Paul Auster, ed., Samuel Beckett: The Grove Centenary Edition, with introductions by Colm Tóibín, Salman Rushdie, Edward Albee, and J.M. Coetzee, 4 vols. (NY: Grove Press 2006), 2,077pp. [$100; 24 cm].

• Vol. 1: Novels, introduced by Colm Tóibín (NY: Grove Press 2006), xvi, 478pp.
• Vol. 2: Novels, introduced by Salman Rushdie (NY: Grove Press 2006), xiv, 521pp.
• Vol. 3: Dramatic Works, introduced by Edward Albee (NY: Grove Press 2006), x, 509pp.
• Vol. 4: Poems, Short fiction, Criticism, introduced by J.M. Coetzee ((NT: Grove Press 2006), xiv, 569pp.

• Waiting for Godot (Paris 1953; London Arts Theatre, 1955; [simultaneously] Dublin, Pike Theatre 1955; Miami 1956).
• All that Fall [for radio] (BBC 1957).
• Endgame (London 1957, in French; NY and London 1958, in English).
• Act Without Words I (London 1957).
• Act Without Words II (pub. 1959; performed London 1960).
• Krapp’s Last Tape (London 1958).
• Embers (BBC 1959) [provisional title “Ebb”].
• Happy Days (NY 1961; London 1962).
• Words and Music [for radio] (BBC 1962).
• Cascando [for radio] (Paris 1963; London 1964).
• Play (Ulm 1963, in German; London 1964).
• Come and Go (Berlin 1966, in German; Dublin and London 1968) [called a dramaticule, English 1965, drafted as Good Heavens, ded. Calder];
• Eh Joe [for TV] (Suddeutscher Rundfunk 1966, in German; BBC 1966).
• Ping (1967).
• Breath (NY and Glasgow 1969).
• Lessness (1970) [written as Sans (1967) - BBC reading].
• Not I (NY 1972; London Jan. 1973.
• “Auditor” taken out of 1975 French production but given greater prominence in 1978 production].
Ping (1967).
• That Time (London 1976 with Patrick Magee].
• Footfalls (London 1976).
• Ghost Trio [for TV] (pub. 1976; BBC 1977).
• ... but the clouds ... [for TV] (BBC 1977).
• A Piece of Monologue (NY 1979; Edinburgh 1984).
• Company (1980) [written May 1977-Aug 1979].
• Rockaby (Buffalo 1981; London 1982).
• Ohio Impromptu (Columbus 1981; Edinburgh 1984).
• Quad [TV mime] (Suddeutscher Rundfunk 1981; BBC 1982).
• Catastrophe (Avignon 1982, in French; Paris 1982, in French; Edinburgh 1984).
• Nacht und Traume [TV mime] (Suddeutscher Rundfunk 1983).
• What Where (Graz 1983, in German; Edinburgh 1984).

