THESE ARE THE CLOUDS
These are the clouds about the fallen sun,
The majesty that shuts his burning eye:
The weak lay hand on what the strong has done,
Till that be tumbled that was lifted high
And discord follow upon unison,
And all things at one common level lie.
And therefore, friend, if your great race were run
And these things came, So much the more thereby
Have you made greatness your companion,
Although it be for children that you sigh:
These are the clouds about the fallen sun,
The majesty that shuts his burning eye.
1910
THAT THE NIGHT COME
She lived in storm and strife,
Her soul had such desire
For what proud death may bring
That it could not endure
The common good of life,
But lived as 'twere a king
That packed his marriage day
With banneret and pennon,
Trumpet and kettledrum,
And the outrageous cannon,
To bundle time away
That the night come.
1912
THOSE IMAGES
What if I bade you leave
The cavern of the mind?
There’s better exercise
In the sunlight and wind.
I never bade you go
To Moscow or to Rome.
Renounce that drudgery,
Call the Muses home.
Seek those images
That constitute the wild,
The lion and the virgin,
The harlot and the child
Find in middle air
An eagle on the wing,
Recognise the five
That make the Muses sing.
1938
A THOUGHT FROM PROPERTIUS
She might, so noble from head
To great shapely knees
The long flowing line,
Have walked to the altar
Through the holy images
At Pallas Athene’s side,
Or been fit spoil for a centaur
Drunk with the unmixed wine.
1917
THE THREE BEGGARS
"Though to my feathers in the wet,
I have stood here from break of day.
I have not found a thing to eat,
For only rubbish comes my way.
Am I to live on lebeen-lone?”
Muttered the old crane of Gort.
“For all my pains on lebeen-lone?”
King Guaire walked amid his court
The palace-yard and river-side
And there to three old beggars said,
“You that have wandered far and wide
Can ravel out what’s in my head.
Do men who least desire get most,
Or get the most who most desire?”
A beggar said, “They get the most
Whom man or devil cannot tire,
And what could make their muscles taut
Unless desire had made them so?”
But Guaire laughed with secret thought,
“If that be true as it seems true,
One of you three is a rich man,
For he shall have a thousand pounds
Who is first asleep, if but he can
Sleep before the third noon sounds.”
And thereon, merry as a bird
With his old thoughts, King Guaire went
From river-side and palace-yard
And left them to their argument.
“And if I win,” one beggar said,
“Though I am old I shall persuade
A pretty girl to share my bed";
The second: “I shall learn a trade";
The third: “I’ll hurry" to the course
Among the other gentlemen,
And lay it all upon a horse";
The second: “I have thought again:
A farmer has more dignity.”
One to another sighed and cried:
The exorbitant dreams of beggary.
That idleness had borne to pride,
Sang through their teeth from noon to noon;
And when the second twilight brought
The frenzy of the beggars' moon
None closed his blood-shot eyes but sought
To keep his fellows from their sleep;
All shouted till their anger grew
And they were whirling in a heap.
They mauled and bit the whole night through;
They mauled and bit till the day shone;
They mauled and bit through all that day
And till another night had gone,
Or if they made a moment’s stay
They sat upon their heels to rail,,
And when old Guaire came and stood
Before the three to end this tale,
They were commingling lice and blood
“Time’s up,” he cried, and all the three
With blood-shot eyes upon him stared.
“Time’s up,” he cried, and all the three
Fell down upon the dust and snored.
"Maybe I shall be lucky yet,
Now they are silent,” said the crane.
“Though to my feathers in the wet
I've stood as I were made of stone
And seen the rubbish run about,
It’s certain there are trout somewhere
And maybe I shall take a trout
but I do not seem to care.”
1913
THE THREE BUSHES[an incident from
the Historia
mei Temporis of the Abbé Michel de Bourdeille]
Said lady once to lover,
“None can rely upon
A love that lacks its proper food;
And if your love were gone
How could you sing those songs of love?
I should be blamed, young man.
O my dear, O my dear.
Have no lit candles in your room,”
That lovely lady said,
“That I at midnight by the clock
May creep into your bed,
For if I saw myself creep in
I think I should drop dead.”
O my dear, O my dear.
"I love a man in secret,
Dear chambermaid,” said she.
“I know that I must drop down dead
If he stop loving me,
Yet what could I but drop down dead
If I lost my chastity?”
O my dear, O my dear.
"So you must lie beside him
And let him think me there.
And maybe we are all the same
Where no candles are,
And maybe we are all the same
That strip the body bare.”
O my dear, O my dear.
But no dogs barked, and midnights chimed,
And through the chime she’d say,
“That was a lucky thought of mine,
My lover looked so gay";
But heaved a sigh if the chambermaid
Looked half asleep all day.
O my dear, O my dear.
"No, not another song,” said he,
“Because my lady came
A year ago for the first time
At midnight to my room,
And I must lie between the sheets
When the clock begins to chime.”
O my dear, O my dear.
"A laughing, crying, sacred song,
A leching song,” they said.
Did ever men hear such a song?
No, but that day they did.
Did ever man ride such a race?
No, not until he rode.
O my dear, O my dear.
But when his horse had put its hoof
Into a rabbit-hole
He dropped upon his head and died.
His lady saw it all
And dropped and died thereon, for she
Loved him with her soul.
O my dear, O my dear.
The chambermaid lived long, and took
Their graves into her charge,
And there two bushes planted
That when they had grown large
Seemed sprung from but a single root
So did their roses merge.
O my dear, O my dear.
When she was old and dying,
The priest came where she was;
She made a full confession.
Long looked he in her face,
And O he was a good man
And understood her case.
O my dear, O my dear.
