• The Complete Works of James Joyce: Novels, Short Stories, Plays, Poetry, Essays & Letters [q. ed.] (Kindle Edn. - info.artnow 2016) - online. [title verso note - ‘this eBook follows the original text’ without further specification.]

• Two Essays: “A Forgotten Aspect of the University Question” by F. J. Skeffington [and] “The Day of the Rabblement” by James A. Joyce [2d.] (Dublin: Gerrard Bros. [37 Stephen’s Green] 1901), 8pp. [Skeffington, pp.3-6; Joyce, pp.7-8; rep. as “The Day of the Rabblement”, in The Critical Writings of James Joyce, ed. Ellsworth Mason & Richard Ellmann (NY Viking Press 1959; 1966), pp.68-72 [Copies of the original are held in Buffalo Univ. Library and in the Croessmann Collection of Emory University, Georgia; another copy held in California University is available at Internet Archive - online; see text version - infra, and t.p. image & text - as attached.]

[Written August 1914; printed in Trieste, |March 1905; 50 copies circulated by hand in Dublin by Stanislaus Joyce. See further under Notes - infra.]

• Stephen Hero: Part of the First Draft of “A Portrait of the Artist as a Young Man”, ed. & intro. by Theodore Spencer (NY: New Directions 1944); Do. [printed earlier in wartime conditions] edited with an Introduction by Theodore Spencer (London: Jonathan Cape 1944) [8vo. ill; 2,000 copies printed; dust-jacket by N.I. Cannon; Bros., London for £600 at May 2021; Slocum & Cahoon A51; Maggs Stock Code: 231275.]
• Stephen Hero: Part of the First Draft of “A Portrait of the Artist as a Young Man”, edited from the manuscript in the Harvard College Library by Theodore Spencer [ed. & intro. by Theodore Spencer]; A New Edition incorporating the additional manuscript page in the Yale University Library / edited by John J. Slocum and Herbert Cahoon (NY: New Directions 1955; rep. 1963), 253pp., ill. [port., facs.]; Do., rev. edn. with add. material and a Foreword by John J. Slocum & Herbert Cahoon [eds.] (London: Jonathan Cape 1956; rep. 1960, 1969), 253pp. [Foreword by Slocum & Cahoon, p.9; Intro. by Spencer, p.13; Editorial Note, p.25; Stephen Hero [being pp.519ff of the holograph], p.29; Additional Manuscript Pages, being pp.477ff. of the holograph, pp.240-53].[London edns., as Do. (London: Jonathan Cape 1944), 210pp.
• Stephen Hero: Part of the First Draft of “A Portrait of the Artist as a Young Man”, ed. & intro. by Theodore Spencer; rev. edn. with add. material and a Foreword by John J. Slocum & Herbert Cahoon [pb. rep. edn.] (NY: Grafton Books; London: Triad Grafton/Collins 1977, &c.), 220pp. [Foreword by Slocum & Cahoon, p.7; Intro. by Spencer, p.11; Editorial Note, p.23; Stephen Hero, pp.519ff of the Manuscript, p.27; Additional Manuscript Pages, 477ff., pp.208-220];*
• Ludmilla Savitsky, trans., Stephen le Héros - Fragment de la Première Partie de Dedalus (Paris: Gallimard 1948), 238pp. [shares cover design by Paul Bonet with Gallimard edn. of Ulysse].
• [...]
• Stephen Hero - A Part of the First Draft of a Portrait of the Artist as a Young Man ([London:] Read Books Ltd. 2014), 243pp. [being a rep. of 1944 US edition with a prefix 1 -page unsigned biographical note; bears BL copyright notice dated 2103 - available in part at Google Books online.]
• Stephen Hero (Delphi Classics [Paris Edition] 2017), 147pp.

*Note: The Triad Grafton/Collins 1977 edition of Stephen Hero is a repaginated reprint of the Jonathan Cape Edn. [1944]; 2nd imp. 1946; 3rd imp. 1948; 4th imp. 1950; rev. edn. type re-set, 1956; rep. 1960, 1969. The pagination of this edition varies from that of the Jonathan Cape re-set edition of 1956 with which it is otherwise identical. Thus on p.7 of the Grafton edition there are almost four lines more of type, hence condensing the whole into a lesser number of pages. Again, the MS in Grafton edition runs from p.27 to p.220 while that in the Cape edition runs from p.29 to p.253, with corresponding alterations in the pagination of the interim pages - e.g., the Eccles St. epiphany falls on p.188 in the Grafton edn. but on p.216 in the Cape. [Extensive extracts from Stephen Hero are available here - as attached.]

• Dubliners [1st edn.] (London: Grant Richards Ltd. Publishers 1914), 288pp. [5]; printed in Riverside Press, Ltd., Edinburgh, Scotland 1914 [copy in Univ. of California Library available at Internet Archive - online].

Notice of 1st edition at Burnside Rare Books (Portland, OR): Grant Richards, London, 1914. Condition: Fine. First edition, first printing. Bound in publisher’s original red cloth lettered in gilt; lacking the dust jacket. A fine and bright copy with gilt still sharp. Cloth with light touches of wear, faint water-spot near foot of spine extending to rear cover, trivial rubbing to rear joint. Spine ends softened. First and final blank sheet offset. A superlative copy of a book normally found much worse for wear, and by far the nicest copy on the market at the time of cataloguing. One of a mere 746 copies in the first issue bound by Grant Richards and issued in London in 1914, from a total of 1,250 sheets. The remaining 504 sheets were sent to Huebsch in New York, but not issued until late 1916. Seller Inventory #140940111; $30,000. [Accessed at Abebooks - online; 04.11.2020.]

• Dubliners (NY: B. W. Huebsch 1916), 288pp.; Do. [2nd printing] (1917), 288pp. [available at Internet Archive - online];
• Dubliners [2nd Edn.] ([London:] The Egoist Press, 2 Robert Street, Adelphi 1917) [‘printed in the U.S.A’; - i.e., Huebsch’s sheets], and Do. [another edn.] (1922) - available at Internet Archive - online].
• Dubliners (NY: Modern Library 1926);
• Dubliners: The Corrected Text, with an Explanatory Note by Robert Scholes [ed.,], and fifteen drawings by Robin Jacques (London: Jonathan Cape 1967), 262pp. [A Note on the Text - i.e., corrected words in columns, 261f.];
• Dubliners: Text, Criticism and Notes, ed. Robert Scholes & A. Walton Litz (NY: Viking Press 1967, 1969), and Do. (Harmondsworth: Penguin 1976), vi, 504pp.;
• Dubliners, ill. by Allan Mardon [Coll. Stories of the World’s Greatest Writers] (Franklin Library 1979), 256pp. & pamphl.;
• Dubliners, with lithographs by Louis le Brocquy ([Mountrath, Laois]: Dolmen Press 1986), 261pp., ill.;
• Dubliners, intro. by Thomas Flanagan, illustrated by Robert Ballagh (NY: Limited Editions Club 1986), xviii, 289pp., [6]pp pls. [ltd. edn. of 100 copies];
• Dubliners [rev.; ed. Robert Scholes], with new intro., chronology and bibliography by John Kelly [Everyman’s Library, n.s., No. 49] (London: Random Century 1991), lv, 287pp.;
• Dubliners [by] James Joyce, intro. by Joseph McMinn (Sutton: Stroud 1992), xiv, 194pp., ill. [contemp. photos], 26cm.
• Dubliners, intro. & annot. by Terence Brown [Penguin 20th-Century Classics] (London: Penguin 1992), 352pp., ill. [1 map].
• James Joyce’s “Dubliners”: An Annotated Edition, [intro. & annot.] John Wyse Jackson & Bernard McGinley (London: Sinclair-Stevenson 1993), xvi, 200pp.;
• Dubliners, ed. Hans Walter Gabler & Walter Hettche ([1st Vintage international edn.] NY: Vintage Books 1993), viii, 285pp.;
• Dubliners (Wordsworth Editions 1993), 160pp. another edn., with Introduction and Notes by Lawrence Davies [Dartmouth Coll., New Hampshire] (Wordsworth Edns. 2001), Intro., pp.[v]-xx; Text, pp.1-160, Notes, pp.161-70. [This edition has inverted commas for dialogue - i.e., reverts to the format of ‘uncorrected’ editions; see further under notes - infra.]
• Dubliners, ed. & intro. Jeri Johnson [Oxford World Classics] (Oxford: OUP 1993), Intro. xiii-liii [incl. Composition History & Bibl.], 279pp. [text copyright James Joyce Estate in 1967].
• Dubliners, introduced by Anthony Burgess (London: Secker & Warburg 1994), xiv, 203pp.;
• Dubliners [Penguin Popular Classics] (London: Penguin 1996), 255pp.
• Dubliners [New Casebooks], ed. Andrew Thacker (Basingstoke: Palgrave Macmillan 2006), ix, 229pp.
• Dubliners, ed. Margot Norris [Norton Critical Editions] (NY: W.W. Norton & Co. 2006), 412pp. [Criticism sect. contains 8 essays on individual stories by David G. Wright, Heyward Ehrlich, Margot Norris, James Fairhall, Fritz Senn, Morris Beja, Roberta Jackson, and Vincent J. Cheng.]
• Dubliners, intro. by Colm Tóibín (Edinburgh: Cannongate 2012) [samples of Intro. and text (“Araby” available online]
• Dubliners, ed. Hans Walter Gabler & Walter Hettche, with intros. by John Banville and Scarlett Baron (London: Vintage Classic Books 2012), xxvii, 233pp.