• En Attendant Godot (Paris: Editions de minuit 1952), English trans. by Beckett as Waiting for Godot, A Tragicomedy in Two Acts (NY: Grove 1954; London: Faber 1956; rep. 1961).
• Nine Dramatic Pieces (NY: Grove 1954).
• All that Fall [radio play] (London: Faber 1957; NY: Grove 1960), French trans. by Beckett as Tous ceux qui tombent (Paris: Editions de minuit 1957).
• Fin de Partie suivi de Acte sans Paroles I (Paris: Editions de minuit 1957), 124pp., English trans. by Beckett as Endgame, a Play in One Act, followed by Act Without Words I, a Mime (NY: Grove 1958; London: Faber 1958; rep. 1968), and Do., French original ed. Beryl S. Fletcher & John Fletcher (London: Methuen 1970).
• Krapp’s Last Tape (London: Faber 1959; NY: Grove 1960), French trans. by Beckett & Pierre Leyris as La Dernière Bande (Paris: Editions de minuit 1959).
• Krapp’s Last Tape and Embers (London: Faber 1958; rep. 1959; 1965; 1968), 39pp.
• Embers (London: Faber 1959), rep. in Krapp’s Last Tape and Other Dramatic Pieces (NY: Grove 1960).
• Happy Days (NY: Grove 1961), Do. (London: Faber 1962; rep. 1966; 1968), 48pp., Do., French trans. by Beckett as Oh les beaux jours (Paris: Editions de minuit 1963), and Do. [bilingual edition], ed., James Knowlson (London: Faber 1978).
• Words and Music, in Play and Two Short Pieces for Radio (London: Faber 1964), rep. in Cascando and Other Short Dramatic Pieces (NY: Grove 1969), French trans. by Beckett as Paroles et Musique, in Comédie et Actes Divers (Paris: Editions de minuit 1966; rep. 1972; 1990).
• Play and Two Short Pieces for Radio (London: Faber 1964; rep. 1968; 1969).
• Acte sans Paroles II, in Dramatische Dichtungen, Band I (Frankfurt: Suhrkamp Verlag 1963); rep. in Comédie et Actes Divers (Paris: Editions de minuit 1966; rep. 1972; 1990), English trans. by Beckett as Act Without Words II, rep. in Eh Joe and Other Writings (London: Faber 1967).
• Film in Cascando and Other Short Dramatic Pieces (NY: Grove 1969); rep. in Eh Joe and Other Writings (London: Faber 1967).
• Assez (Paris: Editions de minuit 1966), rep. in Têtes-Mortes (Paris: Editions de minuit 1967), English trans. by Beckett as “Enough” in First Love and Other Shorts (NY: Grove 1974).
• Eh Joe and Other Writings (London: Faber 1967) [“Eh Joe”, “Act Without Words II”, “Enough”, “Ping”, and “Film]; Cascando in Comédie et Actes divers (Paris: Editions de minuit 1966; rep. 1972; 1990), and Do., trans. by Beckett as Cascando, in Play and Two Short Pieces for Radio (London: Faber 1964), rep. in Cascando and Other Short Dramatic Pieces (NY: Grove 1969).
• Not I (London: Faber 1973), 16pp., rep. in First Love and Other Shorts (NY: Grove 1974).
• Footfall (London: Faber 1976), 12pp.
• That Time (London: Faber 1976), 16pp.
• Ends and Odds (NY: Grove 1976) [“That Time”, “Not I”, “Footfalls”, “Radio I”, “Radio II”, “Theatre I”, “Theatre II and “Tryst].
• Rockaby and Other Short Pieces (NY: Grove 1981) [“Rockabye”, “Ohio Improptu”, “All Strange Away”, “A Piece of Monologue].
• Eleutheria (Paris: Editions de minuit 1995), English trans. by Michael Brodsky as Eleutheria: A Play in 3 Acts (NY: Foxrock 1995), 196pp., Do. (London: Faber 1996), 170pp.

Also trans. Robert Pinget, La Manivelle [The Old Tune], play, with translation by Beckett (Paris: Editions de minuit 1960), 62pp.

• Eh Joe and Other Writings (London: Faber 1967) [“Eh Joe”, “Act Without Words II”, “Enough”, “Ping”, and “Film”].
• Comédie et actes divers (Paris: Editions de minuit 1966; rep. 1972; 1990), 133pp.
• [“Comédie”, “Va-et-vient”, “Cascando”, “Paroles et musique”, “Dis Joe”, “Actes sans paroles - I et II”, “Film”, “Souffle]”.
• Three Occasional Pieces (London: Faber 1982), 32pp. [“Monologue”, “Rockaby”, “Ohio Impromptu”, “Footfall”, Not I”, “Ends and Odds”].

• The Complete Dramatic Works (London: Faber & Faber 1986; 1990, &c.), 476pp. [contents].
• Collected Shorter Plays (NY: Grove 1984; London: Faber 1984; rep. 1999), 316pp. [contents].
• Paul Auster, ed., Samuel Beckett: The Grove Centenary Edition, with introductions by Colm Tóibín, Salman Rushdie, Edward Albee, and J.M. Coetzee, 4 vols. (NY: Grove Press 2006), 2,077pp. [contents].