He bade them take and bury her
Beside her lady’s man,
And set a rose-tree on her grave,
And now none living can,
When they have plucked a rose there,
Know where its roots began.
O my dear, O my dear.
1937
THE THREE HERMITS
Three old hermits took the air
By a cold and desolate sea,
First was muttering a prayer,
Second rummaged for a flea;
On a windy stone, the third,
Giddy with his hundredth year,
Sang unnoticed like a bird:
“Though the Door of Death is near
And what waits behind the door,
Three times in a single day
I, though upright on the shore,
Fall asleep when I should pray.”
So the first, but now the second:
“We’re but given what we have earned
When all thoughts and deeds are reckoned,
So it’s plain to be discerned
That the shades of holy men
Who have failed, being weak of will,
Pass the Door of Birth again,
And are plagued by crowds, until
They've the passion to escape.”
Moaned the other, “They are thrown
Into some most fearful shape.”
But the second mocked his moan:
“They are not changed to anything,
Having loved God once, but maybe
To a poet or a king
Or a witty lovely lady.”
While he’d rummaged rags and hair,
Caught and cracked his flea, the third,
Giddy with his hundredth year,
Sang unnoticed like a bird.
1913
THREE MARCHING SONGS
I
Remember all those renowned generations,
They left their bodies to fatten the wolves,
They left their homesteads to fatten the foxes,
Fled to far countries, or sheltered themselves
In cavern, crevice, or hole,
Defending Ireland’s soul.
Be still, be still, what can be said?
My father sang that song,
But time amends old wrong,
All that is finished, let it fade.
Remember all those renowned generations,
Remember all that have sunk in their blood,
Remember all that have died on the scaffold,
Remember all that have fled, that have stood,
Stood, took death like a tune
On an old tambourine.
Be still, be still, what can be said?
My father sang that song,
But time amends old wrong,
And all that’s finished, let it fade.
Fail, and that history turns into rubbish,
All that great past to a trouble of fools;
Those that come after shall mock at O’donnell,
Mock at the memory of both O'Neills,
Mock Emmet, mock Parnell,
All the renown that fell.
Be still, be still, what can be said?
My father sang that song,
but time amends old wrong,
And all that’s finished, let it fade.
II
The soldier takes pride in saluting his Captain,
The devotee proffers a knee to his Lord,
Some back a mare thrown from a thoroughbred,,
Troy backed its Helen; Troy died and adored;
Great nations blossom above;
A slave bows down to a slave.
What marches through the mountain pass?
No, no, my son, not yet;
That is an airy spot,
And no man knows what treads the grass.
We know what rascal might has defiled,
The lofty innocence that it has slain,
Were we not born in the peasant’s cot
Where men forgive if the belly gain?
More dread the life that we live,
How can the mind forgive?
What marches down the mountain pass?
No, no, my son, not yet;
That is an airy spot,
And no man knows what treads the grass.
What if there’s nothing up there at the top?
Where are the captains that govern mankind?
What tears down a tree that has nothing within it?
A blast of the wind, O a marching wind,
March wind, and any old tune.
March, march, and how does it run?
What marches down the mountain pass?
No, no, my son, not yet;
That is an airy spot,
And no man knows what treads the grass.
III
Grandfather sang it under the gallows:
“Hear, gentlemen, ladies, and all mankind:
Money is good and a girl might be better,
But good strong blows are delights to the mind.”
There, standing on the cart,
He sang it from his heart.
Robbers had taken his old tambourine,
But he took down the moon
And rattled out a tune;
Robbers had taken his old tambourine.
"A girl I had, but she followed another,
Money I had, and it went in the night,
Strong drink I had, and it brought me to sorrow,
But a good strong cause and blows are delight.”
All there caught up the tune:
“Oh, on, my darling man.”
Robbers had taken his old tambourine,
But he took down the moon
And rattled out a tune;
Robbers had taken his old tambourine.
"Money is good and a girl might be better,
No matter what happens and who takes the fall,
But a good strong cause" — the rope gave a jerk there,
No more sang he, for his throat was too small;
But he kicked before he died,
He did it out of pride.
Robbers had taken his old tambourine,
But he took down the moon
And rattled out a tune;
Robbers had taken his old tambourine.
1934; 1939
THE THREE MONUMENTS
They hold their public meetings where
Our most renowned patriots stand,
One among the birds of the air,
A stumpier on either hand;
And all the popular statesmen say
That purity built up the State
And after kept it from decay;
And let all base ambition be,
For intellect would make us proud
And pride bring in impurity:
The three old rascals laugh aloud.
1927
THREE SONGS TO THE ONE BURDEN
I
The Roaring Tinker if you like,
But Mannion is my name,
And I beat up the common sort
and think it is no shame.
The common breeds the common,
A lout begets a lout,
So when I take on half a score
I knock their heads about.
From mountain to mountain ride the fierce horsemen.
All Mannions come from Manannan,
Though rich on every shore
He never lay behind four walls
He had such character,
Nor ever made an iron red
No soldered pot or pan;
His roaring and his ranting
Best please the wandering man.
From mountain to mountain ride the fierce horsemen.
Could Crazy Jane put off old age
And ranting time renew,
Could that old god rise up again
We’d drink a can or two,
And out and lay our leadership
On country and on town,
Throw likely couples into bed
And knock the others down.
From mountain to mountain ride the fierce horsemen.
II
My name is Henry Middleton,
I have a small demesne,
A small forgotten house that’s set
On a storm-bitten ghreen,
I scrub its floors and make my bed,
I cook and change my plate,
The post and garden-boy alone
Have keys to my old gate.
From mountain to mountain ride the fierce horsemen
Though I have locked my gate on them
I pity all the young,
I know what devil’s trade they learn
Form those they live among,
Their drink, their pitch and toss by day,
Their robbery by night;
The wisdom of the people’s gone,
How can the young go straight?