• Gens de Dublin, traduit de l’anglais par Yva [Eva] Fernandez, Hélène Du Pasquier, Jacques-Paul Reynaud. Préface de Valery Larbaud (Paris: Librairie Plon 1926; rep. [(Le Club Français Du Livre Petit 1952), 228pp.[Larbaud preface first printed as article on Joyce in the  Nouvelle Revue Française, 1921, based on his seance given at Shakespeare and Company on 7 Dec. 1921.]
• Gens de Dublin, Trad. de l’anglais (Irlande) par Jacques Aubert, Préface de Valery Larbaud [Collection Du monde entier, Gallimard] (Paris: Gallimard 1974), 272pp.
• Dublinois, trad. de l’anglais (Irlande) par Jacques Aubert, preface [Préface] by  Valery Larbaud [Collection Folio] Paris: Gallimard 1993), 352pp.

• Dubliners, read by T. P. McKenna (Tell Tapes [q.d.]), 6 hrs.

• A Portrait of the Artist as a Young Man [1st edn.] (NY: B. W. Huebsch, Inc. MCMXVI [1916]), 299pp. [available at Internet Archive - online); Do. [other editions] (1917, 1918, 1923, MCMXXII [1922]), 299pp. [copies in Edinburgh, Cambridge, UCL[ondon], BL; Cornell UL [1922] available at Internet Archive - online; another at Stanford Libraries - online; another copy at unknown library - online].
• A Portrait of the Artist As a Young Man (London: Egoist Press 1916) [using Huebsch’s sheets], and Do. [rep.] (Egoist 1917, 1921, &c.);
• A Portrait of the Artist As a Young Man [new edn.] (London: Jonathan Cape 1924; rep. 1926, 1928 &c.); another edn. [reset) (London; Minerva 1992);
• A Portrait of the Artist As a Young Man, introduction by Herbert Gorman [Modern Library] (NY: Random House 1928), v-xii, 1-199pp.;
• A Portrait of the Artist as a Young Man [Traveller’s Library; first imp.; 3rd Edn.] (London: Jonathan Cape 1930; rep. 1932, 1934, 1936, 1939, 1941), 288pp. [lists 1st edn. 1916; 2nd imp. 1917; 3rd imp. 1924; new 3rd. 1924; 2nd imp. 1926; 3rd imp. 1928];
• A Portrait of the Artist as a Young Man [new edn.] (London: Jonathan Cape 1942; 2nd imp. 1943, & reps. 1944, 1945, 1947, 1948) [small crown 8vo.];
• A Portrait of the Artist as a Young Man [New Travellers’ Library, reiss.] (London: Jonathan Cape 1950, rep. 1951, 1952);
• A Portrait of the Artist as a Young Man (Harmondsworth: Penguin 1960 [in assoc. with J. Cape], 1964), 252pp.
• A Portrait of the Artist as a Young Man, intro. & notes by J[ames] S. Atherton [Modern Novel Ser.] (London: Heinemann Books 1964; rep. 1965, 1966, 1977), vii-xxii, 235pp., with Biog. Note [vii-viii], Notes [pp.239-57] & bibl. [pp.261-62];
• A Portrait of the Artist as a Young Man: The Definitive Edition, corrected from the Dublin Holograph by Chester Anderson & ed. by Richard Ellmann (NY: Viking Compass Edns. 1964; London: Jonathan Cape 1968), 257pp., ill. [six drawings by Robin Jacques; copyright of the Joyce Estate];
• Do., ed. Chester G. Anderson [Viking Critical Library] (NY: Viking Press; 1991), vi, 570pp. [incls. “1904 Portrait”; Bibl., p563ff.]
• A Portrait of the Artist as a Young Man [corr. edn.] (NY: Penguin Books 1976), 253pp.,; Do. (Penguin 1982) [Centennial edn.]), 255pp.; and Do. [rep. edns.] (Penguin 1975, 1978, 1985, 1991 &c.), and Do. (London: Grafton Books 1977; Paladin Books 1966; NY: Guild 1978), 257pp.;
• R. B. Kershner, ed., A Portrait of the Artist as a Young Man (Boston: Bedford Books of St. Martin’s Press [Macmillan] 1993), xii, 404pp., 22cm. [incls. Chester G. Anderson, ‘About this Text’, pp.ix-x [being an account of his preparation of the definitive edition of 1964, and Richard Ellmann’s ‘veto’ on some of the corrections he suggested; limited preview available at Internet Archive - online; accessed 07.11.2020];
• A Portrait of the Artist as a Young Man [Dover Thrift Editions] (NY: Dover; London: Constable [1994)]), iii, 185pp.
• Jeri Johnson, ed., A Portrait of the Artist as a Young Man [Oxford World’s Classics] (Oxford: OUP 2000, 2008), lv, 289pp. [Abbrev. vi; Introduction, vii; Composition and Publication History, xl; Select Bibliography, xliv; A Chronology of James Joyce, xlix; AP, 1; Appendix: List of Selected Variants, 215; Explanatory Notes, 222].
• Seamus Deane, ed. & intro., A Portrait of the Artist as a Young Man [Penguin twentieth-century classics] ((Harmondsworth: Penguin Books 2000), xlii, 329pp.
• Hans Walter Gabler, ed. [with Walter Hettche] & intro., A Portrait of the Artist as a Young Man, with intros. by Joseph O’Connor and Dieter Fuchs (NY & London: Garland Publ. 1993), 359pp. [Intro., pp.1-18], and Do. (NY: Vintage Books, 1993), vii, 277pp.; Do., with introductions by Joseph O’Connor and Dieter Fuchs (Vintage Classics 2012), xxiv, 249pp.

See also edition incl. in The Portable James Joyce, ed. & intro. Harry Levin (NY: Viking 1948), and Do., in The Essential James Joyce (Jonathan Cape 1948; Penguin 1963, 1965, 1967, &c.), pp.52-252.

• Exiles: A Play in Three Acts [1st edn.] (London: Grant Richards 1918);
• Exiles: A Play in Three Acts [2nd Edn.] (London: The Egoist Press, 2 Robert Street, Adelphi 1921) [printed by Whitefriars Press Ltd. London and Tonbridge], [9; t.p.5.] 154, [2]pp. [available at Internet Archive - online.]
• Exiles: A Play in Three Acts [1st edn.] (NY: B. W. Huebsch [May] 1918), 154pp., and Do. [2nd edn.] (London: Egoist Press 1921, 1936), 154pp;
• Exiles: A Play by James Joyce, with an Essay on the Play by Francis Fergusson [New Classics Ser.] (Conn.: New Directions [1945]), xviii, 154pp.;
• Exiles, [rep.] in The Essential James Joyce, ed. Harry Levin (London: Jonathan Cape 1946, 1948, 1977, 1991, &c.), and Do. (NY: Viking 1948 & edns.).
• Exiles: A Play in Three Acts by James Joyce, with the author’s own notes and an introduction by Padraic Colum (London: Jonathan Cape 1952), 175pp. [Joyce’s notes, pp.163-75]; Do. [New English Library] (London: Four Square Books 1962), 160pp.; Do. [Penguin Plays] (Harmondsworth: Penguin 1973), 160pp., and Do. (London: Paladin 1991), 175pp.
• Exiles: A Play in Three Acts, The Author’s Own Notes and an Introduction by Padraic Colum (NY: Viking Press 1951), and Do. (London: Jonathan Cape 1952), 175pp. [contains 4,000 words of Joyce’s notes, pp.163-75]; and Do., with Author’s Notes (St. Albans: Granada Publ. 1979);
• Exiles [by] James Joyce: a facsimile of notes, manuscripts & galley proofs; prefaced & galley proofs; prefaced & arranged by A. Walton Litz [James Joyce Archive, 11] NY: Garland Publ. 1978), xxvii, 389pp.
• Poems and “Exiles”, ed., intro. & annot. by J. C. C. Mays [Penguin Twentieth-century lassics] (London: Penguin Books 1992), xiv, 384pp.
• Exiles [by] James Joyce, with notes by the author and a new introduction by Conor McPherson (London: Nick Hern 2006), xvi, 112pp. [see note].

