously like to a vast mountain. And they teach the serpents there to entwine themselves up on long sticks out of the ground and of the scales of these serpents they brew out a brewage like to mead. [...]
[...] STEPHEN: (Choking with fright, remorse and horror.) They said I killed you, mother. He offended your memory. Cancer did it, not I. Destiny. THE MOTHER: (A green rill of bile trickling from a side of her mouth.) You sang that song to me. Love’s bitter mystery. STEPHEN: (Eagerly.) Tell me the word, mother, if you know now. The word known to all men. THE MOTHER: Who saved you the night you jumped into the train at Dalkey with Paddy Lee? Who had pity for you when you were sad among the strangers? Prayer is all powerful. Prayer for the suffering souls in the Ursuline manual, and forty days’ indulgence. Repent, Stephen. STEPHEN: The ghoul! Hyena! THE MOTHER: I pray for you in my other world. Get Dilly to make you that boiled rice every night after your brain work. Years and years I loved you, O my son, my firstborn, when you lay in my womb. ZOE: (Fanning herself with the grate fan.) I’m melting! FLORRY: (Points to Stephen) Look! He’s white. BLOOM: (Goes to the window to open it more.) Giddy. THE MOTHER: (With smouldering eyes.) Repent! O, the fire of hell! STEPHEN: (Panting.) The corpsechewer! Raw head and bloody bones! THE MOTHER: (Her face drawing near and nearer, sending out an ashen breath.) Beware! (She raises her blackened, withered right arm slowly towards Stephen’s breast with outstretched fingers.) Beware! God’s hand! (A green crab with malignant red eyes sticks deep its grinning claws in Stephen’s heart.) STEPHEN: (Strangled with rage.) Shite! (His features grow drawn and grey and old.) BLOOM: (At the window.) What? STEPHEN: Ah non, par exemple! The intellectual imagination! With me all or not at all. Non serviam! FLORRY: Give him some cold water. Wait. (She rushes out.) THE MOTHER: (Wrings her hands slowly, moaning desperately.) O Sacred Heart of Jesus, have mercy on him! Save him from hell, O divine Sacred Heart! STEPHEN: No! No! No! Break my spirit all of you if you can! I’ll bring you all to heel! THE MOTHER: (In the agony of her deathrattle.) Have mercy on Stephen, Lord, for my sake! Inexpressible was my anguish when expiring with love, grief and agony on Mount Calvary. STEPHEN: Nothung! (He hits his ashplant high with both hands and smashes the chandelier. Time’s livid final flame leaps and, in the following darkness, ruin of all space, shattered glass and toppling masonry.) [...] STEPHEN: (Abruptly.) What went forth to the ends of the world to traverse not itself. God, the sun, Shakespeare, a commercial traveller, having itself traversed in reality itself, becomes that self. Wait a moment. Wait a second. Damn that fellow’s noise in the street. Self which it itself was ineluctably preconditioned to become. Ecco! [...]
Eumaeus [...] To cut a long story short Bloom, grasping the situation, was the first to rise to his feet so as not to outstay their welcome having first and foremost, being as good as his word that he would foot the bill for the occasion, taken the wise precaution to unobtrusively motion to mine host as a parting shot a scarcely perceptible sign when the others were not looking to the effect that the amount due was forthcoming, making a grand total of fourpence (the amount he deposited unobtrusively in four coppers, literally the last of the Mohicans) he having previously spotted on the printed pricelist for all who ran to read opposite to him in unmistakable figures, coffee 2d., confectionery do., and honestly well worth twice the money once in a way, as Wetherup used to remark. - Come, he counselled, to close the séance. Seeing that the ruse worked and the coast was clear, they left the shelter or shanty together and the élite society of oil skin and company whom nothing short Of an earthquake would move out of their dolce far niente. Stephen, who confessed to still feeling poorly and fagged out, paused at the, for a moment… the door to… - One thing I never understood, he said, to be original on the spur of the moment, why they put tables upside down at night, I mean chairs upside down on the tables In cafes. To which impromptu the never failing Bloom replied without a moment’s hesitation, saying straight off: - To sweep the floor in the morning. So saying he skipped around nimbly, considering frankly, at the same time apologetic, to get on his companion’s right, a habit of his, by the by, the right side being, in classical idiom, his tender Achilles. The night air was certainly now a treat to breathe though Stephen was a bit weak on his pins. - It will (the air) do you good, Bloom said, meaning also the walk, in a moment. The only thing is to walk then you’ll feel a different man. It’s not far. Lean on me. Accordingly he passed his left arm in Stephen’s right and led him on accordingly. - Yes, Stephen said uncertainly, because he thought he felt a strange kind of flesh of a different man approach him, sinewless and wobbly and all that. Anyhow, they passed the sentrybox with stones, brazier, etc. where the municipal supernumerary, ex-Gumley, was still to all intents and purposes wrapped in the arms of Murphy, as the adage has it, dreaming of fresh fields and pastures new. And apropos of coffin of stones, the analogy was not at all bad, as it was in fact a stoning to death on the part of seventytwo out of eighty odd constituencies that ratted at the time of the split and chiefly the belauded peasant class, probably the selfsame evicted tenants he had put in their holdings. [...]
