• Herbert S[herman] Gorman, James Joyce: His First Forty Years (NY: Huebsch 1924), [iv], 238pp., [23cm.], and Do. (NY: Viking Press & B. W. Huebsch 1925), 238pp.; Do. (London: Geoffrey Bles [1926]), [6,] 238pp., Foreword [i-ii], incl. front., 8vo. [printed in US]; Do (Folcroft Library Edns. 1971), [6], 238pp., 1 pl., port. [bibl. 233-38]; Do. [rep. of 1924 Huebsch edn.] (NY: Haskell House 1974), Do. (Philadelphia: R[obert] West 1977), 238pp.
• Herbert S. Gorman, James Joyce (NY: Farrar & Rhinehart 1939), v, 358pp., ill. [rep. 1948. viii, 358pp.], Do. (NY: Octagon Books 1974), viii, 358pp., [ill. 31 pls.]; Do. [another edn. as] James Joyce: A Definitive Biography (London: Jonathan Lane 1941, 1949), 4pp., 1, [3]-354pp., front. port., pls., 8vo.
• Léon Edel, James Joyce: The Last Journey (NY: Gotham Book Mart 1947); Do. [rep.] (NY: Haskell House [1977]), 44pp.
• J. F. Byrne, The Silent Years: An Autobiography with Memoirs of James Joyce and Our Ireland (NY: Farrar, Straus & Young 1953), xi, 307pp., ill. [frontis.]; Do. [rep.] (NY: Octagon 1975).
• Frank Budgen, Further Recollections of James Joyce (London: Shenval 1955), 15pp.
• Patricia Hutchins, James Joyce’s World (London: Methuen 1957), 247pp. & index, 60 photo ills. [see extract].
• [J]ohn [I]nnes M[ackintosh] Stewart, James Joyce [British Council] (London/NY: Longmans, Green 1957), 43pp.
• Stanislaus Joyce, My Brother’s Keeper,ed. and intro. by Richard Ellmann, with a preface by T. S. Eliot (London: Faber & Faber 1958, 1982), 257pp., and Do. as My Brother’s Keeper: James Joyce’s Early Years (NY: Viking 1958), 257pp.
• Kevin Sullivan, Joyce Among the Jesuits (Columbia UP 1958, 1967), [7], 259pp., and Do. [rep.edn.] (Conn: Greenwood Press 1985), 259pp.
• Richard Ellmann, James Joyce (Oxford: OUP 1959), xvi, 842pp. ill. [17pp. pls.: ports. & facs]; Do., [rev. edn.] (OUP 1982), 887pp. [ded. to George Yeats; available at Internet Archive - online; accessed 29.04.2021].
• Chester Grant Anderson, James Joyce & His World (London: Thames & Hudson 1967, rep. 1986), 144pp., ill., and Do. [rep. edn.] (NY: Scribner [1978]), 144pp.
• Ulick O’Connor, ed., The Joyce We Knew (Cork: Mercier Press 1967; rep. 2004), 127pp. [contents].
• C. P. Curran, James Joyce Remembered (London: OUP 1968), xii, 129pp., ill. [4 pls.: ports].
• George M. Healey, ed., The Dublin Diary of Stanislaus Joyce, with particular reference to James Joyce (London: Faber 1962), 119pp., and Do. [enl. edn. as] The Complete Dublin Diary of Stanislaus Joyce (Cornell UP 1971), xv, 188p., and Do. [rep. edn. of 1962 abridged edn.] (Dublin: Anna Livia Press, 1994).
• J. B. Lyons, James Joyce and Medicine (Dublin: Dolmen 1973), 255pp., ill. [pls.]
• Arthur Power, [Clive Hart, ed.], Conversations with James Joyce (Chicago: University of Chicago Press 1974), 111pp,; Do. [rep.], with a foreword by David Norris (Dublin: Lilliput 1999), 128pp.
• Stan Gebler Davies, James Joyce: A Portrait of the Artist (London: Davis-Poynter 1975), 328pp., 14 ills.
• Willard Potts, ed., Portraits of the Artist in Exile: Recollections of James Joyce by Europeans (Seattle/London: University of Washington Press 1979), 304pp. [see contents].
• Frank Delaney, James Joyce’s Odyssey: A Guide to the Dublin of Ulysses (London: Hodder and Stoughton [1981]; rep. London: Paladin 1983), 189pp., ill. [photos by Jorge Lewsinki]
• Gisèle Freund, Trois Jours avec James Joyce (Paris: Denoil 1982), 79pp. [44 photos].
• Brenda Maddox, Nora: The Real Life of Molly Bloom (London: Hamish Hamilton; Boston: Houghton Mifflin Co. 1988), 589pp.
• Marc Dachy, trans. & intro., Eugène Jolas sur James Joyce: présentation et traduction de Marc Dachy (Paris: Plon [1990]), 168pp., ill. [16pp. of pls.].
• Morris Beja, James Joyce: A Literary Life (Basingstoke: Macmillan 1992), 150pp.
• Peter Costello, James Joyce: The Years of Growth 1882-1915 (London: Kyle Cathie ; NY: Roberts Rinehart 1992), 374pp.
• Stuart Gilbert, Reflections on James Joyce: Stuart Gilbert’s Paris Journal, ed. Thomas F. Staley & Randolph Lewis [Harry Ransom Humanities Research Center] (Austin: Texas UP 1993), xiii, 103pp., ill.
• Peter Costello & John Wyse Jackson, James Stanislaus Joyce: The Voluminous Life and Genius of James Joyce’s Father (NY: St. Martin’s Press 1998), xvii, 493pp.,ill. [16pp. of pls. geneal. table, maps, ports.]
• Edna O’Brien, James Joyce (London: Weidenfeld & Nicolson 1999; rep. Phoenix 2000), 190pp.
• Eugène Jolas, Man from Babel, ed., annot., & intro. by Andreas Kramer & Rainer Rumold (Yale UP 1998), xxxix, 326pp. [incls. accounts of Joyce, Hemingway, et al.]
• John McCourt, James Joyce: A Passionate Exile (London: Orion Media 1999), 112pp.
• John McCourt, James Joyce and Nora: Passionate Exiles (London: Orion 2000), 112pp.
• John McCourt, The Years of Bloom: James Joyce in Trieste, 1904-1920 (Dublin: Lilliput Press 2000), 306pp.
[also Wisconsin UP]
• David Pritchard, James Joyce [Irish Biographies] (Scotland: Geddes & Grosset 2001), 186pp.
• Carol Loeb Shloss, Lucia Joyce: To Dance in the Wake (NY: Farrar & Strauss 2004), 561pp. [on Joyce's relationship with Lucia].
• Ian Pindar, A Life of James Joyce, introduced by Terry Eagleton [Life & Times Ser.] (London: Haus Pub. 2004), 176pp., ill. [see contents].
• Antoinette Walker & Michael Fitzgerald, ‘James Joyce’, in Unstoppable Brilliance: Irish Geniuses and Asperger's Syndrome (Dublin: Liberties Press 2006), 253-90pp.
• Andrew Gibson, James Joyce, with a preface by Declan Kiberd (London: Reakton Books 2006), 192pp. [available online].
• Bruce Stewart, James Joyce [Very Interesting People, No. 11] (Oxford: OUP 2007), pp.137 [prev. in New Dictionary of National Bibiography, 2004].
• Gordon Bowker, James Joyce: A Biography (London: Weidenfeld & Nicolson; NY: Straus & Giroux 2011), 608pp., ill.; Do. [pb reissue] (London: Phoenix Paperbacks [Orion Publ. Group] 2012) [available at Google Books - online]; Do. [rep.] (London: Hachette 2011), 384pp. [online].
• Nuala O’Connor, Nora: The Love-Story of Nora Barnacle and James Joyce (Dublin: New Island 2021), q.pp.