• More Pricks than Kicks (London: Chatto & Windus 1934); Do., special typescript facs., edn. ‘Hors Commerce for Scholars’ (London: Calder & Boyars 1966; 1967; 1970), 107pp.; Do. [in Collected Works of Samuel Beckett] (NY: Grove 1970), 190pp.; Do., new edn. (London: Picador 1974; 1977).
• Premier Amour [written 1946] (Paris: Editions de minuit 1970), English trans. by Beckett as First Love (London: Calder & Boyers 1973; rep. London: Calder 1999); Do. [another edn.], preface by Christopher Ricks (London: Syrens [Penguin] 1994), v-viii, 35pp.; and Do., rep. in First Love and Other Shorts (NY: Grove 1974).
• Nouvelles et Textes pour Rien (Paris: Editions de minuit 1955), English trans. by Beckett as Stories and Texts for Nothing (NY: Grove 1967), collected ed. under title of No’s Knife (London: Calder & Boyars 1967; 1975) [with English translations of parts in No’s Knife].
• From an Abandoned Work (London: Faber 1958), 22pp.; rep. in Krapp’s Last Tape and Other Dramatic Pieces (London: Faber 1959; NY: Grove 1960), and in First Love and Other Shorts (NY: Grove 1974; and in First Love and Other Novellas, ed. Gerry Dukes (Harmondsworth: Penguin 1999; 2000).
• Comment c’est (Paris: Editions de minuit 1961), translated by Beckett as How It Is (NY: Grove 1964; London: Calder & Boyars 1964; rep. London: Calder 1996), 160pp.
• Imagination morte imaginez (Paris: Editions de minuit 1965), English trans. by Beckett as Imagination Dead Imagine (London: Calder & Boyars 1966); Do., rep in First Love and Other Shorts (NY: Grove 1974).
• Bing (Paris: Editions de minuit 1966), English trans. by Beckett as Ping (London: Calder & Boyars 1967), rep. in First Love and Other Shorts (NY: Grove 1974), and Do. [rep. as First Love and Other Novellas, ed. Gerry Dukes (Harmondsworth: Penguin, 1999].
• Têtes Mortes (Paris: Editions de minuit 1967), 66pp.; No’s Knife: Collected Shorter Prose, 1945-1966 (London: Calder & Boyars 1967).
• Sans (Paris: Editions de minuit 1969), English trans. by Beckett as Lessness (London: Calder & Boyars 1970); Le Dépeupleur (Paris: Editions de minuit 1970), English trans. by Beckett as The Lost Ones (NY: Grove 1972; London: Calder & Boyar 1972).
• Companie (Paris: Editions de minuit 1979), English trans. by Beckett as Company (NY: Grove; London: Calder 1980), rep. as Samuel Beckett’s “Company/Companie”, and “A Piece of Monologue/Solo”: A Bilingual Variorum Edition, ed. Charles Krance (NY/London: Garland 1993).
• Worstward Ho (NY: Grove London: Calder 1983), 47pp. [rep. 1999].
• Stirrings Still (NY: Blue Moon; London: Calder 1988), lim. edn.
• Echo’s Bones, ed. by Mark Nixon (London: Faber & Faber 2014), xxii, 121pp. [see under Notes - infra.]

• Breath and Other Stories (London: Faber 1971), 48pp.
• First Love and Other Shorts (NY: Grove 1974).
• Fizzles (NY: Grove 1976).
• Four Novellas (London: Calder 1977), 95pp. [ 1. First Love; 2.The Expelled; 3.The Calmative; 4.The End].
• For to End Yet, and Other Fizzles (John Calder 1976); another edn. (London: Faber 1977).
• Collected Shorter Prose 1945-1980 (London: Calder 1984) [“First Love”, “The Expelled”, “The Calmative”, “The End”, “Texts for Nothing”, “From an Abandoned Work”, and “Head in the Dark 2” - being a paragraph from “Company”, here pp.205-07].
• The Expelled and Other Novellas (Penguin 1999), q.pp.

• Murphy (London: Routledge 1938); Do. [another edn.] (NY: Grove 1957); Do. [Jupiter Edn.] (London: Calder & Boyars 1963); Do. [another edn.] (London: Picador [Pan Books] 1973); Do. [another edn.] (London: Calder 1993), and. Do., trans. into. French trans. by Beckett & Alfred Péron, as Murphy (Paris: Bordas 1947; rep. Paris: Editions de minuit 1953).
• Molloy (Paris: Editions de minuit 1950, 1970, &c.), 272pp.; English trans. by Beckett & Patrick Bowles (Paris: Merlin/Olympia 1955), 241pp.; Do. (NY: Grove 1955), 241pp., and Do. [another edn.] (London: Calder 1993).
• Malone Meurt (Paris: Editions de minuit 1951), 217pp.; Do., in English trans. by Beckett as Malone Dies: A Novel translated by the Author (NY: Grove Press 1956), 120pp., and Do. (London: Calder & Boyars [1956], 1958), 120pp.
• l’Innommable (Paris: Editions de minuit 1953), 212pp., and Do., in English trans. by Beckett as The Unnamable (NY: Grove 1958).
• Watt (Paris: Merlin/Olympia 1953; NY: Grove 1959; London: Calder & Boyars 1961; rep. 1998), and Do., trans. into French by Agnès & Ludovic Janvier as Watt (Paris: Editions de minuit 1968), 272pp.
• Comment c’est (Paris: Editions de minuit 1961), and Do., trans. by Beckett as How It Is (London: Calder & Boyars; NY: Grove Press 1964) [var. 1966].
• Mercier et Camier (Paris: Editions de minuit 1970), English trans. by Beckett as Mercier and Camier (NY: Grove; London: Calder & Boyars 1974; rep. Calder 1999).
• Eoin O’Brien & Edith Fournier, eds., Dream of Fair to Middling Women (Monkstown [Dublin]: Black Cat Press 1992), xvii, 241pp., and Do. (London/Paris: Calder; NY: Riverrun 1992) [written 1932; withdrawn in London due to legal action; 327 copies issued in Paris].