From mountain to mountain ride the fierce horsemen
When every Sunday afternoon
On the Green Lands I walk
and wear a coat in fashion,
Memories of the talk
Of hen wives and of queer old men
Brace me and make me strong;
There’s not a pilot on the perch
Knows I have lived so long.
From mountain to mountain ride the fierce horsemen
III
Come gather round me, players all:
Come praise Nineteen-Sixteen,
Those from the pit and gallery
Or from the painted scene
That fought in the Post Office
Or round the City Hall,
Praise every man that came again,
Praise every man that fell.
From mountain to mountain ride the fierce horsemen.
Who as the first man shot that day?
The player Connolly,
Close to the City Hall he died;
Carriage and voice had he;
He lacked those years that go with skill
But later might have been
A famous brilliant figure
Before the painted scene.
From mountain to mountain ride the fierce horsemen.
Some had no thought of victory
But had gone out to die
That Ireland’s mind be greater,
Her heart mount up on high;
And yet who knows what’s yet to come?
For Patrick Pearse had said
That in every generation
Must Ireland’s blood be shed.
From mountain to mountain ride the fierce horsemen.
THREE SONGS TO THE SAME TUNE
I [same as the first a version of Song III in “Three
Marching Songs" with the variant chorus:]
Those fanatics all that we do would undo;
Down the fanatic, down the clown;
Down, down, hammer them down,
Down to the tune of O’donnell Abu.
II
Justify all those renowned generations;
They left their bodies to fatten the wolves,
They left their homesteads to fatten the foxes,
Fled to far countries, or sheltered themselves
In cavern, crevice, hole,
Defending Ireland’s soul.
"Drown all the dogs,” said the fierce young woman,
“They killed my goose and a cat.
Drown, drown in the water-but,
Drown all the dogs,” said the fierce young woman.
Justify all those renowned generations,
Justify all that have sunk in their blood,
Justify all that have died on the scaffold,
Justify all that have fled, that have stood,
Stood or have marched the night long
Singing, singing a song.
“Drown all the dogs,” said the fierce young woman.
“They killed my goose and a cat.
Drown, drown in the water-butt,
Drown all the dogs,” said the fierce young woman.
Fail, and that history turns into rubbish,
All that great past to a trouble of fools;
Those that come after shall mock at O’donnell,
Mock at the memory of both O'Neills,
Mock Emmet, mock Parnell:
All the renown that fell.
"Drown all the dogs,” said the fierce young woman,
“They killed my goose and a cat.
Drown, drown in the water-butt,
Drown all the dogs,” said the fierce young woman.
III [The third a version of Song III in “Three Marching Songs"
with the variant chorus and verses:]
Who’d care to dig em,” said the old, old man,
“Those six feet marked in chalk?
Much I talk, more I walk;
Time I were buried,” said the old, old man.
When nations are empty up there at the top,
When order has weakened or faction is strong,
Time for us all to pick out a good tune,
Take to the roads and go marching along.
March, march — How does it run? —
O any old words to a tune.
Soldiers take pride in saluting their Captain,
Where are the captains that govern mankind?
What happens a tree that has nothing within it?
O marching wind, O a blast of the wind.
Marching, marching along.
March, march, lift up the song:
[Finneran]
THREE MOVEMENTS
Shakespearean fish swam the sea, far away from land;
Romantic fish swam in nets coming to the hand;
What are all those fish that lie gasping on the strand?
1932
TO A CHILD DANCING IN THE WIND
Dance there upon the shore;
What need have you to care
For wind or water’s roar?
And tumble out your hair
That the salt drops have wet;
Being young you have not known
The fool’s triumph, nor yet
Love lost as soon as won,
Nor the best labourer dead
And all the sheaves to bind.
What need have you to dread
The monstrous crying of wind!
1912
TO A FRIEND WHOSE WORK HAS
COME TO NOTHING
Now all the truth is out,
Be secret and take defeat
From any brazen throat,
For how can you compete,
Being honour bred, with one
Who, were it proved he lies,
Were neither shamed in his own
Nor in his neighbours' eyes?
Bred to a harder thing
Than Triumph, turn away
And like a laughing string
Whereon mad fingers play
Amid a place of stone,
Be secret and exult,
Because of all things known
That is most difficult.
1913
TO AN ISLE IN THE WATER
Shy one, Shy one,
Shy one of my heart,
She moves in the firelight
pensively apart.
She carries in the dishes,
And lays them in a row.
To an isle in the water
With her would I go.
She carries in the candles,
And lights the curtained room,
Shy in the doorway
And shy in the gloom;
And shy as a rabbit,
Helpful and shy.
To an isle in the water
With her would I fly.
1889
TO A POET, WHO WOULD HAVE ME PRAISE CERTAIN
BAD POETS, IMITATORS OF HIS AND MINE
You say, as I have often given tongue
In praise of what another’s said or sung,
'Twere politic to do the like by these;
But was there ever dog that praised his fleas?
1910
TO A SHADE
If you have revisited the town, thin Shade,
Whether to look upon your monument
(I wonder if the builder has been paid)
Or happier-thoughted when the day is spent
To drink of that salt breath out of the sea
When grey gulls flit about instead of men,
And the gaunt houses put on majesty:
Let these content you and be gone again;
For they are at their old tricks yet.
A man
Of your own passionate serving kind who had brought
In his full hands what, had they only known,
Had given their children’s children loftier thought,
Sweeter emotion, working in their veins
Like gentle blood, has been driven from the place,
And insult heaped upon him for his pains,
And for his open-handedness, disgrace;
Your enemy, an old foul mouth, had set
The pack upon him.