See also Jane Lidderdale & Mary Nicholson, Dear Miss Weaver: Harriet Shaw Weaver 1876-1961 (London: Faber 1970), 509pp.; John Gatt-Rutter, Italo Svevo: A Double Life (Oxford; OUP 1988), 410pp. Lives of Yeats, Pound, Eliot, Hemingway, et al.

• Harry Blamires, The Bloomsday Book: A Guide through Joyce’s Ulysses [University Pbks., 180] (London: Methuen 1966, 1974, 1981, 1984) xii, 275pp., and Do. [rev. edn. keyed to the Corrected Text] (1988, 1996), xi, 244pp.
• Michael H. Begnal & Fritz Senn, eds., A Conceptual Guide to “Finnegans Wake” (Pennsylvania State UP 1974) [q.pp.]
• Brendan Ó Hehir & John M. Dillon, A Classical Lexicon for “Finnegans Wake”: A Glossary of the Greek and Latin in the Major Works of Joyce, including “Finnegans Wake”, the Poems, “Dubliners”, Stephen Hero, “A Portrait of the Artist as a Young Man”, Exiles, and Ulysses (California UP 1977), xxi, 653pp. [see full-text at Genetic Joyce Studies, Wisconsin - online].
• John MacNicholas, James Joyce's Exiles: A Textual Companion (1979).
• Shari Benstock & Bernard Benstock, Who’s He when He’s at Home: A James Joyce Directory (Illinois UP 1980), 234pp.
• Roland McHugh, Annotations to “Finnegans Wake” (London: Routledge & Kegan Paul 1980; Johns Hopkins UP 1980; 2nd Edn. 1991; 3rd rev. edn.), 628pp.
• Ruth Bauerle, A World List to James Joyce's Exiles (1981) [based on Penguin text of the play].
• Danis Rose & John O’Hanlon, Understanding “Finnegans Wake”: A Guide to the Narratives of Joyce ‘s Masterpiece (NY: Garland Publishing Co. 1982), xxv, 341pp., ill.
• Zack Bowen & James F. Carens, eds., A Companion to Joyce Studies (Westport: Greenwood 1984), 2 vols., 818pp. [see contents].
• Thomas Staley, Annotated Critical Bibliography of James Joyce (Brighton: Harvester Wheatsheaf; NY; St. Martin’s Press 1989), viii, 182pp.
• Thomas Jackson Rice, James Joyce: A Guide to Research (NY: Garland Publishing Co. 1982), xxiii, 390pp.
• Don Gifford, Joyce Annotated: Notes for “Dubliners” and “A Portrait of the Artist as a Young Man” (California UP 1982), and Do. [2nd. rev. & enl. edn] (1988; pbk. 1989), 312pp.
• Telsumaro Hayashi, James Joyce: Research Opportunities and Dissertation Abstracts (Jefferson N.C.; London, McFarland 1985).
• Robert Nicholson, The Ulysses Guide (London: Methuen 1988), q.p. [small format].
• Margot Norris, A Companion to James Joyce’s Ulysses (NY: Bedford Books 1998), 255pp.
Don Gifford, Ulysses Annotated: Notes for James Joyce’s Ulysses (Californi>a UP 1988), 643pp. + 35pp. of Index [from p.645; available at Google Books - online].
• Derek Attridge, ed., The Cambridge Companion to James Joyce (Cambridge: UP 1990; [2nd. edn.] 2004), 305pp. [see contents].
• Jean-Michel Rabaté, ed., James Joyce Studies [Palgrave Advances Ser.] (London: Palgrave 2004), xviii, 293pp.
• A. Nicholas Fargnoli & Michael Patrick Gillespie, James Joyce A to Z: An Enclyclopaedic Guide to his Life and Work (NY: Facts on File; London: Bloomsbury 1995), 320pp., and Do. [rev. edn.] as Critical Companion to James Joyce: A Literary Reference to His Life and Work (NY: Facts on File 2006), xiv, 450pp. [available at Google Books - online; accessed 24.05.2014.]
• John Coyle, ed., James Joyce, Ulysses, “A Portrait of the Artist as a Young Man”: A Reader’s Guide to Essential Criticism (Cambridge: Icon 2000), 186pp.
• Roger Norburn, A James Joyce Chronology (Basingstoke: Palgrave Macmillan 2004), 248pp. [partially available at Google Books online; accessed 17.11.2017].
• Jean-Michel Rabaté, ed., James Joyce Studies [Palgrave Advances Ser.] (London: Palgrave 2004), xviii, 293pp. [contribs. Jean-Michel Rabaté, Ronald Bush, Garry Leonard, Eric Bulson, Joseph Valente, Marian Eide, Vicki Mahaffey, Laurent Milesi, Sam Slote, R. Brandon Kershner, Margot Norris & Michael Groden].
• Eric Bulson, Cambridge Introduction to James Joyce (Cambridge UP 2006), xii, 139pp.
• Lee Spinks, James Joyce: A Critical Guide (Edinburgh UP 2009), 248pp.

See further under separate titles - “Dubliners” , A Portrait, “Ulysses”, “Finnegans Wake”, supra.

• John J[ermain] Slocum & Herbert Cahoon, A Bibliography of James Joyce [Soho Bibliographies, 5] (New Haven: Yale UP; London: Hart-Davis 1953, 1957), ix, 195pp., ill. [facs.]; Do. [rep. edn.] (Conn: Greenwood 1971), [203pp.]; Do. ([?rev. edn. [1994]).
• Paul A. Doyle, ed., A Concordance to the Collected Poems of James Joyce (NY & London: Scarecrow Press 1966), 218pp.
• Brendan Ó Hehir, A Gaelic Lexicon for “Finnegans Wake” and Glossary for Joyce’s Other Works (California UP 1967; London: Cambridge UP 1968), xvi, 427pp.
• Leslie Hancock, Word Index to James Joyce’s Portrait of the Artist (S. Illinois UP; London: Feffer & Simons 1967)
• Robert Deming, A Bibliography of James Joyce Studies (Univ. of Kansas Library 1964), 180pp., and Do. [2nd Edn., rev. & enl.] (Boston: G. K. Hall 1977), ii-xii, 264pp. [orig. as James Joyce: The State of Studies. An Annotated Bibliography of All Scholarship Devoted to Joyce and His Works, Completed to January, 1961, Kansas UL, 1961.]
• Philip Herring, Joyce’s “Ulysses” Notesheets in the British Museum (Virginia UP), xii, 545pp. [being a transcription of 29 MS sheets used by Joyce for the last 7 episodes of Ulysses].
• Wilhelm Füger, ed., Concordance to James Joyce’s “Dubliners”, with a Reverse Index, a Frequency List, and a Conversion Table [Alpha-Omega, Series C] (Hildesheim & NY: George Olms Verlag 1980), 874pp.
• William M. Schutte, ed., An Index of Recurrent Elements in James Joyce’s Ulysses (Southern Illinois UP 1982), 429pp.
• Richard Wall, ed., An Anglo-Irish Dialect Glossary for Joyce’s Work (Gerrards Cross: Colin Smythe 1986), 131pp.
• Robert H. Deming, A Bibliography of James Joyce Studies (Lawrence: Kansas Univ. Libraries 1964), 178pp. [available as .pdf - online]; and Do. [2nd edn.] Boston: G. K. Hall 1977)
• Clive Hart, ed., Concordance to “Finnegans Wake” (NY: Garland Publishing Co. 1974), 516pp.
• Brendan Ó Hehir & John M. Dillon, A Classical Lexicon for ‘“Finnegans Wake”’: A Glossary of the Greek and Latin in the Major Works of Joyce, including “Finnegans Wake”, the Poems, “Dubliners”, Stephen Hero, “A Portrait of the Artist as a Young Man”, Exiles, and Ulysses (California UP 1977), xvi, 427pp.
• Ian Gunn, Ulysses Pagefinder (Edinburgh: Split Pea 1988).
• John Coyle, ed., James Joyce, Ulysses, “A Portrait of the Artist as a Young Man”: A Reader’s Guide to Essential Criticism (Cambridge: Icon 2000), 186pp.