See also Hauptmann, Before Sunrise: James Joyce’s Translation (California: PSP Graphics 1978) [from Joyce’s juvenile MS].

• Ulysses by James Joyce (Paris: Shakespeare & Co. 1922) [1st edn.; 2 Feb. 1922; 1,000 ltd. edn.].Title verso reads: This edition is limited to 1000 copies: 100 copies (signed) on Dutch handmade paper numbered from 1 to 100; 150 coies on Verge/ d'Arches numbered from 101 to 250; 750 copies number from 251 to 1000.’ printer Darentière sought a suitable Greek flag-blue for the cover everywhere but eventually produced it by lithoprinting regular printer’s card paper. All copies of the first edition carried an insert reading: ‘The publisher asks the reader’s indulgence for typographical errors unavoidable in the exceptional circumstances. S.B. [Sylvia Beach]’
• Ulysses [2nd Edn.; ‘Published for the Egoist Press London by John Rodker, Paris’[t.p.]) [ltd. edn. 2,000, publ. 12 October 1922] - copy available at Internet Archive - online; Do [44 of 1000 - online]; Do. [another edn.] - online [with chapter headings added by number only - online - both accessed 07.11.2020;]; Do. (London: Egoist Press 1923) [500 printed, on an equal sum being confiscated at NY]; Do. (Paris: Shakespeare & Co. 1924) [Jan. 1924; unlim. edn.], and Do. [reset] (Paris: Shakespeare & Co. 1926) [eighth printing 1926]; ... Do. [11th printing] (1930; see note]; Do. introduced by Jeri Johnson, with app. and explanatory notes [World Classics] (OUP 1993, 1998) [rep. of copy No. 785 of Ulysses 1922 Edn. held in Bodleian Library, Oxford].
• Ulysses [another edn.] 2 vols. (Paris, Hamburg, Bologna: Odyssey Press 1932) [1932 Dec.; unlim. edn.; specially revised by Stuart Gilbert], 791pp., 8o.
• Ulysses (NY: Random House 1934) [Jan. 1934; 1st. US unlim. edn.; based on the 1932 Odyssey Press Edn.], and Do. (NY: Random House 1940) [reset & corr. 1961].
• Ulysses, with an introduction by Stuart Gilbert; and illustrations by Henri Matisse (NY: The Limited Editions Club 1935), xv, 363pp., ill. [26 lvs. of pls.], 31 cm. [pub. Oct. 1935; 1,500 ltd. edn., signed Henri Matisse, with ‘corrections suggested to Mr Gilbert by James Joyce himself’].
• Ulysses (London: Bodley Head 1936) [Oct. 1936; 1,000 ltd. edn.; 1st 100 copies signed by Joyce], bound in green cloth, with Homeric bow on front designed by Eric Gill; Do. (London; Bodley Head 1937) [Sept. 1937; 1st unlim. edn.]; Do., rep. edns. 1941, 1947, 1949; Do. [7th imp.] (London: Bodley Head 1955); Do. [re-set edn.] (London: Bodley Head 1960; 2nd. imp. 1962, 1963, &c.), 939pp. [based on 1st unlimited edn., errata & appendices].
• Ulysses, with a foreword by Morris L. Ernst [ v-vi] and the decision of the United States District Court rendered by Judge John M. Woolsey [A Vintage Giant - a Division of Random House (Alfred A. Knopf and Random House); ] (NY: Vintage 1961), pb. [lists copyright Margaret Caroline Anderson. Copyright renewed, 1942, 1946, by Nora Joseph Joyce. Copyright, 1934, by Modern Library, Inc.. Copyright renewed, 1961, by Lucia and George Joyce. This edition corrected and reset; available at Internet Archive - online.]
• Ulysses [1st pbk. edn.] (Harmondsworth: Penguin 1968, 1969, &c.), and Do., intro. & annot. by Declan Kiberd (Harmondsworth: Penguin 1992) [being the Bodley Head 1960 Edn., reset with line nos. [‘Introduction’, pp.ix-lxxix; ‘A Short History of the Text’, pp.lxx xi-lxxxviii; Notes, pp.943-1194.]
• Ulysses (NY: Franklin Library 1976-1979; 1983), ill. Kenneth Francis Dewey, 750pp.
• Hans Walter Gabler, with Wolfhard Steppe & Claus Mechior, Ulysses: A Critical and Synoptic Edition (NY: Garland 1984), 3 vols. 1,919pp., and Do., reiss. as Hans Walter Gabler, ed., Ulysses: The Corrected Text (London: Bodley Head 1986), 650pp., with new preface by Richard Ellmann [xi-xiv].
• Ulysses: An Unabridged Republication of the Original Shakespeare and Company Edition, Published in Paris by Sylvia Beach, 1922, with an Introduction by Enda Duffy [iii-ix](Mineola: Dover Publications 2009), ix, 732pp.

Note: Ulysses, ed. John Kidd (NY: Norton 1994) was projected and commissioned on the basis of Dr Kidd’s raking criticisms of the Critical Edition (ed. Gabler, et al., 1984) - but remained uncompleted.

• Ulysses: The 1922 Text, ed. Jeri Johnson [Oxford World’s Classics] (Oxford OUP 1993) [incls. ‘Composition and Publication History’, pp.xxxviii-xlii; reviewed by Fritz Senn, in JJQ, 32:2 Winter 1995, pp.461-64 - ‘one more text not quite to rely on’.].
• Ulysses: A Reader’s Edition with an intro. by Denis Donoghue [styled the Dublin Edition, being a facs. of 1926 Edn.] (Dublin: Lilliput Press 1995, 1997, 1998);
• Ulysses, intro. by Jacques Aubert and a preface by Stephen James Joyce (London: Folio Edn.; Dublin: Lillliput Press 1998; 3rd imp. 1999) [facs. of 1926 edition, the second by Shakespeare & Co., mistakenly called the eight printing; with badly broken characters corrected and blemishes deleted and published by arrangement with the Estate of James Joyce], ill. [etchings by Mimmo Paladino].
• Ulysses: Annotated Edition, annot. by Sam Slote, Marc A. Mamigonian & John Turner (Richmond, Surrey [London]: Alma Classics [Calder] 16 Oct. 2012), 832pp. & Do. [3rd edn.] (2017) [after 1939 Odyssey Press Edn.; TOC gives chapters by title with time and location in additional lines; incls. 9,000 notes; also Bibliography for the Notes; RRP £5.59] - viewable online; accessed 07.11.2020.]
• Sam Slote, Marc A. Mamigonian & John Turner, ed. & annot. Ulysses (Oxford: OUP 2020), 1,424pp. [12,000 annotations; 20 contemp. maps; £125; revised and enlarged edition of Do. 2012; published on 1 Feb. 2020].
• Catherine Flynn, ed., Ulysses: The Cambridge Centenary Edition, the 1922 Text with essays and notes (Cambridge UP 2022), p.988pp.