Go, unquiet wanderer,
And gather the Glasnevin coverlet
About your head till the dust stops your ear,
The time for you to taste of that salt breath
And listen at the corners has not come;
You had enough of sorrow before death —
Away, away! You are safer in the tomb.
Sept. 29, 1913
1913
TO A SQUIRREL AT KYLE-NA-NO
Come play with me;
Why should you run
Through the shaking tree
As though I’d a gun
To strike you dead?
When all I would do
Is to scratch your head
And let you go.
1917
TO A WEALTHY MAN WHO PROMISED A SECOND
SUBSCRIPTION TO THE DUBLIN MUNICIPAL GALLERY
IF IT WERE PROVED THE PEOPLE WANTED PICTURES
You gave, but will not give again
Until enough of Paudeen’s pence
By Biddy’s halfpennies have lain
To be “some sort of evidence",
Before you’ll put your guineas down,
That things it were a pride to give
Are what the blind and ignorant town
Imagines best to make it thrive.
What cared Duke Ercole, that bid
His mummers to the market-place,
What th' onion-sellers thought or did
So that his Plautus set the pace
For the Italian comedies?
And Guidobaldo, when he made
That grammar school of courtesies
Where wit and beauty learned their trade
Upon Urbino’s windy hill,
Had sent no runners to and fro
That he might learn the shepherds' will
And when they drove out Cosimo,
Indifferent how the rancour ran,
He gave the hours they had set free
To Michelozzo’s latest plan
For the San Marco Library,
Whence turbulent Italy should draw
Delight in Art whose end is peace,
In logic and in natural law
By sucking at the dugs of Greece.
Your open hand but shows our loss,
For he knew better how to live.
Let paudeens play at pitch and toss,
Look up in the sun’s eye and give
What the exultant heart calls good
That some new day may breed the best
Because you gave, not what they would,
But the right twigs for an eagle’s nest!
December 1912
1913
TO A YOUNG BEAUTY
Dear fellow-artist, why so free
With every sort of company,
With every Jack and Jill?
Choose your companions from the best;
Who draws a bucket with the rest
Soon topples down the hill.
You may, that mirror for a school,
Be passionate, not bountiful
As common beauties may,
Who were not born to keep in trim
With old Ezekiel’s cherubim
But those of Beauvarlet.
I know what wages beauty gives,
How hard a life her servant lives,
Yet praise the winters gone:
There is not a fool can call me friend,
And I may dine at journey’s end
With Landor and with Donne.
1918
TO A YOUNG GIRL
My dear, my dear, I know
More than another
What makes your heart beat so;
Not even your own mother
Can know it as I know,
Who broke my heart for her
When the wild thought,
That she denies
And has forgot,
Set all her blood astir
And glittered in her eyes.
1918
TO BE CARVED ON A STONE AT THOOR BALLYLEE
I, the poet William Yeats,
With old mill boards and sea-green slates,
And smithy work from the Gort forge,
Restored this tower for my wife George;
And may these characters remain
When all is ruin once again.
1921
TO DOROTHY WELLESLEY
Stretch towards the moonless midnight of the trees,
As though that hand could reach to where they stand,
And they but famous old upholsteries
Delightful to the touch; tighten that hand
As though to draw them closer yet.
Rammed full
Of that most sensuous silence of the night
(For since the horizon’s bought strange dogs are still)
Climb to your chamber full of books and wait,
No books upon the knee, and no one there
But a Great Dane that cannot bay the moon
And now lies sunk in sleep.
What climbs the stair?
Nothing that common women ponder on
If you are worth my hope! Neither Content
Nor satisfied Conscience, but that great family
Some ancient famous authors misrepresent,
The proud Furies each with her torch on high.
1938
TO HIS HEART, BIDDING IT HAVE NO FEAR
Be you still, be you still, trembling heart;
Remember the wisdom out of the old days:
Him who trembles before the flame and the flood,
And the winds that blow through the starry ways,
Let the starry winds and the flame and the flood
Cover over and hide, for he has no part
With the lonely, majestical multitude.
1896
TO IRELAND IN THE COMING TIMES
(Epilogue to The Rose, 1893)
Know, that I would accounted be
True brother of a company
That sang, to sweeten Ireland’s wrong,
Ballad and story, rann and song;
Nor be I any less of them,
Because the red-rose-bordered hem
Of her, whose history began
Before God made the angelic clan,
Trails all about the written page.
When Time began to rant and rage
The measure of her flying feet
Made Ireland’s heart begin to beat;
And Time bade all his candles flare
To light a measure here and there;
And may the thoughts of Ireland brood
Upon a measured quietude.
Nor may I less be counted one
With Davis, Mangan, Ferguson,
Because, to him who ponders well,
My rhymes more than their rhyming tell
Of things discovered in the deep,
Where only body’s laid asleep.
For the elemental creatures go
About my table to and fro,
That hurry from unmeasured mind
To rant and rage in flood and wind,
Yet he who treads in measured ways
May surely barter gaze for gaze.
Man ever journeys on with them
After the red-rose-bordered hem.
Ah, faeries, dancing under the moon,
A Druid land, a Druid tune!
While still I may, I write for you
The love I lived, the dream I knew.
From our birthday, until we die,
Is but the winking of an eye;
And we, our singing and our love,
What measurer Time has lit above,
And all benighted things that go
About my table to and fro,
Are passing on to where may be,
In truth’s consuming ecstasy,
No place for love and dream at all;
For God goes by with white footfall.
I cast my heart into my rhymes,
That you, in the dim coming times,
May know how my heart went with them
After the red-rose-bordered hem.