See also Alan M. Cohn [and afterwards William S. Brockman], “Checklist of Joyce Studies”, in James Joyce Quarterly.

Photographic & topographical guides

• Clive Hart and Leo Knuth, A Topographical Guide to James Joyce’s Ulysses, 2 vols. (Colchester: A Wake Newslitter Press 1975; rev. edn. 1986).
• Bruce Bidwell & Linda Heffer, The Joycean Way: A Topographical Guide to Dubliners and “A Portrait of the Artist as a Young Man” (Dublin: Wolfhound Press; Johns Hopkins UP 1982).
• Niall Murphy, A Bloomsday Postcard (Dublin: Lilliput Press 2004), 336pp. [240 postcards].
• Kieran Hickey, Faithful Departed: The Dublin of Joyce’s Ulysses, recaptured from classic photographs and assembled by Kieran Hickey, with an introductory essay by Des Hickey (Swords: Word River 1982), xxxi, 74pp. [Lawrence Collection], and Do. (Dublin: Lilliput Press 2004), 104pp. [also film title by do.]
• Ian Gunn & Clive Hart, with Harold Beck, James Joyce’s Dublin: A Topographical Guide to the Dublin of Ulysses (London: Thames & Hudson 2004) [q.pp.].

• National Book League, ed., Harriet Weaver & James Joyce: The Catalogue of the Harriet Shaw Weaver Collection of James Joyce housed in the Library of the National Book League (London: National Book League 1957; 1976).
• Arthur James Mizener, The Cornell Joyce Collection, given to Cornell University by William G. Mennen (Ithaca, NY: Cornell Univ. Library 1958), 13pp.; LibraryAlfred Appel, Jr., James Joyce: An Appreciation [Exhibition Catalogue]; (Stanford Univ. Libraries 1964), 5pp.
• Sidney F. Huttner, comp., intro. by Bernard Benstock, The McFarlin Library Paul and Lucie Léon/James Joyce Collection ([Tulsa]: McFarlin Library 1985), 34pp.
• Michael Patrick Gillespie, with Erik Bradford Stocker, James Joyce’s Trieste Library: A Catalogue of Materials at the Harry Ransom Humanities Research Center, the University of Texas at Austin (Austin: HRC 1986), 276pp. [see Chicago UP notice - infra.
• Catherine Fahy, ed., The James Joyce - Paul Leon Papers in the National Library of Ireland: A Catalogue (National Library of Ireland 1992), 254pp.
• Michael J. Barsanti, [comp.,] The James Joyce Collection of Alan Clodd, intro. by Vicki Mahaffey ([Philadelphia:] Rosenbach Museum & Library [2000]), 70pp., ill. [ports. (some col.)], 28 cm.
• Edward A. Burns, & Joshua A. Gaylord, A Tour of the Darking Plain: The “Finnegans Wake” letters of Thornton Wilder and Adaline Glasheen (UCD Press 2001).

• Michael Groden, general ed., Hans Walter Gabler, David Hayman, A. Walton Litz & Danis Rose, assoc. eds., The James Joyce Archive 63 vols. (NY: Garland Publishing Co. 1977-1979). [contents].
• Danis Rose, ed., James Joyce’s The Index Manuscript: “Finnegans Wake” Holograph Workbook VI.B.46 (Colchester: A Wake Newslitter Press 1978), 379pp.
• Michael Groden, James Joyce’s MSS: An Index (NY: Garland Publishing Co. 1980), 173pp.
• Vincent Deane, Daniel Ferrer & Geert Lernout, eds., The “Finnegans Wake” Notebooks at Buffalo: A Reader’s Guide to the Edition (Turnhout: Brepols [2001]), 16pp.