See also

Sam Slote, Catalogue Notes, Buffalo Univ. Library “Bloomsday” Centennial Exhibit, 2004: ‘The eleventh printing was to be the last [printing of Ulysses] published by Shakespeare and Company. The statement that 28,000 copies had been produced is a slight exaggeration. There were 1,000 copies of the first printing, 2,000 of the second, 500 of the third, 2,000 for each of the fourth through seventh printings, and 4,000 for each of the eighth through eleventh printings, making for a total of 27,500 copies (there were additional copies of each printing, which would raise the total slightly).’ [online; 31.12.2008]

• Ulysses: Facsimile of the Rosenbach Manuscript and the 1922 Edition, 3 vols. (London: Faber & Faber [for Philip H. & A. S. W. Rosenbach Foundation] 1975), and Do., with a critical introd. by Harry Levin and a bibliographical pref. by Clive Driver, 2 vols. (NY: Octagon Books [assoc. with Philip H. & A. S. W. Rosenbach Foundation 1975).
• Danis Rose & John O’Hanlon, eds., The Lost Notebook - New Evidence on the Genesis of Ulysses [with a] foreword by Hans Walter Gabler (Edinburgh: Split Pea Press 1989), xli, 49pp. [Gabler Foreword, xii-xviii; Preface, ix-x; Commentary, xi-xli; Notebook, pp.1-49; the whole concerns MS VI.D.7 - a missing notebook, so-identified by Peter Spielberg, corresponding to the extant transcription of unused materials made by Mme Raphael, catalogued as MS VI.C.16 in the Buffalo Library Collection. [See extract from Preface, under Commentary, infra.]

Also, La nuit d’ Ulysse / transposition scénique d’Ulysse par Marjorie Barkentin; sous la direction de Padraic Colum [texte français par George Auclair] [Le manteau d ’arlequin ser.] (Paris: Gallimard 1959), 178pp. [first publ. NY: Random House 1958], and Ulysses, audio-tapes, with Jim Norton and Marcella Riordan, et al.(Naxos), [25 hrs., unabridged].

• Finnegans Wake (London: Faber & Faber 1939 [printed by James MacLehose & Sons, Glasgow]; rep. 1945 rep., with 16pp. pamphlet of Corrections; rep. 1946, incorporating the list of Corrections as an appendix; reps. 1948 & 1949 [available at Internet Archive - online; accessed 11.11.2020]), and Do. [2nd edn. - viz., ‘in this new edition’] (London: Faber & Faber 1950); Do., rep. 1957 [incorporating corrections in text - but not the corrections to the Corrections of 1945], 1960; also 1964 [3rd Edn.; incorporating Corrections with corrections to the 1945 list]; reps. 1966, 1968, 1971, 1975 [deemed the text as Joyce left it with his list of Corrections duly corrected and applied to the text; see note] ... &c.), [3]-628pp.
• Finnegans Wake (NY: the Viking Press 1939) [May 1939; Sept. 1943; Oct. 1944; 4th printing, Oct. 1945; March 1947; Dec. 1955; March 1957 [7th printing]; 1958 [8th printing; incorporates author’s corrections, prev. printed as list at end]; 12th printing, 1966 [see note] ... &c.) [3]-628pp. [‘Corrections of Misprints in FINNEGANS WAKE / as Prepared by the Author after Publication of the First Edition’, published 1945 by Viking Press, New York, for distribution to purchasers of Finnegans Wake, 1 Jan. 1945, 16pp. - available online [11.11.2020], afterwards incorporated in further printings, pp.629-43.]
• Finnegans Wake [completely reset incorporating corrections, with different pagination] (NY: Viking Compass 1959), 540pp. [the pagination of future Viking editions reverting to the former pagination (628pp.)]
• A First-Draft Version of Finnegans Wake, ed. & annot. David Hayman (London: Faber & Faber 1963), 330pp. [Facsimile]
• Danis Rose & John O’Hanlon, eds., Finnegans Wake [The Restored Finnegans Wake] (Dublin: Houyhnhnm Press [Lilliput] 2011), 493pp., boxed, with pb. booklet containing ‘Note’ by Seamus Deane; Foreword by Hans Walter Gabler; Introduction by David Greetham; Preface and Afterword by the Editors, 36pp. [i.e., 40pp.] with hypertext editorial Rationale supplied at Houyhnhnm Press- online; accessed 30.05.2014. See also details of Limited Edition at €1,500 from Lilliput - online.]
• Robbert-Jan Henkes, Erik Bindervoet & Finn Fordham, ed., The Restored Finnegans Wake [Oxford World Classics] (OUP 2012), 720pp. [incls. list of transmissional variants].
• Len Platt, intro., Finnegans Wake [Wordsworth Classics] (Herts. (UK): Wordsworth Editions 2012), xxiv, 628pp.

See Sam Slote, ‘The Text of Finnegans Wake: An Annotated List of the Correction of Misprints’, in James Joyce Quarterly, 55:3-14 (Spring-Summer 2018), pp.405-44:;‘[O]nly the 1975 Faber printing (and its subsequent reprints) accurately represents the first edition with Joyce’s corrections properly applied. Because that printing is still based on the same plates used back in 1929, howeer, it does suffer from the occasional broken ascender and descender.’ (p.405; available at Muse - online; accessed 11.11.2020.) See also the account of Joyce’s efforts at correct printing errors in Aug. 1939- Aug. 1940 - James Joyce Centre: ‘On This Day’ - online; accessed 11.11.2020.

Note: A bound presentation copy of the 1966 Viking Press printing of Finnegans Wake [12th printing] given to Marshall McLuhan by the alumni of Fordham University on 30 As, though more often written on tpril 1968 served as the Internet Archive copy-text - online. The volume is interleaved with blank pages for notes and does indeed contain his sparse annotationhe printed page. Those on the blank page include 619 facing: ‘Ellmann 724: “Soft morning etc. / a record of the endings of all his previous books.[’] The phrase ‘past and present’ on 389 is underlined and annotated marginally with the name of ‘Carlyle’. Facing The Ballad of Persse O’Rahilly, p.44, he writes inter alia: ‘Emerson [?title]: ‘Human body magazine of all technologies.”’ accessed 10.11.2020.]

Finn’s Hotel, ed. & arranged by Danis Rose, intro. by Seamus Deane, ill. Casey Sorry, with typography by Michael Caine [Atelier de la Cerisaie] (Dublin: Ithys Press 2013), [100]pp. ‘Uncovered by Irish scholar Danis Rose in the course of his research for a critical edition of Joyce’s Finnegans Wake, this series of profound and beautifully written stories is based on seven epiphanic moments in Irish history and mythology. Finn’s Hotel is a luminous and often funny work, and it reveals Joyce’s creative process during the transition between Ulysses and Finnegans Wake.’ (Publisher’s note; Goodreads.)

Summmary notice on Portuguese editions of works by Joyce: Bernardina da Silveira Pinheiro (RJ) trans Ulysses (2005); Donald Schüler (Porto Alegre, RS) pub. adaptations of Finnegans Wake in five bilingual vols, 1999-2003; Haroldo de Campos (SP) trans. parts of Ulysses and Finnegans Wake in 1992. (See

• Donaldo Schüler, trans., Finnegans Wake/Finnicius Revém, Livro I - Capitúlos 2, 3, 4 (Ateliê Editoria/Casa de Cultura Guimarães Rosa 2000), [257pp.; desenhos Lena Bergstein]; & Finnegans Wake/Finnicius Revém, Livro I - Capit&uaute;los 5, 6, 7, e 8 (Ateliê Editorial/Casa de Cultura Guimarães Rosa 2001; 2nd Edn. 2004), 308pp. [Introducao, Versao, Notes; available by payment at Scribd - online].
• Haroldo de Campos, Panaroma do Finnegans Wake  (Perspectiva 2019), 225pp.
• Caetano W. Galindo, trans., Finn’s Hotel; O Livro Perdido de James Joyce, from of Finn’s Hotel [Itys 2013], ed. Danis Rose with an introduction by Seamus Deane (São Paolo: Companhia Das Letras 2014), 153pp. [incls. Nota do Traductor, 7; ‘.i..’ .o..l,’ by Danis Rose, 17; ‘James Joyce e sua História de Irlanda’, by Seamus Deane, 33; Finn’s Hotel [10 pts.], 57; Anexo: Giacomo Joyce, 126.
• Dirce Waltrick do Amarante, trans., Finnegans Wake por um fio (São Paolo: Editora Iluminuras 2017), 184pp. [being Chap. VIII (‘Para ler Finnegans Wake de James Joyce’; given as Finnegans Wake by a Thread in Texas Hum. Research Centre checklist.]
• Caetano W. Galindo, trans., pp.21-22 of Finnegans Wake, in Folha de Sao Paolo (24.11.2013) - online [accessed 18.08.2019].