1892
TO THE ROSE UPON THE ROOD OF TIME
(Prologue to The Rose, 1893)
Red Rose, proud Rose, sad Rose of all my days!
Come near me, while I sing the ancient ways:
Cuchulain battling with the bitter tide;
The Druid, grey, wood-nurtured, quiet-eyed,
Who cast round Fergus dreams, and ruin untold;
And thine own sadness, where of stars, grown old
In dancing silver-sandalled on the sea,
Sing in their high and lonely melody.
Come near, that no more blinded by man’s fate,
I find under the boughs of love and hate,
In all poor foolish things that live a day,
Eternal beauty wandering on her way.
Come near, come near, come near — Ah, leave me still
A little space for the rose-breath to fill!
Lest I no more bear common things that crave;
The weak worm hiding down in its small cave,
The field-mouse running by me in the grass,
And heavy mortal hopes that toil and pass;
But seek alone to hear the strange things said
By God to the bright hearts of those long dead,
And learn to chaunt a tongue men do not know.
Come near; I would, before my time to go,
Sing of old Eire and the ancient ways:
Red Rose, proud Rose, sad Rose of all my days.
1892
TOM O’rOUGHLEY
“Though logic-choppers rule the town,
And every man and maid and boy
Has marked a distant object down,
An aimless joy is a pure joy,”
Or so did Tom O’roughley say
That saw the surges running by.
“And wisdom is a butterfly
And not a gloomy bird of prey.
“If little planned is little sinned
But little need the grave distress.
What’s dying but a second wind?
How but in zig-zag wantonness
Could trumpeter Michael be so brave?”
Or something of that sort he said,
“And if my dearest friend were dead
I’d dance a measure on his grave.”
1918
TO SOME I HAVE TALKED WITH BY THE FIRE
While I wrought out these fitful Danaan rhymes,
My heart would brim with dreams about the times
When we bent down above the fading coals
And talked of the dark folk who live in souls
Of passionate men, like bats in the dead trees;
And of the wayward twilight companies
Who sigh with mingled sorrow and content,
Because their blossoming dreams have never bent
Under the fruit of evil and of good:
And of the embattled flaming multitude
Who rise, wing above wing, flame above flame,
And, like a storm, cry the Ineffable Name,
And with the clashing of their sword-blades make
A rapturous music, till the morning break
And the white hush end all but the loud beat
Of their long wings, the flash of their white feet.
1895
TOWARDS BREAK OF DAY
Was it the double of my dream
The woman that by me lay
Dreamed, or did we halve a dream
Under the first cold gleam of day?
I thought: “There is a waterfall
Upon Ben Bulben side
That all my childhood counted dear;
Were I to travel far and wide
I could not find a thing so dear.”
My memories had magnified
So many times childish delight.
I would have touched it like a child
But knew my finger could but have touched
Cold stone and water. I grew wild.
Even accusing Heaven because
It had set down among its laws:
Nothing that we love over-much
Is ponderable to our touch.
I dreamed towards break of day,
The cold blown spray in my nostril.
But she that beside me lay
Had watched in bitterer sleep
The marvellous stag of Arthur,
That lofty white stag, leap
From mountain steep to steep.
1920
THE TOWER
I
What shall I do with this absurdity —
O heart, O troubled heart — this caricature,
Decrepit age that has been tied to me
As to a dog’s tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible —
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben’s back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided by
A sort of battered kettle at the heel.
II
I pace upon the battlements and stare
On the foundations of a house, or where
Tree, like a sooty finger, starts from the earth;
And send imagination forth
Under the day’s declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.
Beyond that ridge lived Mrs. French, and once
When every silver candlestick or sconce
Lit up the dark mahogany and the wine.
A serving-man, that could divine
That most respected lady’s every wish,
Ran and with the garden shears
Clipped an insolent farmer’s ears
And brought them in a little covered dish.
Some few remembered still when I was young
A peasant girl commended by a Song,
Who’d lived somewhere upon that rocky place,
And praised the colour of her face,
And had the greater joy in praising her,
Remembering that, if walked she there,
Farmers jostled at the fair
So great a glory did the song confer.
And certain men, being maddened by those rhymes,
Or else by toasting her a score of times,
Rose from the table and declared it right
To test their fancy by their sight;
But they mistook the brightness of the moon
For the prosaic light of day —
Music had driven their wits astray —
And one was drowned in the great bog of Cloone.
Strange, but the man who made the song was blind;
Yet, now I have considered it, I find
That nothing strange; the tragedy began
With Homer that was a blind man,
And Helen has all living hearts betrayed.
O may the moon and sunlight seem
One inextricable beam,
For if I triumph I must make men mad.
And I myself created Hanrahan
And drove him drunk or sober through the dawn
From somewhere in the neighbouring cottages.
Caught by an old man’s juggleries
He stumbled, tumbled, fumbled to and fro
And had but broken knees for hire
And horrible splendour of desire;
I thought it all out twenty years ago:
Good fellows shuffled cards in an old bawn;
And when that ancient ruffian’s turn was on
He so bewitched the cards under his thumb
That all but the one card became
A pack of hounds and not a pack of cards,
And that he changed into a hare.
Hanrahan rose in frenzy there
And followed up those baying creatures towards —
O towards I have forgotten what — enough!
I must recall a man that neither love
Nor music nor an enemy’s clipped ear
Could, he was so harried, cheer;
A figure that has grown so fabulous
There’s not a neighbour left to say
When he finished his dog’s day:
An ancient bankrupt master of this house.
Before that ruin came, for centuries,
Rough men-at-arms, cross-gartered to the knees
Or shod in iron, climbed the narrow stairs,
And certain men-at-arms there were
Whose images, in the Great Memory stored,
Come with loud cry and panting breast
To break upon a sleeper’s rest
While their great wooden dice beat on the board.