• John V. Kelleher, ‘Irish History and Mythology in James Joyce’s “The Dead”’, in The Review of Politics, 27: 3 (July 1965), pp.414-33.
• Peter K. Garrett, ed., Twentieth Century Interpretations of “Dubliners” (NJ: Prentice Hall 1968).
• Warren Beck, Joyce’s “Dubliners”: Substance, Vision, and Art (Durham: Duke UP 1969).
• Clive Hart, ed., James Joyce’s “Dubliners”: Critical Essays (NY: Viking Press 1969), 183pp. [contents]
• Warren Beck, Joyce’s “Dubliners”: Substance, Vision and Art (Durham: Duke UP 1969).
• James R. Baker & Thomas F. Staley, eds., James Joyce's Dubliners: A Critical Handbook [Wadsworth Guides to Literary Study] (Calif.: Wadsworth 1969), vii, 188pp.
• Donald T. Torchiana, ‘The Opening of “Dubliners”: A Reconsideration’, in Irish University Review, 1, 2 (Spring 1971), pp.149-60.
• Albert J. Solomon, ‘The Backgrounds of “Eveline”’, in Éire-Ireland, 6, 3 (Autumn 1971), pp.23-38.
• Donald T. Torchiana, ‘Joyce’s After the Race, the Races of Castlebar, and Dun Laoghaire’, in Éire-Ireland, 6, 3 (Autumn 1971), pp.119-28.
• Morris Beja, ed., James Joyce - “Dubliners” and “A Portrait of the Artist as a Young Man”: A Casebook (London: Macmillan 1973), 256pp. [see contents]
• Patrick Mark Hederman, ‘The Dead Revisited’, in The Crane Bag, 2, Nos. 1 & 2 (1977), pp.29-38.
• Clive Hart, James Joyce and the Making of “The Dead” (Gerrards Cross: Colin Smythe 1980).
• Don Gifford, Joyce Annotated: Notes for “Dubliners” and “A Portrait of the Artist as a Young Man” (Berkeley: University of California Press 1982; rev. edn 1988), 312pp.
• Patrick Rafroidi, James Joyce: “Dubliners” [York Notes; gen. ed. A. Norman Jeffares] (Harlow: Longman 1984).
• Donald T. Torchiana, Backgrounds for Joyce’s “Dubliners” (Boston: Allen & Unwin 1986), xiv, 283pp.
• Robert Scholes & Walton Litz, ed., Dubliners: Text, Criticism and Notes (Harmondsworth: Penguin Books 1986) [incl. Allen Tate, “The Dead” [q. date], pp.404-09.]
• Craig Hansen Werner, Dubliners: A Pluralist World [Twayne Masterwork Studies, 20] (Boston: Twayne Publ. 1988), xiv, 138pp., ill. [1p pls.].
• Magda Velloso Fernandes de Tolentino, “Dubliners: The Journey Westward” (MA Thesis, Fed. University of Minas Gerais [UFMG, 1989) - [see extract as jpeg under Text Notes > Dubliners - infra]
• Bernard Benstock, Narrative Con/Texts in “Dubliners” (London: Macmillan 1993), x, 171pp.
• Garry M. Leonard, Reading “Dubliners” Again: A Lacanian Perspective (Syracuse UP 1993), xii, 376pp.
• Rosa M. B. Bosinelli & Harold F. Mosher, Jnr., eds., Rejoycing: New Readings of “Dubliners” (Kentucky UP 1998), xi, 268pp.; [see contents; available as .pdf online.]
• Joseph McMinn, intro. to Dubliners [by] James Joyce (Sutton: Stroud 1992), xiv, 194pp., ill. [contemp. photos], 26cm.
• Kevin Whelan, ‘The Memories of “The Dead”’,  in The Yale Journal of Criticism, 15:1 (Johns Hopkins UP  2002), pp.59-97 [available online; accessed 23.03.2021].
• Margot Norris, Suspicious Readings of Joyce’s “Dubliners” (Pennsylvania UP 2003), viii, 279pp. [see contents.]
• Oona Frawley, ed., A New and Complex Sensation: Essays on Joyce’s “Dubliners” (Dublin: Lilliput Press 2004), xv, 251pp., ill.
• Garry Leonard, “Dubliners”, in The Cambridge Companion to James Joyce, ed. Derek Attridge (Cambridge UP 2004), pp.87-102.
• Andrew Thacker, ed., “Dubliners” [Palgrave Casebook Ser.] (London: Palgrave/Macmillan 2006), 226pp. [see contents].
• Frank Shovlin, Journey Westward: Joyce, “Dubliners”, and the Literary Revival (Cambridge UP 2012), x, 180pp.
• Jack Morgan, Joyce’s City: History, Politics, and Life in “Dubliners” (Columbia: Missouri UP 2015), 186pp.
• Claire A. Culleton & Ellen Schleibe, eds., Rethinking Joyce’s Dubliners: (Palgrave Macmillan 2017), 213pp. [See contents].

• Thomas E. Connolly, Joyce’s “Portrait”: Criticisms and Critiques (NY: Meredith Publishing Corp. 1962; London: Peter Owen 1964), 335pp. [incls. Chester G. Anderson, ‘The Sacrificial Butter’, pp.124-36 [prev. in Accent, 12 (Winter 1952), pp.3-13; p.3 - limited preview available at Internet Archive online; accessed 07.11.2020]
• Chester G. Anderson & Hans Walter Gabler, ‘The Text of James Joyce’s “A Portrait of the Artist as a Young Man”’, Neuphilologische Mitteilungen, 65 (Spring 1964), pp.160-200.
• Morris Beja, ed., James Joyce - “Dubliners” and “A Portrait of the Artist as a Young Man”: A Casebook (London: Macmillan 1973), 256pp. [see contents]
• Hans Walter Gabler, ‘Towards a Critical Text of James Joyce’s “A Portrait of the Artist as a Young Man”, in Studies in Bibliography, 27 (1974), pp.1-53
• Thomas F. Staley & Bernard Benstock, Approaches to Joyce’s “Portrait”: 10 Essays (Pittsburgh UP 1976), 241pp. [see contents].
• John B. Smith, Imagery in the Mind of Stephen Dedalus: A Computer-assisted Study of Joyce’s “A Portrait of the Artist as a Young Man” (Lewisburg: Bucknell UP; London: Associated UP 1980)., q.pp.
• Don Gifford, Joyce Annotated: Notes for “Dubliners” and “A Portrait of the Artist as a Young Man” (California UP 1982; rev. edn 1988), 312pp.
• Joseph Buttigieg, “A Portrait of the Artist” in A Different Perspective (Ohio UP 1987), 165pp.
• John Cronin, ‘James Joyce: “A Portrait of the Artist as a Young Man”’, in The Anglo-Irish Novel: 1900-1940 [Vol II] (Belfast: Appletree 1990), pp.68-79.
• David Seed, James Joyce’s Portrait of the Artist as a Young Man (Hemel Hempstead: Harvester Wheatsheaf 1992) [q.pp.]
• R. B. Kershner, ed., “A Portrait of the Artist as a Young Man” [Case Studies in Contemporary Criticism] (Basingstoke: Macmillan 1993). [q.pp.]
• John Blades, Portrait of the Artist as a Young Man [Penguin Critical Studies] (Harmondsworth: Penguin 1991), ix, 196pp. [A Level Studies].
• Weldon Thorton, The Antimodernism of Joyce’s “Portrait of the Artist as a Young Man” (Syracuse UP 1994), 352pp.
• John Coyle, ed., James Joyce, Ulysses, “A Portrait of the Artist as a Young Man”: A Reader’s Guide to Essential Criticism (Cambridge: Icon 2000), 186pp.
• Mark A. Wollaeger, ed., James Joyce’s “A Portrait of the Artist as a Young Man”: A Casebook (Oxford 2003), 372pp. [see contents].
• Hiromi Yoshida, Joyce & Jung : the ‘Four Stages of Eroticism’ in A Portrait of the Artist as a Young Man ( NY: Peter Lang 2006), xxi, 170pp. [ill.]

• Ruth Bauerle, A Word List to James Joyce’s Exiles, programmed by Connie Jo Coker, Harold Wiebe & Clive Hart [Garland Reference Library of the Humanities, 228] (NY & London: Garland Publ. 1981), xiv, 217pp.
• John MacNicholas, James Joyce’s Exiles: A Textual Companion (NY: Garland Publ. 1979), xiv, 208pp.