Also, Paul Auster, ed., The Novels of Samuel Beckett, 2 vols. [Grove Press Centenary Edn.] (NY: Grove Press 2006) [US hb.].

• Molloy, Malone Dies, and The Unnamable, trans. [in English] by Patrick Bowles & Beckett [Travellers Companion Series, No. 71] (Paris: Olympia 1959), 479pp.; Do. (London: Calder & Boyars 1959; rep. 1973), 418pp.; Do., as The Beckett Trilogy: Molloy - Malone Dies - The Unnamable (Paris: Olympia Press 1959), pp.579, and Do. (London: Calder 1959, 1976), 418pp.; Do [rep. edn.] (London: Picador [Pan Books] 1979, 1995, &c.), 382pp. [details].
• As The Story was Told: Uncollected & Late Prose (Cambridge: Rampant Lions 1987), Do. (NY: Riverrun 1990; London: Calder 1990; rep. 1999).
• Nohow On (London: Calder 1989) [1. “Company”; 2. “Ill Seen Ill Said”; 3. “Worstward Ho!”], rep. as Nohow On: Three Novels, intro. S. E. Gontarski (NY: Grove Press 1996), xxviii, 116pp.
• Samuel Beckett: The Complete Short Prose, 1929-1989, ed., & intro. E. Gontarski [with notes] (NY: Grove Press [1995]), xxxii, 294pp. [contents].

• “Che Sciagura”, in TCD Miscellany (14 Nov. 1929), p.42 [i.e., “What a misfortune” - viz, castration in its Dantean context]
• “The Possessed”, in TCD Miscellany (12 March 1931), p.138.
• “Opening Section of Molloy”, in Fifth Mentor Selection (NY: New American Library 1954), 337pp. [with work by Sean O’Faolain, Niall Montgomery and Maurice Meldon].

See also “The Capital of the Ruins” [1946] - written for broadcast on Radio Eireann but rejected and printed as “Saint-Lô” in The Irish Times (24 June 1946) [copy held in RICORSO Library - as attached].

• Whoroscope (Paris: Hours 1930).
• Echo’s Bone’s and Other Precipitates (Paris: Europa [George Reavey] 1935), [30]pp.
• Poems in English (London: Calder & Boyars 1961).
• Collected Poems in English and French (London: Calder 1977; rep. as Collected Poems 1930-1978 London: Calder 1984).
• Zone, by Apollinaire, with English trans. by Samuel Beckett (Dublin: Dolmen 1972), 23pp.
• Eleutheria, trans. by Barbara Wright [1st edn. France 1995] (London: Faber 1996), 176pp.

• Collected Poems in English and French (London: John Calder; NY: Grove Press 1977) [Whoroscope (1930); Gnome (1934); Home Olga (1934); Ooftish (1938); last three poems first publ. here; poems in French first pub. as Gedichte by Limes Verlag Wiesbaden, 1959 and Edition de Minuet as Poèmes, 1968].

• Seán Lawlor & John Pilling, eds., Collected Poems of Samuel Beckett: A Critical Edition (London: Faber & Faber 2012), 499pp. [in mem. Seán Lawlor; Introduction, pp.xv-xx; Commentary, 255ff.; Index, 491ff.; also Appendix, pp.233-251, which incls. “Whoroscope” & Notes to same, pp.241-44.]