As I would question all, come all who can;
Come old, necessitous. half-mounted man;
And bring beauty’s blind rambling celebrant;
The red man the juggler sent
Through God-forsaken meadows; Mrs. French,
Gifted with so fine an ear;
The man drowned in a bog’s mire,
When mocking Muses chose the country wench.
Did all old men and women, rich and poor,
Who trod upon these rocks or passed this door,
Whether in public or in secret rage
As I do now against old age?
But I have found an answer in those eyes
That are impatient to be gone;
Go therefore; but leave Hanrahan,
For I need all his mighty memories.
Old lecher with a love on every wind,
Bring up out of that deep considering mind
All that you have discovered in the grave,
For it is certain that you have
Reckoned up every unforeknown, unseeing
Plunge, lured by a softening eye,
Or by a touch or a sigh,
Into the labyrinth of another’s being;
Does the imagination dwell the most
Upon a woman won or woman lost.?
If on the lost, admit you turned aside
From a great labyrinth out of pride,
Cowardice, some silly over-subtle thought
Or anything called conscience once;
And that if memory recur, the sun’s
Under eclipse and the day blotted out.
III
It is time that I wrote my will;
I choose upstanding men
That climb the streams until
The fountain leap, and at dawn
Drop their cast at the side
Of dripping stone; I declare
They shall inherit my pride,
The pride of people that were
Bound neither to Cause nor to State.
Neither to slaves that were spat on,
Nor to the tyrants that spat,
The people of Burke and of Grattan
That gave, though free to refuse —
pride, like that of the morn,
When the headlong light is loose,
Or that of the fabulous horn,
Or that of the sudden shower
When all streams are dry,
Or that of the hour
When the swan must fix his eye
Upon a fading gleam,
Float out upon a long
Last reach of glittering stream
And there sing his last song.
And I declare my faith:
I mock Plotinus' thought
And cry in Plato’s teeth,
Death and life were not
Till man made up the whole,
Made lock, stock and barrel
Out of his bitter soul,
Aye, sun and moon and star, all,
And further add to that
That, being dead, we rise,
Dream and so create
Translunar paradise.
I have prepared my peace
With learned Italian things
And the proud stones of Greece,
Poet’s imaginings
And memories of love,
Memories of the words of women,
All those things whereof
Man makes a superhuman,
Mirror-resembling dream.
As at the loophole there
The daws chatter and scream,
And drop twigs layer upon layer.
When they have mounted up,
The mother bird will rest
On their hollow top,
And so warm her wild nest.
I leave both faith and pride
To young upstanding men
Climbing the mountain-side,
That under bursting dawn
They may drop a fly;
Being of that metal made
Till it was broken by
This sedentary trade.
Now shall I make my soul,
Compelling it to study
In a learned school
Till the wreck of body,
Slow decay of blood,
Testy delirium
Or dull decrepitude,
Or what worse evil come —
The death of friends, or death
Of every brilliant eye
That made a catch in the breath — .
Seem but the clouds of the sky
When the horizon fades;
Or a bird’s sleepy cry
Among the deepening shades.
7 Oct. 1925
1927
THE TRAVAIL OF PASSION
When the flaming lute-thronged angelic door is wide;
When an immortal passion breathes in mortal clay;
Our hearts endure the scourge, the plaited thorns, the way
Crowded with bitter faces, the wounds in palm and side,
The vinegar-heavy sponge, the flowers by Kedron stream;
We will bend down and loosen our hair over you,
That it may drop faint perfume, and be heavy with dew,
Lilies of death-pale hope, roses of passionate dream.
1896
THE TWO KINGS
King Eochaid came at sundown to a wood
Westward of Tara. Hurrying to his queen
He had outridden his war-wasted men
That with empounded cattle trod the mire,
And where beech-trees had mixed a pale green light
With the ground-ivy’s blue, he saw a stag
Whiter than curds, its eyes the tint of the sea.
Because it stood upon his path and seemed
More hands in height than any stag in the world
He sat with tightened rein and loosened mouth
Upon his trembling horse, then drove the spur;
But the stag stooped and ran at him, and passed,
Rending the horse’s flank. King Eochaid reeled,
Then drew his sword to hold its levelled point
Against the stag. When horn and steel were met
The horn resounded as though it had been silver,
A sweet, miraculous, terrifying sound.
Horn locked in sword, they tugged and struggled there
As though a stag and unicorn were met
Among the African Mountains of the Moon,
Until at last the double horns, drawn backward,
Butted below the single and so pierced
The entrails of the horse. Dropping his sword
King Eochaid seized the horns in his strong hands
And stared into the sea-green eye, and so
Hither and thither to and fro they trod
Till all the place was beaten into mire.
The strong thigh and the agile thigh were met,
The hands that gathered up the might of the world,
And hoof and horn that had sucked in their speed
Amid the elaborate wilderness of the air.
Through bush they plunged and over ivied root,
And where the stone struck fire, while in the leaves
A squirrel whinnied and a bird screamed out;
But when at last he forced those sinewy flanks
Against a beech-bole, he threw down the beast
And knelt above it with drawn knife. On the instant
It vanished like a shadow, and a cry
So mournful that it seemed the cry of one
Who had lost some unimaginable treasure
Wandered between the blue and the green leaf
And climbed into the air, crumbling away,
Till all had seemed a shadow or a vision
But for the trodden mire, the pool of blood,
The disembowelled horse.
King Eochaid ran
Toward peopled Tara, nor stood to draw his breath
Until he came before the painted wall,
The posts of polished yew, circled with bronze,
Of the great door; but though the hanging lamps
Showed their faint light through the unshuttered windows,
Nor door, nor mouth, nor slipper made a noise,
Nor on the ancient beaten paths, that wound
From well-side or from plough-land, was there noise;
Nor had there been the noise of living thing
Before him or behind, but that far off
On the horizon edge bellowed the herds.