Note: Sections of Finnegans Wake appeared as “Work in Progress” in transatlantic review (April 1924), Criterion (July 1925), Navire d’argent (October 1925), and transition (April 1927-April/May 1938); episodes and combinations of episodes were published as Anna Livia Plurabelle (New York, October 1928; London, June 1930; lim. edn. of 850 signed by the author); Tales Told by Shem and Shaun (Paris, August 1929) [see details - infra], and Two Tales of Shem and Shaun (London, December 1932); and Haveth Childers Everywhere (Paris & New York, June 1930; London, June 1931).[For Chronology of Composition, &c., see Appendices, supra.]

Tales Told of Shem and Shaun: Three Fragments from Work in Progress (Paris, Black Sun Press 1929), [12], XV, [1], 55, [5] p. : ill. ; 22 cm. Portrait by Constantin Brancusi; Preface by C. K. Ogden. Contents: “The Mookse and the Gripes”; “The Muddest Thick that was Ever Heard Dump”; “The Ondt and the Gracehoper”.

A signed copy held in the Crosby Archive at S. Illinois University (USA).

Cover: Tales told of / Shem and Shaun [red] / Three Fragments from Work in Progress / by / James Joyce [red] / The Black Sun Press / Rue Cardinale / Paris / MCMXXIX.

Verso: This first edition of Tales Told of Shem and Shaun by James Joyce, with a preface by C. J. Ogden and a portrait of the author by Brancusi, printed in hand-set Caslon in June 1929 for and under the direction of Harry and Caresse Crosby at their Black Sun Press (Maitre-Imprimeur Lescaret) Rue Cardinale, Paris, is limited to 100 copies on Japanese Vellum signed by the author, 500 copies on Holland Van Gelder Zonen and 50 copies Hors Commerce. // The entire edition is for sale at the Bookshop of Harry F. Marks 31 West 47 Street New York. // This copy is for / Harry and Caresse Crosby. [Available at ‘The End of Being: Esoteric Guide to Difficult and Unusual Art [... &c.] - online; accessed 04.07.2014.]

• Giacomo Joyce, intro. & annot. by Richard Ellmann (NY: Viking Press; London: Faber & Faber 1968), xi-xxvi, 16pp. & 4 lvs. of facs. [pp.1, 11, 15, 16 of the MS, reduced by about 50%]; Notes, pp.xxxi-xxxvii.
• “Giacomo Joyce”, in Poems and Shorter Writings, ed. Richard Ellmann, A. Walton Litz, and John Whittier Ferguson (London: Faber & Faber 1991), pp.219-41.

• Gas from a Burner (1912) [broadsheet];
• Chamber Music [1st Edn.] (London: Elkin Mathews 1907); Chamber Music / by James Joyce / authorized edition published by B. W. Huebsch New York MXMXVIII [1918]), I-XXXVI, 4pp.[with publisher’s note: ‘this is the only American edition that is authorised by Mr. Joyce’ - copy in Library of Congress available - online], Do. (Boston: Cornhill Company [n.d.]), n.p. [2, half-title [1]; t.p. [3]; [I-XXXVI], 2pp.; available on Internet Archive - online]; Do., as Chamber Music, ed. W. Y. Tindall (NY: Columbia UP 1954); Do. (London: Jonathan Cape 1971), 40pp. [36 poems];
• “I hear an army charging upon the land” poem in Des Imagistes, ed. Ezra Pound (1914);
• Pomes Penyeach (London: Faber & Faber 1927), 22pp. (iss. 7 July 1927) [see contents]; Do. [new edn.] (London: Faber 1933, 1966); Cf.
• Poèmes, trans. August Morel and Others (Paris; Les Chroniques du Jour 1929).
• Poems, in Der Querschnitt (Frankfurt a.M.), III, 3/4 (1923), pp.157-59 [viz., XII, XV, XXVI, XXIX, & XXXVI from Chamber Music].
• Collected Poems of James Joyce (NY: The Black Sun Press 1936), 4pp., l., vii-lxv, [1]p [sepia front port. by Augustus John; contains poems of Chamber Music, Pomes Penyeach, and “Ecce Puer” (1936); 17 cm; 1st ltd. edn. of 50 copies on Japanese vellum, titled “James Joyce” and signed by Augustus John on frontispiece [2nd edn.]; 750 copies [total edn. of 800]; hand-printed in blue throughout under supervision of Caresse Crosby, designer; gilt decorated boards; glassine dust-wrapper]; Do. [another edn.; also with August John front. and dust-cover] (NY: Viking Press 1937, 1944, 1946 [4th printing], 1957, 1958; Viking Compass 1960 1962, 1965, 1966, 1968 1969, 1973, 1974 &c.), 63pp., port.; Do. [another edn.] (NY: Penguin Books 1976, 1977, 1978), 63pp. [20cm]; Do. [facs. 1957 Edn.] (Gloucester [US]: Martino Fine Books 2012), pb.; trans. edn. as Am Strand von Fontana: Gedichte (Wiesbaden: Limes [1957]), 31pp.
• Poèmes, Chamber Music, Pomes Penyeach: poèmes traduits de l’anglais et préfacés par Jacques Borel [Poésie du monde entier] (Paris: Gallimard 1967), 149pp. [NRF?]
• Poems and “Exiles”, ed., intro. & annot. by J. C. C. Mays [Penguin Twentieth-century Classics] (London: Penguin Books 1992), xiv, 384pp.
• A. N. Jeffares, & Brendan Kennelly, eds., Joycechoyce: The Poems in Verse and Prose of James Joyce (London: Kyle Cathie 1992).

Pomes Penyeach (London: Faber & Faber 1927), 22pp. (iss. 7 July 1927) - CONTENTS: “Tilly”; “Watching the needleboats at San Sabba”; “A flower given to my daughter”; “She weeps over Rahoon”; Tutto è Sciolto”; “On the beach at Fontana”; “Simples”; “Flood”; “Nightpiece”; “Alone”; “A memory of the players in a mirror at mid-night”; “Bahnhofstrasse”; “A prayer”.

• Stanislaus Joyce & Ellsworth Mason, ed & intro., The Early Joyce: The Book Reviews, 1902-03 (Colorado Springs: Mamalujo Press 1955), 46pp.
• O. A. Silverman, Epiphanies [Wickser Collection in the Lockwood Memorial Library of the University of Buffalo] (University of Buffalo 1956), xvi, 32pp. [550 copies].
• Ellsworth Mason & Richard Ellmann, eds., The Critical Writings of James Joyce (NY Viking Press 1959; reps. 1964, 1966; Cornell UP 1989) [see contents].
• Joseph Prescott, ed., ‘Daniel Defoe’ [University of Buffalo Studies] (Buffalo UP 1964) [companion of “William Blake”, Trieste 1912].
• Richard Ellmann, A. Walton Litz & John Whittier Ferguson, eds., Poems and Shorter Writings (London: Faber & Faber 1991), xiv, 300pp. [incls. “Epiphanies’, “Giacomo Joyce”, “A Portrait of the Artist” (1904), et al., including Paris and Pola Notebooks - now known to be 1 notebook].
• Louis Berrone, ed., trans. & intro., James Joyce in Padua (London: Random House 1977), [2 exam answer-book writigs of 1912; see contents].
• Giorgio Melchiori, et al., eds., Scritti Italiani (Milan: Mondadori 1979) [Italian version of Trieste articles & lectures].
• Kevin Barry, ed. & intro., Occasional, Critical, and Political Writings [of] James Joyce, trans. from Italian by Conor Deane (OUP 2000), 360pp., ill. [facs., map; see contents].
• Louis Berrone, James Joyce in Padua (NY: Random House 1977), xxviii+146pp. [2 early essays of 1912 written for an examination at Padua Univ.; viz., “L’influenza letteraria universale del rinascimento” and “The centenary of Charles Dickens”; English Translation of the former & facs. of orig. MSS; see article by Berrone under Criticism - infra].