Ithaca [...] What preceding series? Assuming Mulvey to be the first term of his series, Penrose, Bartell d’Arcy, professor Goodwin, Julius Mastiansky, John Henry Menton, Father Bernard Corrigan, a farmer at the Royal Dublin Society’s Horse Show, Maggot O’Reilly, Matthew Dillon, Valentine Blake Dillon (Lord Mayor of Dublin), Christopher Callinan, Lenehan, an Italian organgrinder, an unknown gentleman in the Gaiety Theatre, Benjamin Dollard, Simon Dedalus, Andrew (Pisser) Burke, Joseph Cuffe, Wisdom Hely, Alderman John Hooper, Dr Francis Brady, Father Sebastian of Mount Argus, a bootblack at the General Post Office, Hugh E. (Blazes) Boylan and so each and so on to nolast term. What were his reflections concerning the last member of this series and late occupant of the bed? Reflections on his vigour (a bounder), corporal proportion (a billsticker), commercial ability (a bester), impressionability (a boaster). Why for the observer impressionability in addition to vigour, corporal proportion and commercial ability? Because he had observed with augmenting frequency in the preceding members of the same series the same concupiscence, inflammably transmitted first with alarm, then with understanding, then with desire, finally with fatigue, with alternating symptoms of epicene comprehension and apprehension. With what antagonistic sentiments were his subsequent reflections affected? Envy, jealousy, abnegation, equanimity. Envy? Of a bodily and mental male organism specially adapted for the superincumbent posture of energetic human copulation and energetic piston and cylinder movement necessary for the complete satisfaction of a constant but not acute concupiscence resident in a bodily and mental female organism, passive but not obtuse. Jealousy? Because a nature full and volatile in its free state, was alternately the agent and reagent of attraction. Because action between agents and reagents at all instants varied, with inverse proportion of increase and decrease, with incessant circular extension and radial reentrance. Because the controlled contemplation of the fluctuation of attraction produced, if desired, a fluctuation of pleasure. Abnegation? In virtue of a) acquaintance initiated in September 1903 in the establishment of George Mesias, merchant tailor and outfitter, 5 Eden Quay, b) hospitality extended and received in kind, reciprocated and reappropriated in person, c) comparative youth subject to impulses of ambition and magnanimity, colleagual altruism and amorous egoism, d) extraracial attraction, intraracial inhibition, supraracial prerogative, e) an imminent provincial musical tour, common current expenses, net proceeds divided. Equanimity? As natural as any and every natural act of a nature expressed or understood executed in natured nature by natural creatures in accordance with his, her and their natured natures, of dissimilar similarity. As not as calamitous as a cataclysmic annihilation of the planet in consequence of collision with a dark sun. As less reprehensible than theft, highway robbery, cruelty to children and animals, obtaining money under false pretences, forgery, embezzlement, misappropriation of public money, betrayal of public trust, malingering, mayhem, corruption of minors, criminal libel, blackmail, contempt of court, arson, treason, felony, mutiny on the high seas, trespass, burglary, jailbreaking, practice of unnatural vice, desertion from armed forces in the field, perjury, poaching, usury, intelligence with the king’s enemies, impersonation, criminal assault, manslaughter, wilful and premeditated murder. As not more abnormal than all other altered processes of adaptation to altered conditions of existence, resulting in a reciprocal equilibrium between the bodily organism and its attendant circumstances, foods, beverages, acquired habits, indulged inclinations, significant disease. As more than inevitable, irreparable. Why more abnegation than jealousy, less envy than equanimity? From outrage (matrimony) to outrage (adultery) there arose nought but outrage (copulation) yet the matrimonial violator of the matrimonially violated had not been outraged by the adulterous violator of the adulterously violated. What retribution, if any? Assassination, never, as two wrongs did not make one right. Duel by combat, no. Divorce, not now. Exposure by mechanical artifice (automatic bed) or individual testimony (concealed ocular witness), not yet. Suit for damages by legal influence or simulation of assault with evidence of injuries sustained (selfinflicted), not impossibly. If any, positively, connivance, introduction of emulation (material, a prosperous rival agency of publicity: moral, a successful rival agent of intimacy), depreciation, alienation, humiliation, separation protecting the one separated from the other, protecting separator from both. By what reflections did he, a conscious reactor against the void incertitude, justify to himself his sentiments? The preordained frangibility of the hymen, the presupposed intangibility of the thing in itself: the incongruity and disproportion between the selfprolonging tension of the thing proposed to be done and the selfabbreviating relaxation of the thing done: the fallaciously inferred debility of the female, the muscularity of the male: the variations of ethical codes: the natural grammatical transition by inversion involving no alteration of sense of an aorist preterite proposition (parsed as masculine subject, monosyllabic onomatopœic transitive verb with direct feminine object) from the active voice into its correlative aorist preterite proposition (parsed as female subject, auxiliary verb and quasimonosyllabic onomatopœic past particle with complimentary masculine agent) in the passive voice: the continued product of seminators by generation: the continual production of semen by distillation: the futility of triumph or protest or vindication: the inanity of extolled virtue: the lethargy of nescient matter: the apathy of the stars. In what final satisfaction did these antagonistic sentiment and reflections, reduced to their simplest forms, converge? Satisfaction at the ubiquity in Easter and west terrestrial hemispheres, in all habitable lands and islands explored or unexplored (the land of the midnight sun, the islands of the blessed, the isles Of Greece, the land of promise) of adipose posterior female hemispheres, redolent of milk and honey and of excretory sanguine and seminal warmth, reminiscent of secular families of curves of amplitude, insusceptible of moods of impression or of contrarieties of expression, expressive of mute immutable mature animality. The visible signs of antesatisfaction? An approximate erection: a solicitous adversion: a gradual elevation: a tentative revelation; a silent contemplation. Then? He kissed the plump mellow yellow smellow melons of her rump, on each plump melonous hemisphere, in their mellow yellow furrow, with obscure prolonged provocative melonsmellonous osculation. [...]
Penelope [...] The sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain [931] yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharans and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain [932] yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes. [END]
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