• Paul Jordan Smith, A Key to the “Ulysses” of James Joyce (NY: Covici, Friede 1927, 1970), 89pp.
• Stuart Gilbert, James Joyce’s “Ulysses”: A Study (London: Faber & Faber 1930; 2nd edn. 1932), 416pp.; Do. [ new rev. edn.] (London: Faber 1952), 407pp.; Do. (NY: Vintage Books 1953, 1955, 1967), 405pp. ; Do. (Harmondsworth: Penguin Books 1963), 364pp.
• Miles L. Hanley, ed., Word-Index to James Joyce’s “Ulysses” (Wisconsin UP 1937)
• Frank [Spencer Curtis] Budgen, James Joyce & The Making of “Ulysses” (London: Grayson & Grayson 1934, 1937), 319pp.; Do. [rep edn.] (Indiana UP 1960 [4th reprint 1967]), 339pp., and Do. [rep. as] James Joyce and the Making of “Ulysses” and Other Writings, intro. by Clive Hart (OUP 1972, 1989) [see full text at Genetic Joyce Studies / Wisconsin Univ. - online.]
• Richard M. Kain, Fabulous Voyager: James Joyce’s “Ulysses” (Chicago: University of Chicago 1947), 299pp.
• Rolf Loehrich, The Secret of Ulysses: An Analysis of James Joyce's Ulysses (London: Peter Owen 1955) [q.pp.].
• William M. Schutte, Joyce and Shakespeare: A Study in the Meaning of Ulysses [Yale studies in English, 134] (Yale UP 1957), xiv, 197pp., and Do. rep. edn. ( Folcroft Press, 1970; Archon Books 1971), xiv, 197pp.
• S[amuel] L[ois] Goldberg, The Classical Temper: A Study of James Joyce’s “Ulysses” (London: Chatto & Windus 1961, 1969), 346pp..
• Weldon Thornton, Allusions in Ulysses: An Annotated List (N. Carolina UP 1961, 1968), 554pp. [available at Google Books - online (viz., pp.1-89 with intermissions); acccessed 28.02.2022].
• Robert Martin Adams, Surface and Symbol: The Consistency of James Joyce’s “Ulysses” (NY: OUP 1962), 291pp.
• A. Walton Litz, The Art of James Joyce: Method and Design in “Ulysses” and “Finnegans Wake” (London/NY: OUP [Galaxy] 1964), 152pp. [MS materials copyright Estate of James Joyce, 1961]
• Stanley Sultan, The Argument of “Ulysses” (Ohio State UP 1964), 485pp. [rep. edn. Oxford University Press 1987, xiv, 326pp.]
• Susan Sutliff Brown, The Geometry of James Joyce's “Ulysses”: From Pythagoras to Poincaré [PhD Diss] (South Florida Univ. 1987/Ann Arbor: UMI 1987).
• Clive Hart, James Joyce’s “Ulysses” (Sydney UP 1968), 106pp.
• Harry Blamires, The Bloomsday Book: A Guide through Joyce’s “Ulysses” [University Pbks., 180] (London: Methuen 1966, 1974, 1981, 1984) xii, 275pp., and Do. [revised edn. keyed to the Corrected Text, 1988), xi, 244pp.; Do. [another edn.] as The New Bloomsday Book [3rd edn.] (London: Routledge 1996), 272pp. - with reps. 1998, 1999, 2000; Do. Digital edn. 2006 [available at Google Books - online];
• Weldon Thornton, Allusions in “Ulysses”: An Annotated List (Chapel Hill: University of North Carolina 1968; 1982), 554pp. - available at Google Books online; [also as Allusions in “Ulysses”: A Line-by-line Reference to Joyce’s Complex Symbolism (NY: Simon & Schuster 1968)].
• Richard Ellmann, With Ulysses: A Short History (Harmondsworth: Penguin 1968), 718pp.
• David Hayman, “Ulysses”: The Mechanics of Meaning (Englewood Cliffs: Prentice-Hall 1970), 119pp. [introduces term ‘the arranger’, p.70.]
• Thomas F. Staley & Bernard Benstock, eds., Approaches to “Ulysses”: Ten Essays (Pittsburgh UP; London: Henry M. Snyder & Co. 1970), xi, 289pp.
• Clive Hart & David Hayman, eds., James Joyce’s “Ulysses”: Critical Essays (California UP 1974), 433pp. [see contents].
• Mark Schechner, Joyce in Nighttown: A Psychoanalytical Inquiry into “Ulysses” (Berkeley: University of California 1974), 271pp.
• Zack Bowen, Musical Allusions in the Works of James Joyce: Early Poetry through “Ulysses” (Albany: State University of NY 1974), 372pp.
• Wolfgang Iser, The Implied Reader (1975) [deals extensively with Ulysses].
• Michael Seidel, Epic Geography: James Joyce's “Ulysses” (Princeton UP 1976), xxiv, 265pp., ill. [maps by Thomas Crawford].
• Marilyn French, The Book as World: James Joyce’s “Ulysses” (Cambridge: Harvard UP 1976), 295pp.
• Richard Ellmann, The Consciousness of Joyce (London: Faber & Faber 1977), 150pp.
• Michael Groden, “Ulysses” in Progress (Princeton UP 1977), 235pp.
• John Henry Raleigh, The Chronicle of Leopold and Molly Bloom: “Ulysses” as Narrative (California UP 1977),. xi,282pp., ill. [maps, plans]
• James H. Maddox, Jr., Joyce’s “Ulysses” and the Assault upon Character (Rutgers UP; Hassocks: Harvester Press 1978), xi,244pp. [see extract].
• Dorrit Cohen, Transparent Minds (1978) [deals extensively with Ulysses].
• Hugh Kenner, “Ulysses” (London/Boston: G. Allen & Unwin 1980), 182pp.
• Roy K. Gottfried, The Art of Joyce ‘s Syntax in “Ulysses” (Georgia UP; London: Macmillan 1980), 191pp. [Bibl. pp.181-85].
• Elliot B. Gose, Jr., The Transformation Process in James Joyce’s Ulysses (Toronto UP 1980), 228pp. [reviewed in JJQ, Winter 1983].
• Karen Lawrence, The Odyssey of Style in “Ulysses” (Princeton UP 1981), xii, 233pp. [see full text at Genetic Joyce Studies / Wisconsin Univ. - online]
• Peter Costello, Leopold Bloom: A Biography (Dublin: Gill & Macmillan 1981)
• John Cronin, Joyce’s “Ulysses”: A Capital Idea (Belfast: QUB 1981)
• Karen Lawrence, The Odyssey of Style in “Ulysses” (Princeton: Princeton UP 1981), 229pp.
• Brook Thomas, James Joyce’s “Ulysses”: A Book of Many Happy Returns (Louisiana State UP 1982), 187pp.
• Robert Janusko, Source and Structure of James Joyce’s “Oxen” (Michigan: EMI Research Press; Epping: Bowker 1983), ix, 170pp.
• Richard E. Madtes, The “Ithaca” Chapter of “Ulysses” (Epping: Bowker 1983), 160pp.
• R[odney] W[ilson] Owen, James Joyce and the Beginnings of “Ulysses” (Epping: Bowker 1983), 154pp. [also Ann Arbor: UMI Research].
• Giorgio Melchiori, ed., Joyce in Rome: The Genesis of Ulysses - a selection of inter-related contributions to the Rome Joyce centenary celebrations (Rome: Bulzoni 1984), 153pp. [incls. Diarmuid Maguire, ‘The Politics of Finnegans Wake’, pp.120-28.]
• James Van Dyck Card, An Anatomy of “Penelope” ( Fairleigh Dickinson UP; London: Assoc. UP 1984), 167pp.
• Lyndsey Tucker, Stephen and Bloom at Life’s Feast: Alimentary Symbolism and the Creative Process in James Joyce's “Ulysses” (Ohio State UP 1984), 177pp.
• David Kiremidjian, A Study of Modern Parody: James Joyce’s “Ulysses”, Thomas Mann’s Dr. Faustus (NY: Garland Publishing Co. 1985).
• Cheryl Herr, Joyce’s Anatomy of Culture (Illinois: Urbana 1986), xiii, 314pp. [predom. about “Circe”]
• Wolfhard Steppe & Hans Gabler, A Handlist to James Joyce’s “Ulysses” : A Complete Alphabetical Index to the Critical Reading Text (NY: Garland Publishing Co. 1986), 300pp.
• George C. Sandelescu, ed., Assessing the 1984 “Ulysses” (Gerrards Cross: Colin Smythe 1986), 300pp. [seee contents].
• Jacques Derrida, Ulysses gramaphone: deux mots pour Joyce [Philosophie en effect] (Paris: Edition Galilee 1987) [rep. as ‘Joyce’s Gramaphone: Hear Yes in Joyce’, in Acts of LIterature, ed., Derek Attridge, London: Routledge, 1992, ppp.253-309.