• Drunken Boat, translation of Arthur Rimbaud’s poem “Le bateau ivre”, ed. & intro. by James Knowlson and Felix Leakey (Reading: Whiteknights Press 1976), 33pp.

• The European Caravan - An Anthology of the New Spirit in European Literature - Part I: France, Spain, England and Ireland, ed. George Reavey, et al. (NY: Brewer, Warren & Putnam 1931), [contains 4 poems by Beckett: “Hell Crane to Starling”, “Casket of Pralinen for the Daughter of a Dissipated Mandarin”, “Text” and “Yoke of Liberty” [see further under Reavey, q.v.].
• Beyond the Shore - The Irish Within Us - Irish Poetry, intro. by Peter Mulligan (Northampton Connolly Association 1985), 80pp., large 8°[850 copies; contribs. from Eddie Linden, Roger McGough, Ewart Milne and Samuel Beckett; glossy card covers; advert. by David Bunnett Books, London ‘ Abebooks [online; 02.09.2010].

• Poème [‘je voudrais que mon amour meure'], MS engraved in four colours and signed by Stanley Hetyer [q.d.; ltd. 50 copies].
• Pour finir encore (Paris: Editions de minuit 1976 [ltd. edn. 100 copies].
• Poems 1930-1989, with Previously Unpublished Poems and Translations (London: Calder Publ. 2002), 226pp. [ltd. edn. 100 copies with lithographs by Louis le Brocquy; bound by Gerard Kenny; €650 each copy.]

• Beginning to End: Selection from the Works of Samuel Beckett, adapted by Beckett & Jack MacGowran (NY: Gotham Book Mart 1968) [ltd. edn. 300 copies].
• A Samuel Beckett Reader, ed., John Calder (London: Calder & Boyars 1967), 192pp.
• The Collected Works of Samuel Beckett, 19 vols. (NY: Grove 1970) [contents].
• ‘I Can’t Go On, I’ll Go On’: A Selection from Samuel Beckett’s Work, ed. Richard Seaver (NY: Grove 1976).
• Gerry Dukes, ed., First Love and Other Novellas [Penguin Modern Classics] (London: Penguin 2000), 192pp.

• ‘Dante ... Bruno. Vico .. Joyce’, Our Exagmination Round His Factification for Incamination of Work in Progress (Paris: Shakespeare & Co. 1929), 194pp. [‘96 copies of this book have been printed on vergé d’Arches numbered 1-96’; Beckett’s essay, pp.[3]-22]; Do. (London: Faber & Faber 1936), rep., with an Introduction by Sylvia Beach (Faber 1961, 1972); and Do. (NY: New Directions 1939, 1962), 194pp. [see contents].
• Proust (London: Chatto & Windus 1931; NY: Grove 1957).
• ‘Text’, in The New Review 11, 5 (April 1932), p.57 [a poem based on plays of John Ford, et al.].
• with Hans Arp, et al., Manifesto: Poetry is Vertical [orig. in transition, March 1932], rep. in Collected Poems of Thomas MacGreevy, ed. Thomas Redshaw Dillon, (Dublin: New Writers' Press 1971), p.73-74.
• [as Andrew Belis,] ‘Recent Irish Poetry’, in Bookman, 86 (August 1934), and Do., rep. in Michael Smith, ed., The Lace Curtain 4 (Summer 1971), pp.58-63.
• ‘Humanistic Quietism’ [review of Thomas MacGreevy’s Poems], in Dublin Magazine ([q.d.] 1934), rep. in Collected Poems of Thomas MacGreevy, ed. Thomas Redshaw Dillon, (Dublin: New Writers' Press 1971), pp.11-13.
• Review of Thomas MacGreevy’s Jack B. Yeats: An Appreciation, in Irish Times (4 Aug. 1945) [see copy, attached].
• ‘Three Dialogues with Georges Duthuit’, in transition forty-nine 5 (December 1949), pp.97-103, rep. in Ruby Cohn, ed., Disjecta: Miscellaneous Writings and a Dramatic Fragment (London: Calder 1983; rep. 1986), pp.138-45 [see under Notes, infra]; Do. (NY: Grove 1984).
• ‘Censorship in the Saorstat’ [commissioned by The Bookman 1935; publ. 1983], rep. in Disjecta [... &c.], ed. Ruby Cohn (London: Calder 1983), pp.84-88, and rep. in Banned in Ireland: Censorship and the Irish Writer, ed. Julia Carlson (London: Routledge 1990).
• Beckett’s Dream Notebook, ed. John Pilling (Reading: Beckett International Foundation 1999), xxiii, 173pp.
• Stirrings Still, a last prose work, printed in The Guardian (Friday, 3 March 1989), p.25.
• Disjecta: Miscellaneous Writings and a Dramatic Fragment (NY: Grove Press 1984), 176pp. [see contents]