• Thomas E. Connolly, ed., intro. & annot., James Joyce’s Scribbledehobble: The Ur-Workbook for “Finnegans Wake” (Northwestern UP 1961), xxii, 187pp. [being Buffalo Notebook VI.A].
• Michael Groden et al., ed., The James Joyce Archive, 63 vols. (Garland 1977-79) [notebooks, manuscripts, typescripts and corrected galleys; see details].
• Phillip F. Herring, ed., Joyce’s Notesheets in the British Museum (Virginia UP 1972), viii, 545pp. [British Library / Manuscript. Add. 49975].
• Phillip F. Herring, ed., Joyce’s Notes and Early Drafts for “Ulysses”: Selections from the Buffalo Collection [Bibliographical Society of the University of Virginia] (Virginia UP 1977), xii, 275pp. [Lockwood Memorial Library, Buffalo NY].
• Michael Groden, comp., James Joyce’s Manuscripts: An Index [Garland Reference Library, 186] (NY: Garland Publ. 1980), xv, 173pp. [see details].
• Louis Berrone, ed., trans., & intro., James Joyce in Padua (NY: Random House 1977), xxvi, 146pp., 8 plates [2 essays of 1912].

Bibliographical details

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The Cat and the Devil / The Cats of Copenhagen

“The Cat and the Devil” [Orig. without title in letter to Stephen Joyce of 10 August 1936], in Letters of James Joyce, ed. Stuart Gilbert (Viking Press 1957), pp.386-87 [rep. Viking Press, as Vol. 1 of 3, 1966], and Selected Letters of James Joyce, ed. Richard Ellmann (London: Faber & Faber; NY: Viking 1975), p.382f. [ See copy & details - as attached.]cx

• The Cat and the Devil, illustrated by Richard Erdoes [Daisy Books for Print Disabled Series] (NY: Dodd, Mead & Co. 1964).
• The Cat and the Devil, ill. Gerald Rose (London: Faber & Faber 1965).
• The Cat and the Devil [another edn.], ill. by Roger Blachon (London: Moonlight Publishing [IPG] 1980; NY: Schocken Books 1981); Do. another edn., (Newfoundland: Breakwater 1990), 29pp., [28]pp. [afterword by Stephen Joyce].
• The Cats of Copenhagen (Dublin: Ithys Press 2012), 40pp. [printed by Michael Caine in letterpress; in early 20th cn. Italian and French handcut fonts; with pen-and-ink drawing by Casey Sorrow; edn. of 200 copies consisting of 26 lettered copies, 170 numbered copies and 4 copies hors commerce; distrib. by Schuster & Schuster in America citing Ithys copyright.] A copy has been made at Brain Pickings - online; accessed 20.04.2013].

• Jacques Borel, trans., as Le chat et le diable [1st French edn.] (Paris; Gallimard 1966), ill. Jean-Jacques Corre.
• Do. [Borel, trans.], dessiné par Roger Blachon, intro. by Stephen J. Joyce [Collection Folio Benjamin, 77] (Paris: Gallimard 1978 [rep. 1984]) [30]pp., 18cm.

Italian Edition

• Le Chat de Beaugency: Una storia de Stephen [2nd edn.] (Brescia: Edizione L’Obliquo 1996).

Portuguese Editions

• Joana Morais Varela, O Gato e O Diabo (Lisboa: Contexto 1983), with Blachon’s illustrations.
• [q. trans.,] O Gato e o Diabo (Lisboa: Nova Vega 2013), ill. Tomislav Torjanac.
• Lygia Bojunga, trans., O Gato e O Diabo (São Paulo: Cosac Naify 2012), ill. “Lélis”  [Marcelo Eduardo Lélis]
• Ana Graça Canan & Marcelo Amorim, trans., O Gato de Beaugency [A letter of James Joyce to Stephen Joyce, 1936] (Natal: EDUFRN 2013).
• Eclair Antonio Almeida Filho, trans., O Gato de Beaugency seguido de Os Gatos de Copenhagen (Bauro Brazil: Lumme 2016).

The following list of reviews by Joyce in 1902-03 is taken from Critical Writings [1959] (NY: Viking Press 1964; 3rd imp. 1966), being copied in turn from The Early Joyce: the Book Reviews, 1902-1903 (Colorado Springs, The Mamalujo Press 1955) - with notes by Stanislaus Joyce.

• “An Irish Poet”, in Daily Express [Dublin] (11 Dec. 1902), review of William Rooney’s Poems and Ballads.
• “George Meredith”, in Daily Express [Dublin] (11 Dec. 1902), review of Walter Jerrold’s George Meredith.
• “Today and Tomorrow in Ireland”, in Daily Express [Dublin] (29 Jan. 1903), review of Stephen Gwynn’s Today and To-morrow in Ireland.
• “A Suave Philosophy”, in Daily Express [Dublin] (6 Feb. 1903), review of H. Fielding Hall’s The Soul of a People.
• “An Effort at Precision of Thinking”, in Daily Express [Dublin] (6 Feb 1903), review of James Anstic’s Colloquies of the Common People.
• “Colonial Verses”, in Daily Express [Dublin] (6 Feb. 1903), review of Clive Phillips-Wolley’s Songs of an English Esau.
• “Catalina”, in Speaker [London] (21 March 1903), p.615, review of Ibsen’s Catalina.
• “The Soul of Ireland”, in Daily Express [Dublin] (26 March 1903), review of Lady Gregory’s Poets and Dreamers [over JJ’s initials].
• “The Motor Derby”, in The Irish Times (7 April 1903), article subtitled “interview with the French Champion (from a correspondent)”.
• [no title], in Daily Express [Dublin] (3 Sept. 1903), review of John Burnet’s Aristotle on Education.
• [no title], in Daily Express [Dublin] (3 Sept. 1903), review of [pseud.] Valentine Caryl’s, A Ne’er-Do-Well.
• “New Fiction”, in Daily Express [Dublin] (26 March 1903), review of Aquila Kempster’s The Adventures of Prince Aga Mirza;
• “The Mettle of the Pasture”, in Daily Express [Dublin] (17 Sept. 1903), review of James Lane Allen’s The Mettle of the Pasture.
• “A Peep Into History”, in Daily Express [Dublin] (17 Sept. 1903), review of John Pollock’s The Popish Plot.
• “The French Religious Novel”, in Daily Express [Dublin] (1 Oct. 1903), review of Marcelle Tinayre’s The House of Sin.
• “Unequal Verse”, in Daily Express [Dublin] (1 Oct. 1903), review of Frederick Langbridge’s Ballads and Legends.
• “Mr. Arnold Graves’ New Work”, in Daily Express [Dublin] (1 Oct. 1903), review of Arnold F. Graves’s Clytaemnestra: A Tragedy.
• “A Neglected Poet”, in Daily Express [Dublin] (15 Oct. 1903), review of Alfred Ainger’s George Crabbe.
• “Mr. Mason’s New Novels”, in Daily Express [Dublin] (15 Oct. 1903), review of A. E. W. Mason, The Courtship of Morrice Buckler, The Philanderers, and Miranda of the Balcony.
• “The Bruno Philosophy”, in Daily Express [Dublin] (30 Oct. 1903), review of Lewis McIntyre’s Giordano Bruno.
• “Humanism”, in Daily Express [Dublin] (12 Nov. 1903), review of F. C. S. Schiller’s Humanism: Philosophical Essays.
• “Shakespeare Explained”, in Daily Express [Dublin] (12 Nov. 1903), review of A. S. Canning’s Shakespeare Studied in Eight Plays.
• [no title], in Daily Express [Dublin] (19 Nov. 1903), review of T. Baron Russell’s, Borlase and Son.

• Letters of James Joyce, ed. Stuart Gilbert [Vol. I] (NY: Viking Press 1957), and Do. [corr. edn.] ed. Richard Ellmann (Viking 1966), with a Chronology by Ellmann.
• Letters of James Joyce, ed. Richard Ellmann, Vols. I [ed. Gilbert], II & III (London: Faber & Faber 1966) [incls. list of Joyce’s addresses in Vol. II].
• Lettres de James Joyce: Réunies et présentées par Stuart Gilbert [...] trans. Marie Tadié (Paris 1961), 548pp. [trans. pf 1957 Vol. 1].
• Selected Letters of James Joyce, ed. Richard Ellmann (NY: Viking Press; London: Faber & Faber 1975), xxxi, 440pp. [incl. some newly published correspondence - i.e, the so-called “black letters” to Nora in 1909].
• Pound/Joyce: The Letters of Ezra Pound to James Joyce, with Pound’s Essays on Joyce, ed. Forrest Read (London: Faber & Faber 1968; NY: New Directions 1970), 3143pp. [with index].
• James Joyce’s Letters to Sylvia Beach 1921-1940, ed. Melissa Banta & O. A. Silverman (Indiana UP 1987), 221pp., and Do. [rep. edn.] (Deddington: Plantin [1990]), xvi, 221pp., ill..\
• ‘Carta de 29 de agosto de 1904’, trans. by Dirce Waltrick Amarante & Sérgio Medeiros, in Scientia Traductionis, 12 (2012), pp.427-31; ‘Carta de 22 de agosto de 1909’ (435-37), and ‘Carta de 2 de dezembro de 1909’ (438-40].[bilingual; available online - accessed 08.03.2022].
• Cartas a Harriet, ed. Dirce Waltrick Amarante & Sérgio Medeiros [Letter to Harriet Shaw Weaver] (São Paulo: Iluminuras 2018), 128pp.