• Daniel R. Schwarz, Reading Joyce’s “Ulysses” (London: Macmillan 1987) [q.pp.]
• Robert D. Newman & Weldon Thornton, eds., Joyce’s “Ulysses”: The Larger Perspective (Delaware UP; London: Assoc. UP 1987), 310pp. [see contents].
• Don Gifford, “Ulysses” Annotated: Notes for James Joyce’s “Ulysses” (California UP 1988), 645pp.; Do. [20th Anniversary edn.] (California UP 2008), 694pp.
• Robert Nicholson, The “Ulysses” Guide (London: Methuen 1988),  x, 179pp., ill.
• Theoharis Constantine Theoharis, Joyce’s “Ulysses”: An Anatomy of the Soul (Chapel Hill & London: North Carolina UP 1988), 225pp.
• Patrick McGee, Paperspace: Style as Ideology in Joyce’s “Ulysses” (Nebraska UP 1988), x, 243pp.
• Ian Gunn, “Ulysses” Pagefinder (Edinburgh: Split Pea 1988)
• Danis Rose & John O’Hanlon, The Lost Notebook: New Evidence of the Genesis of “Ulysses”, foreword by Hans Walter Gabler (Edinburgh: Split Pea 1989).
• P. Gaskell & Clive Hart, “Ulysses”: A Review of Three Texts (Gerrards Cross: Colin Smythe 1989)
• Bernard Benstock, ed., Critical Essays on James Joyce’s “Ulysses” (Boston: G. K. Hall 1989), 331pp. [see contents].
• David G. Wright, Ironies of “Ulysses” (Dublin: Gill & Macmillan 1991), 154pp.
• Bruce Arnold, The Scandal of “Ulysses” (London: Sinclair-Stevenson; 1991); Do. (NY: St. Martin’s Press 1992); Do. [rep. as] The Scandal of “Ulysses”: The Life and Afterlife of a 20th-century Masterpiece (Dublin: Liffey Press 2004; PA: Dufour Edns. 2005), 325pp.
• Kathleen McCormack & Irwin R. Steinberg, eds., Approaches to Teaching Joyce’s “Ulysses” (NY: MLA 1993) [q.pp.]
• Frederick K. Lang, “Ulysses” and the Irish God (NY: Bucknell UP 1993), [8], 317pp. [contents].
• Jeffrey Segall, Joyce in America: Cultural Politics and the Trials of “Ulysses” (California UP 1993)
• Enda Duffy, The Subaltern “Ulysses” (Minneapolis UP 1994), 212pp. [orig. Andrew Enda Duffy, “The Subaltern Ulysses: Mapping an Aesthetics of Postcolonial Literature” [Ph. Diss.] (Harvard 1990), - available online; accessed 26.07.2021].
• Richard Pearce, ed., Molly Blooms: A Polylogue on "Penelope" and Cultural Studies (Wisconsin UP 1994), 291pp. [see contents].
• Andrew Gibson, ed., Reading Joyce’s “Circe” (Amsterdam & Atlanta: Rodopi 1994), 280pp. [see contents].
• Maria Tymoczko, The Irish “Ulysses” (California UP [1994]), xvi, 391pp [online].
• Robert Newman, Pedagogy, Praxis, “Ulysses”: Using Joyce’s Text to Transform the Classroom (Michigan UP 1995), ix, 269pp.
• Zack Bowen, Bloom’s Old Sweet Song: Essays on Joyce and Music (Florida UP 1995), 151pp.
• Mark Osteen, The Economy of “Ulysses”: Making Both Ends Meet [Irish Studies Ser.] (Syracuse UP 1995), xii, 472pp.
• Vincent Sherry, James Joyce’s “Ulysses” [Landmarks of World Literature Ser.] (Cambridge UP 1994, 1997), 123pp.
• Robert H. Bell, Jocoserious Joyce: The Fate of Folly in “Ulysses” (Florida UP 1996), 248pp.
• Roy Gottfried, Joyce’s Iritis and the Irritated Text: The Dis-Lexic “Ulysses” (Florida UP 1996), 208pp. [electronic version: Boulder, Colorado: NetLibrary, 2001].
• Jean Kimball, Odyssey of the Psyche: Jungian Patterns in Joyce’s “Ulysses” (Southern Illinois UP 1997) , xiv, 202pp. [rep. University Press of Florida 2003, xviii, 240pp.]
• Neil R. Davison, James Joyce: “Ulysses”, and the Construction of Jewish Identity: Culture, Biography, and ‘the Jew’ in Modernist Europe (Cambridge UP 1998), 316pp. [available at Googe Books - online; incls. discussion of Joyce and the Dreyfus affair in 1898].
• Margot Norris, ed., A Companion to James Joyce’s “Ulysses” [Case Studies in Contemporary Criticism] (NY: Bedford Books [St. Martin’s Press] 1998), iix, 255pp. [see contents].
• Paul Vanderham, James Joyce and Censorship: The Trials of “Ulysses” (London: Macmillan 1998), 242pp.
• Paul Schwaber, The Cast of Characters: A Reading of “Ulysses” (Yale UP 1999), 236pp.
• M. Keith Booker, “Ulysses”: Capitalism and Colonialism (Conn: Greenwood 2000), 240pp.
• Michael Patrick Gillespie & Paula F. Gillespie, Recent Criticism of James Joyce’s “Ulysses”: An Analytical Review (NY, Rochester: Camden House, 2000), 146pp.
• Weldon Thornton, Voices and Values in Joyce’s “Ulysses” (Florida UP 2000), 238pp.
• John Coyle, ed., James Joyce, “Ulysses”, “A Portrait of the Artist as a Young Man”: A Reader’s Guide to Essential Criticism (Cambridge: Icon 2000), 186pp.
• Patrick McGee, Joyce Beyond Marx: History and Desire in “Ulysses” and “Finnegans Wake” (Florida UP 2001), xii, 307pp.
• Sebastian D. G. Knowles, Dublin Helix: The Life of Language in Joyce’s “Ulysses” (Florida UP 2001), xvi, 179pp.
• Julie Sloan Brannon, Who Reads Ulysses? The Rhetoric of the Joyce Wars and the Common Reader (London: Routledge 2003), xxii, 200pp. [see contents].
• Margot Norris, Ulysses [Ireland into Film, 8] (Cork UP 2014), 102pp. [on Joseph Strick’s film of Ulysses].
• Ian Gunn & Clive Hart, James Joyce’s Dublin: A Topographical Guide to the Dublin of “Ulysses” (London: Thames & Hudson 2004), 160pp. [maps & photos].
• Terence Killeen, “Ulysses” Unbound: A Reader’s Companion to James Joyce’s “Ulysses” (Bray: Wordwell [in assoc. with NLI] 2005), 259pp.; Do. [3rd Edn; The Florida James Joyce Ser.] (Florida UP 2018), 272pp.; Do., with a foreword by Colm Tóibín [4th edn.] (Penguin 2022), 352pp.
• Richard Brown, ed., Joyce, “Penelope” and the Body (Amsterdam & NY: Rodopi 2006), 204pp.
• Brian Cosgrove, James Joyce's Negations: Irony, Indeterminacy and Nihilism in Ulysses and Other Writings (UCD Press 2007), 266pp.
• Declan Kiberd, Ulysses and Us: The Art of Everyday Living (London: Faber & Faber 2009), xi, 399pp.
• Derek Hand, ‘James Joyce and Ulysses: choosing life’, in A History of the Irish Novel (Cambridge 2011), pp.144-53 [being Interchapter 4].
• [...]
• Sean Latham, ed., The Cambridge Companion to Ulysses (Cambridge UP 2014), xxvi, 224pp. [see contents]
• Luca Crispi, Joyce’s Creative Process and the Construction of Characters in “Ulysses”: Becoming the Blooms (OUP 2016), xvii, 336pp.
• Margot Norris, The Value of Ulysses (Cambridge UP 2016), 156pp.
• Sam Slote, et al., Ulysses: Annotated Edition [Alma Classic Evergreens; 3rd edn., rev. & updated; prev. 2012, 2015] (Alma Classics 2017), 832pp. [incl. 9,000 notes by Joyce scholars Sam Slote, Marc A. Mamigonian & John Turner].
• Dirk Van Hulle, James Joyce’s ‘Work in Progress’: Pre-Book Publications of Finnegans Wake Fragments [Studies in Publishing History: Manuscript, Print, Digital] (London: Routledge 2016), 312pp.
• Joseph Hassett, The Ulysses Trials: Beauty and Truth Meet the Law (Dublin: Lilliput Press 2017), 232pp.
• [...]
• Caetano W. Galindo, Sim, eu digo sim: Uma Visita Guiada ao Ulysses De James Joyce (Companhia das Letras 2016), 376pp.
• Daniel Mulhall, Ulysses: A Reader's Odyssey (Dublin: New Island Books 2022) 324pp. [keyed to Homer’s Odyssey; written by the Irish Ambassador to USA].
• Stephanie Nolan, Time and Identity in “Ulysses” and “The Odyssey” [Florida James Joyce Ser.] (Florida UP 2022), 300pp.