Knowing that silence brings no good to kings,
And mocks returning victory, he passed
Between the pillars with a beating heart
And saw where in the midst of the great hall
pale-faced, alone upon a bench, Edain
Sat upright with a sword before her feet.
Her hands on either side had gripped the bench.
Her eyes were cold and steady, her lips tight.
Some passion had made her stone. Hearing a foot
She started and then knew whose foot it was;
But when he thought to take her in his arms
She motioned him afar, and rose and spoke:
“I have sent among the fields or to the woods
The fighting-men and servants of this house,
For I would have your judgment upon one
Who is self-accused. If she be innocent
She would not look in any known man’s face
Till judgment has been given, and if guilty,
Would never look again on known man’s face.”
And at these words he paled, as she had paled,
Knowing that he should find upon her lips
The meaning of that monstrous day.
Then she:
“You brought me where your brother Ardan sat
Always in his one seat, and bid me care him
Through that strange illness that had fixed him there.
And should he die to heap his burial-mound
And carve his name in Ogham.” Eochaid said,
“He lives?" “He lives and is a healthy man.”
“While I have him and you it matters little
What man you have lost, what evil you have found.”
“I bid them make his bed under this roof
And carried him his food with my own hands,
And so the weeks passed by. But when I said,
'What is this trouble?' he would answer nothing,
Though always at my words his trouble grew;
And I but asked the more, till he cried out,
Weary of many questions: 'There are things
That make the heart akin to the dumb stone.”
Then I replied',Although you hide a secret,
Hopeless and dear, or terrible to think on,
Speak it, that I may send through the wide world
Day after day you question me, and I,
Because there is such a storm amid my thoughts
I shall be carried in the gust, command,
Forbid, beseech and waste my breath.' Then I:
'Although the thing that you have hid were evil,
The speaking of it could be no great wrong,
And evil must it be, if done 'twere worse
Than mound and stone that keep all virtue in,
And loosen on us dreams that waste our life,
Shadows and shows that can but turn the brain.”
but finding him still silent I stooped down
And whispering that none but he should hear,
Said',If a woman has put this on you,
My men, whether it please her or displease,
And though they have to cross the Loughlan waters
And take her in the middle of armed men,
Shall make her look upon her handiwork,
That she may quench the rick she has fired; and though
She may have worn silk clothes, or worn a crown,
She’ll not be proud, knowing within her heart
That our sufficient portion of the world
Is that we give, although it be brief giving,
Happiness to children and to men.”
Then he, driven by his thought beyond his thought,
And speaking what he would not though he would,
Sighed',You, even you yourself, could work the
cure!'
And at those words I rose and I went out
And for nine days he had food from other hands,
And for nine days my mind went whirling round
The one disastrous zodiac, muttering
That the immedicable mound’s beyond
Our questioning, beyond our pity even.
But when nine days had gone I stood again
Before his chair and bending down my head
I bade him go when all his household slept
To an old empty woodman’s house that’s hidden
Westward of Tara, among the hazel-trees —
For hope would give his limbs the power — and await
A friend that could, he had told her, work his cure
And would be no harsh friend.
When night had deepened,
I groped my way from beech to hazel wood,
Found that old house, a sputtering torch within,
And stretched out sleeping on a pile of skins
Ardan, and though I called to him and tried
To Shake him out of sleep, I could not rouse him.
I waited till the night was on the turn,
Then fearing that some labourer, on his way
To plough or pasture-land, might see me there,
Went out.
Among the ivy-covered rocks,
As on the blue light of a sword, a man
Who had unnatural majesty, and eyes
Like the eyes of some great kite scouring the woods,
Stood on my path. Trembling from head to foot
I gazed at him like grouse upon a kite;
But with a voice that had unnatural music,
'A weary wooing and a long,' he said,
’speaking of love through other lips and looking
Under the eyelids of another, for it was my craft
That put a passion in the sleeper there,
And when I had got my will and drawn you here,
Where I may speak to you alone, my craft
Sucked up the passion out of him again
And left mere sleep. He’ll wake when the sun wakes,
Push out his vigorous limbs and rub his eyes,
And wonder what has ailed him these twelve months.”
I cowered back upon the wall in terror,
But that sweet-sounding voice ran on: 'Woman,
I was your husband when you rode the air,
Danced in the whirling foam and in the dust,
In days you have not kept in memory,
Being betrayed into a cradle, and I come
That I may claim you as my wife again.”
I was no longer terrified — his voice
Had half awakened some old memory —
Yet answered him',I am King Eochaid’s wife
And with him have found every happiness
Women can find.' With a most masterful voice,
That made the body seem as it were a string
Under a bow, he cried',What happiness
Can lovers have that know their happiness
Must end at the dumb stone? But where we build
Our sudden palaces in the still air
Pleasure itself can bring no weariness.
Nor can time waste the cheek, nor is there foot
That has grown weary of the wandering dance,
Nor an unlaughing mouth, but mine that mourns,
Among those mouths that sing their sweethearts' praise,
Your empty bed.' 'How should I love,' I answered,
'Were it not that when the dawn has lit my bed
And shown my husband sleeping there, I have sighed,
'Your strength and nobleness will pass away?'
Or how should love be worth its pains were it not
That when he has fallen asleep within my arms,
Being wearied out, I love in man the child?
What can they know of love that do not know
She builds her nest upon a narrow ledge
Above a windy precipice?' Then he:
’seeing that when you come to the deathbed
You must return, whether you would or no,
This human life blotted from memory,
Why must I live some thirty, forty years,
Alone with all this useless happiness?'