• James Joyce, Dubliners / A Portrait of the Artist as a Young Man / Ulysses ([London:] Chancellor Press 1993), 1, 121, 261-[761]pp., pref. by David Norris.
• T. S. Eliot, Introducing James Joyce: A Selection of Joyce’s Prose [1st edn.] (London: Faber & Faber 1942).
• Harry Levin, ed. & intro., The Portable James Joyce (NY: Viking Press 1947, 1948); [Do. as] The Essential James Joyce (London: Jonathan Cape 1948), 534pp.; Do. [another edn.] (Harmondsworth: Penguin 1963; London: Granada 1981; London: HarperCollins 1991; Triad Paladin), 623pp.
• Jacques Aubert, ed., Œuvres de James Joyce [Pléiades Edn.] (Paris: Gallimard 1982- ).
• David Norris, intro., Dubliners / A Portrait of the Artist as a Young Man / Ulysses ([London:] Chancellor Press 1993), [xi], 721pp. [comprising D, APYM, Exiles, Collected Poems, and selections from Ulysses and Finnegans Wake - viz., Dubliners, p.1ff; Portrait, p.121ff; Ulysses, pp.261ff.]

Note: Chinese translations by Jin Di, Xiao Quian & Wen Jieruo, the first-named being the most highly regarded, having been written under consultation with Joycean scholar[s].

• David Hayman, ed. & annot., A First-Draft Version of “Finnegans Wake” (Texas UP; London: Faber & Faber 1963), 330pp [see full text at Genetic Joyce Studies / Wisconsin Univ. - online].
• Robert Scholes & Richard Kain, eds., The Workshop of Daedalus: James Joyce and the Raw Materials for “A Portrait of the Artist as a Young Man” (Evanston Ill.: Northwestern UP 1965), xiv, 287pp. [prop. materials for Stephen Hero & A Portrait - incl. “Epiphanies’, the “Portrait” Essay of 1904 [Intro. Note, pp.56-59; text pp.60-74], the Paris Notebook [pp.52-55], and the Pola Notebook [80-91; see extracts]; the Trieste Notebook [92-105; all three now known to be united]; see full-text copy at Genetic Joyce Studies online - index.]
• Phillip F. Herring, ed., Joyce’s Ulysses Notesheets in the British Museum Bibliographical Society of the University of Virginia] (Virginia UP [1972]), viii, 545pp.,. ill., 27 cm. [British Library Manuscript Add. 49975].
• Philip Herring, ed., Joyce’s Notes and Early Drafts for Ulysses: Selections from the Buffalo Collection [Bibliographical Society of the University of Virginia] (Virginia UP 1977), xii, 275pp. [transcription of VIII.A.5, V.A.2, and early MSS of “Cyclops” and “Circe”].
• Danis Rose, James Joyce’s The Index Manuscript “Finnegans Wake” Holograph Workbook VI.B.46 (Colchester 1978).
• Danis Rose, The Textual Diaries of James Joyce (Dublin: Lilliput Press 1995), p.x.

• Vol. 1: Chamber Music & Poems Penyeach, ed., A. Walton Litz.
• Vols. 2-3: Notes, Criticism, Translations & Miscellaneous, ed., Hans Walter Gabler & Michael Groden.
• Vol. 4: Dubliners, Drafts & MSS, ed., Hans Walter Gabler.
• Vol. 5: Dubliners, facsimile proofs of 1910 Edition, Michael Groden.
• Vol. 6: Dubliners, 1914 Edn.; Vol. 7: A Portrait: Epiphanies, Notes, MS & Typescripts, ed., H. W. Gabler.
• Vol. 8: A Portrait: Facsimile Fragments of Stephen Hero, ed., H. W. Gabler.
• Vols. 9-10: A Portrait: Final Holograph MS, ed. Hans Walter Gabler.
• Vol. 11; Exiles: Notes, MS & Galley, ed., A. Walton Litz.
• Vols. 12-27: Ulysses: Notes, MS, Drafts and Typescript, ed., Michael Groden.
• Vols. 28-43; Finnegans Wake: Buffalo Notebooks, eds. David Hayman & Danis Rose.
• Vols. 44-66: Finnegans Wake: Drafts, Typescripts & Proofs, 5 vols. (Garland 1978), ed., David Hayman & Danis Rose.

See also Michael Groden, comp., James Joyce’s Manuscripts: An Index [Garland Reference Library, 186] (NY: Garland Publ. 1980), xv, 173pp. [checklist of all extant MSS, typescripts, and proofs; index to the 63 vols. of “James Joyce Archive” being consisting of Joyce papers held in the Buffalo Library Collections dating from 1900 to 1959 in origin and consisting of 89 boxes [22.25') arranged in 22 separate series - viz, I. Epiphanies, II. A Portrait of the Artist as a Young Man, III. Exiles, IV. Verses, V. Ulysses, VI. Finnegans Wake, VII. Criticism, VIII. Miscellaneous Notebooks, IX. Miscellaneous Manuscripts, X. Correspondence from James Joyce, XI. Correspondence to James Joyce, XII. Correspondence from Sylvia Beach, XIII. Correspondence to Sylvia Beach and Shakespeare and Company, XIV. Correspondence from Imprimerie Darantiere to Sylvia Beach/James Joyce, XV. Correspondence of Lucia Joyce, XVI. Other Correspondents, XVII. Photographs and Portraits, XVIII. Miscellaneous Material Related to Joyce’s Works, XIX. Miscellaneous James Joyce Material, XX. Miscellaneous Sylvia Beach and Shakespeare and Company Material, XXI. Miscellaneous Lucia Joyce Material, and XXII. Other Miscellaneous Material.

[ See separate listing - as attached; also expanded details of each of the above under Ulysses, as supra, and Finnegans Wake, as supra.

See also Michael Groden, James Joyce’s Manuscripts: An Index [Garland Reference Library, 186] (NY: Garland Publ. 1980), xv, 173pp. [checklist of all extant MSS, typescripts, and proofs; index to the 63 vols. of “James Joyce Archive” [photo-reprints];

• VI.A [a large, atypical notebook in Joyce’s hand, later known as Scribbledehobble].
• VI.B.1-40, 42-48 [the primary series, consisting of 47 small notebooks in various formats, in Joyce’s hand]; VI.B.48 [compiled after the completion of Finnegans Wake].
• VI.B.41 [written by Joyce at the end of VI.C.18, as infra].
• VI.C.1-18 [18 notebooks containing transcriptions of unused material from the B series made by Mme Raphael and used by Joyce in the same manner as the B series].
• VI.D.1-7 [Virtual notebooks representing parts of VI.C.1-18 whose originals in the B series are no longer extant].

Note: Details of analysis and catalogue enumeration applied by Peter Spielberg in 1962; cited in publisher’s notice from the Brepols edition of the Notebooks. [See Poetry/Rare Books Collection of State University of New York at Buffalo. Also noticed as The Finnegans Wake Notebook Edition (Brepols Publ. 2002-2005) - 55 fascicles in all being a fully integrated and cross-referenced edition of all the extant work-books compiled by Joyce after the completion of Ulysses to be published as a series of fasciles, one per authorial notebook, three per scribal notebook [Times Literary Supplement, 21 Jan. 2005.].

• Danis Rose, ed., James Joyce’s The Index Manuscript: Finnegans Wake Holograph Workbook VI.B.46 (Colchester: A Wake Newsletter Press 1978).
• Danis Rose & John O’Hanlon, eds., The Lost Notebook - New Evidence on the Genesis of Ulysses [with a] foreword by Hans Walter Gabler (Edinburgh: Split Pea Press 1989), xli, 49pp. [See details - supra.]