• Samuel Beckett, et al., Our Exagmination Round His Factification for an Incamination of Work in Progress (London: Shakespeare & Co. 1929), 194pp. [see contents]; Do. [another edn.] NY: New Directions 1931, 1951; New Directions pb. 1972); and Do. (London: Faber & Faber 1936, 1961, 1972), viii, 194pp.
• Joseph Campbell & Henry Morton Robinson, A Skeleton Key to “Finnegans Wake” (NY: Harcourt, Brace 1944), 297pp.
• Fred. H. Higginson, Anna Livia Plurabelle: The Making of a Chapter (Minnesota UP 1960), q.pp.
• James S. Atherton, The Books at the Wake: A Study of Literary Allusions in James Joyce’s “Finnegans Wake” (Carbondale: S. Illinois UP; London: Faber & Faber 1959), 307pp.; Do. [expanded and corrected] (Mamarmek, NY: Appel 1974), 314pp.; Do., (NY: Viking Press 1960; Arcturus 1974), 308pp. [orig. as MA thesis, Liverpool Univ., 1959]; [Query edn. Feffer & Simons].
• Thomas Connolly, ed., Scribbledehobble: The Ur-Workbook for “Finnegans Wake” (Northwestern UP 1961).
• A. Walton Litz, The Art of James Joyce: Method and Design in “Ulysses” and “Finnegans Wake” (London/NY: OUP 1961), 152pp.
• Clive Hart, Structure and Motif in “Finnegans Wake” (London: Faber & Faber 1962), 271pp. [see full-text at Genetic Joyce Studies, Wisconsin - online].
• David Hayman, ed., A First Draft Version of “Finnegans Wake” (Texas UP 1963). [copy accessible via FW blog page online; accessed 27.10.2017.]
• Dounia Christiani, Scandinavian Elements in “Finnegans Wake” (Evanston: Northwestern UP 1965).
• Bernard Benstock, Joyce-again’s Wake: An Analysis of “Finnegans Wake” (NJ: Greenwood 1965; 1975), 312pp.
• Jack P. Dalton & Clive Hart, eds., Twelve and a Tilly: Essays on the Occasion of the 25th Anniversary of “Finnegans Wake” (London: Faber & Faber 1966), 142pp. [see contents].
• Helmut Bonheim, A Lexicon of the German in “Finnegans Wake” (California UP 1967), 109pp. [see full text at Genetic Joyce Studies / Wisconsin Univ. - online].
• Brendan Ó Hehir, A Gaelic Lexicon for “Finnegans Wake” and Glossary for Joyce’s Other Works (California UP 1967; London: Cambridge UP 1968), xvi, 427pp.
• William York Tindall, A Reader’s Guide to “Finnegans Wake” (NY: Farrar, Straus & Giroux 1969; London: Thames & Hudson 1969), vii, 339pp. Do. [rep. edn.] (Syracuse UP 1996).
• Margaret C. Solomon, Eternal Geomater: The Sexual Universe of “Finnegans Wake” (Southern Illinois UP 1969), xi, 164pp. [see contents]
• Michael H. Begnal & Fritz Senn, eds., A Conceptual Guide to “Finnegans Wake” (Pennsylvania State UP 1974) , 236pp. [see contents].
• Begnal & Grace Eckley, Narrator and Character in “Finnegans Wake” (Bucknell UP 1975), 241pp.
• Roland McHugh, The Sigla of “Finnegans Wake” (London: Edward Arnold 1976), 150pp. [see full-text at Genetic Joyce Studies, Wisconsin - online].
• John Garvin, James Joyce’s Disunited Kingdom and the Irish Dimension (Dublin: Gill & Macmillan 1976), 254pp.
• Margot Norris, The Decentred Universe of “Finnegans Wake”: A Structuralist Analysis (Johns Hopkins UP 1976), vii, 151pp. [see full-text at Genetic Joyce Studies, Wisconsin - online].
• Bernard Benstock, James Joyce: The Undiscover’d Country (Dublin: Gill & Macmillan 1977), 201pp.
• Adaline Glasheen, Third Census of ‘“Finnegans Wake”’: An Index of the Characters and their Roles [rev. edn.] (California UP 1977), 314pp. [see full-text at Genetic Joyce Studies, Wisconsin - online].
• Louis O. Mink, A “Finnegans Wake” Gazetteer (Indiana UP 1978), xxxix, 547pp., ill. [4 lvs. of pls.; see full text at Genetic Joyce Studies / Wisconsin Univ. - online].
• Patrick A. McCarthy, The Riddle of “Finnegans Wake” (London: AUP 1980), 177pp.
• Roland McHugh, Annotations to “Finnegans Wake” (London: Routledge & Kegan Paul 1980).
• Johns Hopkins UP 1980, 2nd Rev. Edn. 1991; 3rd rev. Edn.), 628pp.
• Roland McHugh, The Wake Experience (Blackrock: IAP 1981), 123pp.
• Danis Rose & John O’Hanlon, Understanding “Finnegans Wake” (NY: Garland Publishing Co. 1982)
• William M. Schutte, ed., An Index of Recurrent Elements in James Joyce’s “Ulysses” (Southern Illinois UP 1982), 429pp.
• Nathan Halper, Studies in Joyce [Studies in Modern Literature, 5] (Epping: Bowker 1983), x,167pp.
• Cyrus Patell, Joyce’s Use of History in “Finnegans Wake” (Cambridge: Harvard UP 1984)
• Vincent John Cheng, Shakespeare and Joyce: A Study of “Finnegans Wake” (Gerrards Cross: Colin Smythe 1984), 271pp.
• John Bishop, Joyce’s Book of the Dark: “Finnegans Wake” (Wisconsin UP 1986, 1995), 448pp. [see contents]
• Grace Eckley, Children’s Lore in “Finnegans Wake” (Syracuse UP 1985), pp.250.