Thereon he seized me in his arms, but I
Thrust him away with both my hands and cried,
'Never will I believe there is any change
Can blot out of my memory this life
Sweetened by death, but if I could believe,
That were a double hunger in my lips
For what is doubly brief.”
And now the shape
My hands were pressed to vanished suddenly.
I staggered, but a beech-tree stayed my fall,
And clinging to it I could hear the cocks
Crow upon Tara.”
King Eochaid bowed his head
And thanked her for her kindness to his brother,
For that she promised, and for that refused.
Thereon the bellowing of the empounded herds
Rose round the walls, and through the bronze-ringed
door
Jostled and shouted those war-wasted men,
And in the midst King Eochaid’s brother stood,
And bade all welcome, being ignorant.
1913
TWO SONGS FROM A PLAY
I
I saw a staring virgin stand
Where holy Dionysus died,
And tear the heart out of his side.
And lay the heart upon her hand
And bear that beating heart away;
Of Magnus Annus at the spring,
As though God’s death were but a play.
Another Troy must rise and set,
Another lineage feed the crow,
Another Argo’s painted prow
Drive to a flashier bauble yet.
The Roman Empire stood appalled:
It dropped the reins of peace and war
When that fierce virgin and her Star
Out of the fabulous darkness called.
II
In pity for man’s darkening thought
He walked that room and issued thence
In Galilean turbulence;
The Babylonian starlight brought
A fabulous, formless darkness in;
Odour of blood when Christ was slain
Made all platonic tolerance vain
And vain all Doric discipline.
1927
Everything that man esteems
Endures a moment or a day.
Love’s pleasure drives his love away,
The painter’s brush consumes his dreams;
The herald’s cry, the soldier’s tread
Exhaust his glory and his might:
Whatever flames upon the night
Man’s own resinous heart has fed.
1931
TWO SONGS REWRITTEN FOR THE TUNE’s SAKE
I [from The Pot of Broth, to the tune of 'Paistin Finn']
My Paistin Finn is my sole desire,
And I am shrunken to skin and bone,
For all my heart has had for its hire
Is what I can whistle alone and alone.
Oro, oro!
Tomorrow night I will break down the door.
What is the good of a man and he
Alone and alone, with a speckled shin?
I would that I drank with my love on my knee
Between two barrels at the inn.
Oro, oro!
To-morrow night I will break down the door.
Alone and alone nine nights I lay
Between two bushes under the rain;
I thought to have whistled her down that
I whistled and whistled and whistled in vain.
Oro, oro!
To-morrow night I will break down the door.
1922; 1935
II [from The Player Queen]
I would that I were an old beggar
Rolling a blind pearl eye,
For he cannot see my lady
Go gallivanting by;
A dreary, dreepy beggar
Without a friend on the earth
But a thieving rascally cur —
O a beggar blind from his birth;
Or anything else but a rhymer
Without a thing in his head
But rhymes for a beautiful lady,
He rhyming alone in his bed.
1922; 1935
TWO SONGS OF A FOOL
I
A speckled cat and a tame hare
Eat at my hearthstone
And sleep there;
And both look up to me alone
For learning and defence
As I look up to Providence.
I start out of my sleep to think
Some day I may forget
Their food and drink;
Or, the house door left unshut,
The hare may run till it’s found
The horn’s sweet note and the tooth of the hound.
I bear a burden that might well try
Men that do all by rule,
And what can I
That am a wandering-witted fool
But pray to God that He ease
My great responsibilities?
1919
II
I slept on my three-legged stool by the fire.
The speckled cat slept on my knee;
We never thought to enquire
Where the brown hare might be,
And whether the door were shut.
Who knows how she drank the wind
Stretched up on two legs from the mat,
Before she had settled her mind
To drum with her heel and to leap?
Had I but awakened from sleep
And called her name, she had heard.
It may be, and had not stirred,
That now, it may be, has found
The horn’s sweet note and the tooth of the hound.
1919
THE TWO TREES
Beloved, gaze in thine own heart,
The holy tree is growing there;
From joy the holy branches start,
And all the trembling flowers they bear.
The changing colours of its fruit
Have dowered the stars with merry light;
The surety of its hidden root
Has planted quiet in the night;
The shaking of its leafy head
Has given the waves their melody,
And made my lips and music wed,
Murmuring a wizard song for thee.
There the Loves a circle go,
The flaming circle of our days,
Gyring, spiring to and fro
In those great ignorant leafy ways;
Remembering all that shaken hair
And how the winged sandals dart,
Thine eyes grow full of tender care:
Beloved, gaze in thine own heart.
Gaze no more in the bitter glass
The demons, with their subtle guile.
Lift up before us when they pass,
Or only gaze a little while;
For there a fatal image grows
That the stormy night receives,
Roots half hidden under snows,
Broken boughs and blackened leaves.
For ill things turn to barrenness
In the dim glass the demons hold,
The glass of outer weariness,
Made when God slept in times of old.
There, through the broken branches, go
The ravens of unresting thought;
Flying, crying, to and fro,
Cruel claw and hungry throat,
Or else they stand and sniff the wind,
And shake their ragged wings; alas!
Thy tender eyes grow all unkind:
Gaze no more in the bitter glass.
1892
TWO YEARS LATER
Has no one said those daring
Kind eyes should be more learn’d?
Or warned you how despairing
The moths are when they are burned?
I could have warned you; but you are young,
So we speak a different tongue.
O you will take whatever’s offered
And dream that all the world’s a friend,
Suffer as your mother suffered,
Be as broken in the end.
But I am old and you are young,
And I speak a barbarous tongue.
1914 |