See also “Someone To Walk With Him Before Dinner” [on his acquaintance with James Joyce in interview with James Knowlson], in Beckett Remembering, Remembering Beckett: A Centenary Celebration: Uncollected Interviews with Samuel Beckett and Memories of Those Who Knew Him, ed. James & Elizabeth Knowlson (London: Bloomsbury; NY: Arcade 2006) - as attached.

• James Knowlson, gen. ed., The Theatrical Notebooks of Samuel Beckett (London: Faber & Faber; NY: Grove Press 1992-1999) [see details].
• Carlton Lake, ed., No Symbols Where None Intended: A Collection of Books, Manuscripts, and Other Materials (Austin: Humanities Research Center 1984).
• Mary Bryden, James Knowlson & Peter Mills, eds., Beckett at Reading: Catalogue of the Beckett Manuscript Collection at the University of Reading (Reading: Whiteknights/Beckett International Foundation 1998).
• John Pilling, ed., Beckett’s Dream Notebook (Reading: Beckett Internat. Found. 1999), 197pp.

• Maurice Harmon, ed., No Author Better Served: The Correspondence of Samuel Beckett and Alan Schneider (Harvard UP 1999), 458pp.
• George Craig, Martha Dow Fehsenfeld, Dan Gunn & Lois More Overbeck, eds., The Letters of Samuel Beckett, [Vol. I:] 1929-1940 (Cambridge UP 2009), 882pp., ill. [18 b&w ills. on 8pp. photos].
• —, eds., The Letters of Samuel Beckett, [Vol. II:] 1941-1956 (Cambridge UP 2011), 886pp., ill. [20 b&w.] [See under Niall Montgomery, q.v., and Carolyn Swift, q.v.].
• —, eds., The Letters of Samuel Beckett [Vol. III:] 1957-1965 (Cambridge UP 2104), 771pp.
• —, eds., The Letters of Samuel Beckett [Vol. III:] 1957-1965 (Cambridge UP 2104), 838pp. [Profiles 759ff; Bibliog., 769ff; Index of Recipients, 777ff.; Index of First Names, abbreviations, and Nicknames, 781ff.; Summary Listing of SB’s Works Mentioned in Vol. IV, 783ff.; Gen. Index, 788ff.

Note: George Craig, Editor and French Translater; Martha Dow Fehsenfeld, Founding Editor [authorised in 1985]; Dan Gunn, Editor; Lois More Overbeck, General Editor.

• Waiting for Godot, with Zero Mostel and Burgess Merdith (NTSC, 102 mins. 1976); Happy Days, with Irene Worth and George Voscovek (1980; 90 mins in NTSC & PAL).
• Rockaby (NTSC, 58 mins., 1982), with Billie Whitelaw [behind the scenes look at Beckett’s production of the play].
• Film (NYSC, 21 mins. 1965), with Buster Keaton [everyman attempting to evade observation by all-seeing eye].
• Krapp’s Last Tape, dir. Alan Schneider, with Jack MacGowran (NTSC, 54 mins.).
• Michael Colgan & Alan Moloney, prod., Beckett on Film Project [Blue Angel Films/Tyrone Productions for RTÉ & C4] (2001) [10 hours, 37 mins.].

• Lego Endgame [U-Tube as seen on 3 Quarks Daily] - online; 01.09.2008.

• Beginning to End, dir. Chloe Gibson (1966).
• Happy Days, dir. Chloe Gibson (1967) [see Helena Sheehan, Irish Television Drama, RTE 1987].

• Molloy, Malone Dies, The Unnamable, performed by Cyril Cusack, dir. Howard Sackler (Caedmon n.d.), [mono audio-cassette; 90 min.].

• MacGowran Speaking Beckett (Claddagh Records CCT3).
• A Tribute to Beckett: Barry MacGovern Reads ‘Dante and the Lobster’ from ‘An Abandoned Work’ (Dublin Abbey Cassettes, ABB 013).

See also National Public Radio, Washington DC for audiocassettes including Embers (1989).