Paul Léon JJ Archive: Purchased by Irish Govt. from Alexis Léon, consisting of six notebooks and sixteen drafts of James Joyce’s Ulysses, with typescripts and proofs for Finnegans Wake; other collections at Cornell, Yale, Harvard, Princeton and British Library; Rosenbach (Phil.), Buffalo, Texas and Tulsa Univs.; draft of Circe came to light 2000; Buffalo holds pencil-numbered copies of Oxen drafts 1,2, 4, 6, 7, and 8; NLI now adds copybooks no. 3, 5, and 9; four stray pages of the Wake fits into the Buffalo notebook from which they were separated; the aesthetic quotations now available in the hand-written MS pages that Joyce allowed Herbert Gorman to copy; earliest draft of Proteus; early draft of Sirens (‘Joyce decided, for the first time, to make his fictional form correspond to the subject matter in a radical way’); second draft of Circe; drafts of “Scylla and Charybdis”, “Ithaca” and “Penelope”, supplementing the Rosenbach fair copy of all three (last words of Penelope, ‘and I said I would yes’, with would crossed out for will.) Notebooks, marked by coloured crayons cross-outs. See Michael Groden, ‘Letter from Dublin’, in Times Literary Supplement (14 June 2002), p.15. Bibliography, The James Joyce-Paul Léon Papers in the National Library of Ireland, compiled by Catherine Fahy (Dublin: National Library of Ireland 1992).

National Library of Ireland - Collection List No. 68: The Joyce Papers 2002. MS 36,396; Accession No. 6163: Early materials; drafts, &c., of parts of Ulysses; proofs, &c. for Finnegans Wake. / Compiled by Peter Kenny, Asst. Lib. Note: Finnegans Wake [item], MS 36,639/19: 1 sheet of 4 unnumbered pages in MS torn from notebook with words. Short phrases and bibliographical references, some of which are crossed out with red or blue crayon, 21 x 25 cm. Incls references from From Darkness to Light in Polynesia (London: Religious Tract Society 1894), and Myths and Songs from the South Pacific (London: H. S. King & Co. 1896), both by the Rev. William Wyatt Gill (1826-1896). Bibliography: Michael Groden, “The National Library of Ireland’s New Joyce Manuscripts: A Statement and Document Descriptions”, in James Joyce Quarterly, 39, 1 (Fall 2001) p.29-51.

See individual texts ...

The Early Commonplace Notebook or “The Notebook with accounts, quotations, book lists, &c.” - being the one(s) identified without sight as the [so-called] Paris and Pola Notebooks in The Workshop of Daedalus (1965) - here listed as a single item in NLI catalogue of Joyce Papers 2000 as MS 36, 639/2/A - viewable online [accessed 11.03.2022].

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• Ulysses (1967; B&W, 132 mins.) directed & produced by Joseph Strick, with Milo O’Shea as Leopold Bloom, Maurice Roëves as Stephen Dedalus and Barbara Jefford as Molly Bloom. Other roles were played by Martin Dempsey (Simon Dedalus), Fionnula Flanagan (Gerty MacDowell), Maire Hastings (Mary Driscoll), Graham Lines (Haines), Joe Lynch (Blazes Boylan), Anna Manahan (Bella Cohen), Peter Mayock (Jack Power), T. P. McKenna (Buck Mulligan), Sheila O’Sullivan (May Golding Dedalus), Maureen Potter (Josie Breen), and Maureen Toal (Zoe Higgins). The film was set in Dublin of the 1960s to avoid expensive stage-sets. The screenplay was jointly written by Fred Haines and Strick; the cinematography by Wolfgang Suschitzky, and the music by Stanley Myers. Strick (b.1923), also directed A Portrait Of The Artist As A Young Man (1979), co-scripted with Judith Rascoe, with Bosco Hogan, T. P. McKenna and John Gielgud. Strick previously directed a film-version of Jean Genet’s The Balcony (1963) and afterwards a version of Henry Miller’s Tropic of Cancer (1970) and the film Criminals (1995), using texts by C. K. Williams. Strick was blacklisted in the MacCarthy era. The Irish Censorship Board’s ban on his film remained in place until October 2000.
• Ulysses, dir. Sean Walsh. with Angeline Ball [The Commitments] as Molly, Stephen Rea as Bloom and Hugh O’Conor as Stephen Dedalus (première at the Taormina Film Festival, Sicily 2003).
• James Joyce: The Trials of Ulysses [documentary], traces the birth and eventual success of the novel (RTE, Network 2, 16th June 2001).
• Passages from Finnegans Wake (1965; B&W), directed by Mary Ellen Bute with screenplay by Mary Manning, cinematography by Ted Nemeth and music by Elliot Kaplan. Cast incl. Ray Flanagan [Shem 1], Peter Haskell [Shem 2], Page Johnson [Shaun], Martin J. Kelley [HCE/Tim Finnegan], Jane Reilly [Anna Livia].
• James Joyce’s Women (1985; colour), directed by Michael Pearce with cinemotography by John Metcalfe and music by Arthur Keating, Vincent Kilduff & Garrett O’Conner. Cast incl. Fionnula Flanagan [var. as Nora Joyce, Gertie MacDowell, Harriet Shaw Weaver, Main Washerwoman, & Molly Bloom], Chris O’Neill [as James Joyce], James E. O’Grady [as Interviewer], Tony Lyons [as Leopold Bloom], Paddy Dawson [as Stannie Joyce], Martin Dempsey [as John Stanislaus Joyce], Gerald Fitzmahony [as Dublin Gossips], Joseph Taylor [as a Dubliner], Rebecca Wilkinson and Gladys Sheehan [as Washerwomen], Gabrielle Keenan [as Cissy Caffrey], Michele O’Connor [as Edy Boardman].
• Ulysses (RTÉ 1991), sound version, with Conor Farrington, Aidan Grennell, and Thomas Studley as narrators, and Ronnie Walsh (Bloom), Pegg Monahan (Molly), Patrick Dawson (Stephen), and RTE players; text consultant, Roland McHugh, exec. producer, Mícheál Ó hAodha, dir. William Styles; Finnegan’s Wake: A Reading by Patrick Healy (Dublin: Lilliput 1995) [1 874675 627; boxed cassettes].
• Performance versions of “Penelope” by Siobhán MacKenna (q.d.), and Fionnula Flanigan (NY & Irvine, 1993).
• Nora (2000), a film, with Susan Lynch in title role and Ewan McGregor as the young Joyce;, Note also Fionnula Flanagan as Molly Bloom in James Joyce’s Women (1985).
• BBC production of Ulysses on BBC4 radio (16 June 2012) [with Sinead Cusack, et al.].

• British Library, papers relating to Finnegans Wake, Add. MSS 47471-47489.
• British Library, papers incl. draft of autobiography, Add. MS 49975.
• Cornell University, Ithaca, New York, Olin Library, corresp., literary MSS, and papers.
• Harvard University, Houghton Library, corresp., literary MSS, and papers, incl. letters to Grant Richards.
• Huntington Library, letters.
• New York State University, Buffalo, Lockwood Memorial Library, MSS.
• National Library of Ireland, letters
• Ransom Humanities Research Centre, papers.
• Southern Illinois University, Carbondale, Morris Library, corresp., literary MSS, and papers.
• Yale University, Beinecke Library, corresp., literary MSS, and papers.
• British Library, letters to Harriet Shaw Weaver, Add. MSS 57345-57352.
• Trinity College, Dublin, corresp. with Thomas MacGreevy.
• University College, Dublin, letters to D. J. O’Donoghue.
• Museum of Modern Art, New York, a film taken by Robert Kastor [br. of Helen Joyce] showing James, Nora, and Stephen Joyce in a Paris garden [?1937].
• University of Tulsa, Oklahoma, McFarlin Library, James Joyce collection, ‘Ulysses’ (Shakespeare & Co., Paris, 1924), ‘Anna Livia Plurabelle’ (Orthological Institute, Cambridge), ‘Bid adieu’ (Radiodiffusion et Television Françaises, Paris), ‘Bid adieu, Anna Livia Plurabelle, Ulysses’ (Microsillon, Paris)