• John Gordon, “Finnegans Wake”: A Plot Summary (Dublin: Gill & Macmillan 1986), 312pp.
• John Colm O’Sullivan, Joyce’s Use of Colors: “Finnegans Wake” and the Earlier Works (Ann Arbor/London: UMI Research 1987)
• Michael Begnal, Dreamscheme: Narrative and Voice in “Finnegans Wake” (Syracuse UP 1988), 127pp. [partially available at Google Books - online.]
• Geert Lernout, ed., Finnegans Wake: Fifty Years [European Joyce Studies, Vol. II] (Amsterdam: Rodopi 1990), 173pp. [see contents]
• Kimberley Devlin, Wandering and Return in “Finnegans Wake”: An Integrative Approach to Joyce’s Fiction (Princeton UP 1991).
• Patrick A. McCarthy, ed., Critical Essays on James Joyce's “Finnegans Wake” (NY: G. K. Hall; Toronto: Maxwell Macmillan 1992), xi, 274pp. [see contents]
• Peter Myers, The Sounds of “Finnegans Wake” (London: Macmillan 1992), 195pp.
• Thomas C. Hofheinz, Joyce and the Invention of Irish History: “Finnegans Wake” in Context (Cambridge UP 1995), 200pp.
• Sheldon Brivic, Joyce’s Waking Women: An Introduction to “Finnegans Wake” (Madison: University of Wisconsin 1995) [q.pp.]
• David Hayman & Sam Slote, eds., Genetic Studies in Joyce (Amsterdam & Atlanta: Rodopi 1995), 279pp. [see contents].
• Danis Rose, The Textual Diaries of James Joyce (Dublin: Lilliput Press 1995), 198pp.
• Matthew J. C. Hodgart & Ruth Bauerle, Joyce’s Grand Operoar: Opera in “Finnegans Wake” (Urbana: Illinois UP 1997), 341pp. [see contents].
• Eric McLuhan, The Role of Thunder in “Finnegans Wake” (Toronto UP 1997), 340pp. [partially available at Google Books online].
• Patrick McGee, Joyce Beyond Marx: History and Desire in “Ulysses” and “Finnegans Wake” (Florida UP 2001)
• Edward M. Burns & Joshua A. Gaylord, eds., A Tour of the Darking Plain: The “Finnegans Wake” Letters of Thornton Wilder and Adaline Glasheen (UCD Press 2001), 738pp.
• Augusto & Harold de Campos, Panorama do Finnegans Wake [orig. 1962; 4th rev. edn.] (São Paolo: Editora Perspectiva 2001), 215pp. [Editorial note, 17; preface to 4th Edn., 21; Preface to 2nd Edn., 23; Panorama em Português, 27; Fragmentos, 39; Apendices [‘Introdução a um Assunto Estranho’ b Joseph Campbell and Henry Morton Robinson, 144; and commentaries variously by Augusto and Harold de Campus, 151 et seq.]
• Yu-Chen Lin, Justice, History, and Language in James Joyce’s “Finnegans Wake” [Studies in Irish Literature, 9] (NY: Edwin Mellen Press 2002), xiii, 193pp.
• Donald Phillip Verene, Knowledge of Things Human and Divine: Vico’s New Science and Finnegans Wake (Yale UP 2003), 264pp.
• Antonio Carlos de Araujo Cintra, O Lusobrasileirês No Finneganês: Un Vocabulário da língua portuguesa no Finnegans Wake, [introduced by] Haroldo de Campos (São Paolo: Editora Olavobás 2003), 75pp. [Apresentacão: “O português finneganizando/Finneganised Portuguese”, pp.6-8; pp.32-34 - see extracts].
• Luca Crispi & Sam Slote, eds., How Joyce Wrote “Finnegans Wake”: A Chapter by Chapter Genetic Guide (Wisconsin UP 2007), xix, 522pp. [see contents].
• John P. Anderson, Joyce’s Finnegans Wake: The Curse of Kabbalah, 5 Vols (Universal-Publishers 2008-11). [vol. 5, 379pp.
• Len Platt, Joyce, Race and Finnegans Wake (Cambridge UP 2007), ix, 211pp. [see contents].
• Finn Fordham, Lots of Fun at Finnegans Wake: Unravelling Universals (Oxford: OUP 2007; 2013), 270pp. [see contents].
• Dirce Waltrick de Amarante, Para ler Finnegans Wake de James Joyce ((São Paolo: Editora Illuminaras Ltda. 2009), 164pp.
  Philip Kitcher, Joyce’s Kaleidoscope: An Invitation to Finnegans Wake (Oxford: OUP 2007), xxiii, 304.
  
• [...]
  
• Lucia Boldrini, Joyce, Dante, and the Poetics of Literary Relations: Language and Meaning in Finnegan Wake (Cambridge UP 2009), 248pp. [includes discussion of Babel and language]
• Alison Lacivita, The Ecology of Finnegans Wake [The Florida James Joyce Ser.] (Florida UP 2014), 288pp.
• Genevieve Sartor, ed., Joyce and Genetic Criticism: Genesic Fields [European Joyce Studies, 28] (Leiden: Brill Rodopi [2016]), 142pp. [see contents].
• Dirk Van Hulle, James Joyce’s “Work in Progress”: Pre-Book Publications of “Finnegans Wake” Fragments (London: Routledge 2016), xviii, 285pp. [copyright year 2016; pub. 2019].
• Bernadette Lowry, Sounds of Manymirth on the Night's Ear Ringing: Percy French and His “Jarvey” Years and Joyce’s Haunted Inkbottle, with a historic overview by Martin Mansergh (Dublin: Carmen Eblana Publ. 2022), xxiv, 223pp., ill. [b&w].

• Louis Armand & Clare Wallace, eds., Giacomo Joyce: Envoys of the Other (Prague: Litteraria Pragensia 2007), 387pp.